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Flats Quotes

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Flats Quotes

“I've always been fascinated by Picasso and how he would look at a single image through multiple perspectives and from separate moments in time. He would look at a woman's face and he would see almost a three-dimensional look even though it was a flat canvas. I thought, well why couldn't we do the same thing with a football play?”

“The actual, original 'Teenage Mutant Ninja Turtles,' I have vague memories of because I was pretty small, but I loved, loved, loved it. I have only those weird, visceral little-kid memories: I remember the extreme flat, two dimensional green that was their skin or the weird pizza with no sauce - it was just like yellow, drippy cheese.”

“The free-trade idea, logically applied, will abolish usury; and with usury will disappear the chief bone of contention between labor and capital. But, just at this point, free-traders go over to the enemy; and many writers on political economy, in flat contradiction of the essential principles of that science, have made elaborate arguments to prove self-government in finance, impossible! What shall we think of men who, having dethroned kings, demolished popes, destroyed slave oligarchies and assailed tariff monopoly, advise submission to the most oppressive and dishonest of despotisms, Usury?”

“Where some may see flat, static narratives, I see a spectrum of tonal gradations and realities. What I am creating is literally black portraiture with ballpoint pen ink. I'm looking for that in-between state in an individual where the overarching definition is lost. Skin as geography is the terrain I expand by emphasizing the specificity of blackness, where an individual’s subjectivity, various realities and experiences can be drawn onto the diverse topography of the epidermis. From there, the possibilities of portraying a fully-fledged person are endless.”

“To me it is no mystery that we can only photograph effectively what we are truly interested in or-maybe more importantly-are grappling with. Often unconsciously. Otherwise the photographs are merely about an idea or a concept-that stuff eventually falls flat for me-there must be something more, some emotional hook for it to really work for me.”

“Homesickness is a great teacher. It taught me, during an endless rainy fall, that I came from the arid lands, and like where I came from. I was used to dry clarity and sharpness in the air. I was used to horizons that either lifted into jagged ranges or rimmed the geometrical circle of the flat world. I was used to seeing a long way. I was used to earth colors--tan, rusty red, toned white--and the endless green of Iowa offended me. I was used to a sun that came up over mountains and went down behind other mountains. I missed the color and smell of sagebrush, and the sight of bare ground.”

“The photographs are not illustrative. They, and the text, are coequal, mutually independent, and fully collaborative. By their fewness, and by the importance of the reader’s eye, this will be misunderstood by most of that minority which does not wholly ignore it. In the interests, however, of the history and future of photography, that risk seems irrelevant, and this flat statement necessary.”

“If you followed this economic crisis and you do not think that the world is getting flatter, you are not paying attention. We saw the entire global economy at one time acting totally in sync. The real truth is the world is even flatter than I thought. Our mortgage crisis is killing Deutsche Bank. You still don't think the world is flat?”

“Evolution is a theory in a special philosophical sense of science, but in terms of ordinary laymen's use of language, it's a fact, .. Evolution is a fact in the same sense that it's a fact that the Earth is round and not flat, [that] the Earth goes round the Sun. Both those are also theories, but they're theories that have never been disproved and never will be disproved.”

“I had a lot of self-loathing, .. I've been self-sustained since I was 11. I've always been the one making the money, and to be flat on my back and .. so vulnerable and then be completely loved. To have my wife be there, 110% supportive. To have my children say, 'It's OK, Mom.' To have the people that I work for say, 'It's OK.' To have my fans go, 'It's all right.' It's like, what was I afraid of? I'm going to get healthy now, and I'm not going to carry that baggage anymore.”

“I look at ordinary people in their suits, them with no scars, and I'm different. I don't fit with them. I'm where everybody's got scar tissue on their eyes and got noses like saddles. I go to conventions of old fighters like me and I see the scar tissue and all them flat noses and it's beautiful. ... They talk like me, like they got rocks in their throats. Beautiful!”

“The area between the nose and the chin, the subject of kissing and the vehicle for speech, is perhaps even more known and set upon than the eyes. The mouth is also riddled with a complex interweaving of folds, curves, flats and lost-and-found edges. These nuances are needed by a perceptive person who might try to understand human nature.”