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Topography Quotes

Browse 36 quotes about Topography.

Topography Quotes

“But first of all he is a woodsman, and you aren't a woodsman unless you have such a feeling for topography that you can look at the earth and see what it would look like without any woods or covering on it. It's something like the gift all men wish for when they or young-- or old-- of being able to look through a woman's clothes and see her body, possibly even a little of her character.”

“O río aínda collía uns anacos da lúa vella, de lúa podre, de anaco de cabazo podre que se despenaba, de manteiga amarela, de luz pegañosa, polas restrebas escorrendo a se derreter por embaixo dos piñeiros de Santa Ladaíña a retrincos aínda máis vermellos, como cando vin o ferro vivo na fundición de Malingre ou o ferro na fragua do Catapiro no primeiro instante da auga, agora sen chiar, alumando de preguiza, sen renxer, manseliño polas restrebas; todo tépedo, calado, arrecendendo a río do verán, á espesidume do cheiro do verán, ás pozas mornas do verán, a cabazo podre, a lúa morta aformentada do verán, escorregando até os enchoupos do brión, cos retrincos de luz amarela, morredía, na auga encol dos cachóns múos do verán, e tantas arrás na espesidume do seu canto no cheiro da lama do verán, e a luz vermella nas pozas e limos apegadizos, e nos coiñais dunha soa cor an espesidume do ar do verán e as sombras medrando medrando, afundíndose, estendéndose sen se ver xa a outra beira do río, xa con présa como apagándose todo decontado, e puña medo.”

“A paisaxe non ten o ledo verdor das terras cháns e abertas que Pedro alvistou dende o tren. O coche vai rolando, a tombos, por gándaras ermas e lombos areosos; baixa polas abas dun monte cuberto con herbas do demo, para caer en tremedales de xuncos; gabea por outeiros con alfarrobeiras e corre por chairas tiñosas. Xa decorreron moitas horas de andadura, a rolar por soedades, e no devalo do día, aparece un casal, alá no fondo, á veira dunha lagoa, espello morto de augas salitrosas.”

“Where some may see flat, static narratives, I see a spectrum of tonal gradations and realities. What I am creating is literally black portraiture with ballpoint pen ink. I'm looking for that in-between state in an individual where the overarching definition is lost. Skin as geography is the terrain I expand by emphasizing the specificity of blackness, where an individual’s subjectivity, various realities and experiences can be drawn onto the diverse topography of the epidermis. From there, the possibilities of portraying a fully-fledged person are endless.”

“Whatever strengthens our local attachments is favorable both to individual and national character, our home, our birthplace, our native land. Think for a while what the virtues are which arise out of the feelings connected with these words, and if you have any intellectual eyes, you will then perceive the connection between topography and patriotism.”

“That the mere matter of a poem, for instance--its subject, its given incidents or situation; that the mere matter of a picture--the actual circumstances of an event, the actual topography of a landscape--should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.”

“The wrecking ball is characteristic of our way with materials. We 'cannot afford' to log a forest selectively, to mine without destroying topography, or to farm without catastrophic soil erosion. A production-oriented economy can indeed live in this way, but only so long as production lasts.”

“The world can only appear monochromatic to those who persist in interpreting what they experience through the lens of a single cultural paradigm, their own. For those with the eyes to see and the heart to feel, it remains a rich and complex topography of the spirit.”

“I really love James Joyce, Dubliners and other work. And I was interested in the way the dash was used in English topography - in his work particularly - and I realized there was no compulsion to use those ugly dot-dot curlicues all over the place to designate dialogue. I began to look around, and found writers who could make transitions quite clear by the language itself. I'm a bit of a maverick now. I'm always trying to push the medium.”

“We lived, until I was 12 or so, in communal apartment with five different families and the same kitchen, in two little - my brother and me and my parents. It was hell, but it was a common thing. My father was not general or admiral, but he was colonel. He was teaching in military academy military topography.”

“This is what you do now to give your day topography--scan the boxes, read the news, see the chain of your friends reporting about themselves, take the 140-character expository bursts and sift through for the information you need. It's a highly deceptive world, one that constantly asks you to comment but doesn't really care what you have to say. The illusion of participation can sometimes lead to participation. But more often than not, it only leads to more illusion, dressed in the guise of reality.”

“Each place its own mind, its own psyche! Oak, Madrone, Douglas fir, red-tailed hawk, serpentine in the sandstone, a certain scale to the topography, drenching rains in the winters, fog off-shore in the summers, salmon surging up the streams - all these together make up a particular state of mind, a place-specific intelligence shared by all the humans that dwell therein, but also by the coyotes yapping in those valleys, by the bobcats and the ferns and the spiders, by all beings who live and make their way in that zone. Each place its own psyche. Each sky its own blue.”