Quotessence
Home / Topics / Monuments Quotes

Monuments Quotes

Browse 25 quotes about Monuments.

Monuments Quotes

“Not marble nor the gilded monuments Of princes, shall outlive this powerful rhyme, But you shall shine more bright in these contents Than unswept stone, besmeared with sluttish time. When wasteful war shall statues overturn And broils roots out the work of masonry, Nor mars his sword nor war's quick fire shall burn The living record of your memory. 'Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room Even in the eyes of all posterity That wear this world out to the ending doom. So, till judgement that yourself arise, You in this, and dwell in lovers eyes.”

“God calls big trees out of small seeds, so He prepares great monuments out of small minds. He will definitely call those wonderful things he put in you out of you. When He begins, do not resist!”

“One can tell a great deal about a country by what it remembers. By what graces the wall of its museums. And what monuments have privileged placement in parks or central traffic intersections. And what holidays and patriotic songs are the bane and balm to generations of school children. Yet one learns even more about a nation by what it forgets. What moments of evil, disappointment, and defeat are downplayed or eliminated from the national narratives. Often in the United States the issues of race and the centrality of African American culture are given short shrift in textbooks, popular chronicles, and national memories.”

“Journalist Tony Horwitz describes its laser show as an unfortunate mix of Coca-Cola, the Beatles, the Atlanta Braves, and Elvis sining "Dixie," followed by the "Battle Hymn of the Republic." Television ads end with the inclusive slogan, "Stone Mountain: A Different Day for Everyone." Eventually the desire for everyone's dollar may accomplish what the physical elements cannot: eradicating Stone Mountain as a Confederate-KKK Shrine.”

“And so on this rainbow day, with storms all around them, and blue sky above, they rode only as far as the valley. But from there, before they turned to go back, the monuments appeared close, and they loomed grandly with the background of purple bank and creamy cloud and shafts of golden lightning. They seemed like sentinels — guardians of a great and beautiful love born under their lofty heights, in the lonely silence of day, in the star-thrown shadow of night. They were like that love. And they held Lucy and Slone, calling every day, giving a nameless and tranquil content, binding them true to love, true to the sage and the open, true to that wild upland home.”

“Some of those who say they are worried about erasing history are really objecting to decisions about monuments being taken down by a small group of people, whether protesters or officials. Ideally, communities as a whole should decide, but you cannot impose this as a requirement without the existence of a real process for having these conversations. Today, what we are truly in danger of losing is not history but rather the chance to use monuments, whether fallen or still standing, as paths to get to a better future”

“The holy well was before them. If it hadn't been marked as special, the place where the water came to the surface, fresh and clean and clear, would have been easily missed. But long ago, someone had built a stone border around it and added a vertical font with a woman's worn face on it. Water poured from her open mouth into the pool below. Little white moss flowers grew all around it. A few yards away was a craggy standing stone. The stone was twice as tall as Merida and covered all over with carved spirals. On the first day of spring solstice, the sun lit up a perfect trail of light along the stone as it rose; quite magical. Merida used to ride Angus to the stone when she was first learning all the wilds of DunBroch; it was so impressive that it had taken her several visits to realize that the holy well, not the stone, was the reason this path was kept clear.”

“When there is no process, people lose hope that their voices will be heard. And then they take action, even if there's no legal route to do so. But this action might not be the one they really want to take. Perhaps they want to have a community-wide conversation about a monument or make some changes to it. Understanding and reconciliation can happen in many ways - but when authorities refuse to listen to calls for removal, some people will think they have no choice but to topple a monument.”

“If we impose on a map of the earth a 'world grid' with Giza (not Greenwich) as its prime meridian, then hidden relationships become immediately apparent between sites that previously seemed to be on a random, unrelated longitudes. On such a grid, as we've just seen, Tiruvannamalai stands on longitude 48 degrees east, Angkor stands on longitude 72 degrees east and Sao Pa stands out like a sore thumb on longitude 90 degrees east -- all numbers that are significant in ancient myths, significant in astronomy (through the study of precession), and closely interrelated through the base-3 system. So the 'outrageous hypothesis' which is being proposed here is that the world was mapped repeatedly over a long period at the end of the Ice Age -- to the standards of accuracy that would not again be achieved until the end of the eighteenth century. It is proposed that the same people who made the maps also established their grid materially, on the ground, by consecrating a physical network of sites around the world on longitudes that were significant to them. And it is proposed that this happened a very long time ago, before history began, but that later cultures put new monuments on top of the ancient sites which they continued to venerate as sacred, perhaps also inheriting some of the knowledge and religious ideas of the original navigators and builders.”

“The most compelling evidence for the likelihood that the Great Pyramid was constructed by craftspeople with specialized knowledge and advanced techniques is the precision with which it was built. This precision reveals more about the true nature of its builders than any inscription or cartouche. There is no way to ignore the accuracy of this stonecutting, despite Egyptologists' interpretations of the inscriptions found in pyramids or temples in Egypt. After all, hieroglyphics, like any language, has the potential to be misunderstood. After discussing much of the preceding information with the artisans at today's building sites, machine shops, and quarry mills, I became aware of the reason why we are still influenced by ideas that are not compatible with practical application. The artisans of today are too busy making a living to give serious thought to scholarly theories, and even when gross inequities are presented to them, they respond with a cynical shrug. When told that giant limestone casing stones, which were cut to within 1/100 of an inch, were cut with hammer and chisel, a typical response was a shake of the head.”

“The Roman Road is the greatest monument ever raised to human liberty by a noble and generous people. It runs across mountain, marsh and river. It is built broad, straight and firm. It joins city with city and nation with nation. It is tens of thousands of miles long, and always thronged with grateful travellers. And while the Great Pyramid, a few hundred feet high and wide, awes sight-seers to silence—though it is only the rifled tomb of an ignoble corpse and a monument of oppression and misery, so that no doubt in viewing it you may still seem to hear the crack of the taskmaster's whip and the squeals and groans of the poor workmen struggling to set a huge block of stone into position——”

“I always thought that would be really neat if black people ever got control of the United States we would, of course, tear down some of the statues because we just don't like them...like all of Richmond would probably not have a statue standing.”

“To select only monuments supresses at one stroke the reality of the land and that of its people, it accounts for nothing of the present, that is, nothing historical, and as a consequence, the monuments themselves become undecipherable, therefore senseless. What is to be seen is thus constantly in the process of vanishing, and the Guide becomes, through an operation common to all mystifications, the very opposite of what it advertises, an agent of blindness.”