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Elevators Quotes

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Elevators Quotes

“There are two elevators. One is blue. One is red. When you want to go up, you take the blue elevator. When you want to go down, you take the red elevator. It’s that simple. It can’t go wrong! The blue one only goes up. And the red one only goes down.” And so, at last, Wayside School got elevators. A blue one and a red one. They each worked perfectly one time — and never could be used again.”

“I am not a lady I live in an elevator in a big department store America. “Your floor, lady?” “I don't have a floor, I live in the elevator.” “You can't just live in an elevator.” They all say that except for the man from Time magazine who acted very cool. We stop and let people into dresses, better dresses, beauty, and on the top floor, home furnishings and then the credit office, suddenly stark and no nonsense this is it. At each floor I look out at the ladies quietly becoming ladies and I say “huh” reflectively. My hair is long and wild full of little twigs and cockleburrs. I visit the floors only for water. I make my own food from the berries and frightened rabbits— I pray forgive me brother as I eat— that grow wild in the elevator. Once every three months, solstice and equinox, a cop comes and clubs me a little. The man from Time says I articulate my generation something wobble squeegy squiggle pop pop Yesterday pausing at childrens I saw another lady take off all her clothes and go to live in #7. We are waiting to fill all thirteen.”

“It may sound ridiculous to say that Bell and his successors were the fathers of modern commercial architecture—of the skyscraper. But wait a minute. Take the Singer Building, the Flatiron Building, the Broad Exchange, the Trinity, or any of the giant office buildings. How many messages do you suppose go in and out of those buildings every day? Suppose there was no telephone and every message had to be carried by a personal messenger? How much room do you think the necessary elevators would leave for offices? Such structures would be an economic impossibility.”

“In seconds an 'up' elevator came rushing toward them. The doors opened, revealing a mostly-empty interior. “Sometimes,” he said, “you have to go up to go down.” Liv followed him in, marveling at the scene below them. She could see the full scope of Dragon Con from her bird's eye vantage, the floor a living mass of bodies. Tiny toy-sized people in cosplay moved in bright splotches of color ten stories down. And it wasn't just one section. The atrium level was equally packed, the hallways leading to ballrooms around the hotel teaming with people. With an unsettling rush, the elevator sprang upward, the figures shrinking into specks. Liv's stomach contracted and she pulled back from the glass. They were incredibly high.”

“The experience of riding in a subway or elevator calls to mind Bertrand Russell's remark that much of modern anxiety stems from the time we spend in unnatural proximity to strangers without the preliminary sniffing that is instinctive in animals, including us.”

“I was all-state in four sports in New Jersey, but sometimes I couldn't get served at a restaurant two blocks from my high school. There were no job opportunities then... the only thing a black youth could aspire to be was a bellboy or a pullman or an elevator operator, or, maybe, a teacher. There was a time when all we had was black baseball.”

“We must remember that those mortals we meet in parking lots, offices, elevators, and elsewhere are that portion of mankind God has given us to love and to serve. It will do us little good to speak of the general brotherhood of mankind if we cannot regard those who are all around us as our brothers and sisters.”

“After the occupation of Paris, Hitler visited Paris, which of course was a great jewel for him, and he wanted to go up on the Eiffel Tower and gaze down upon the city of Paris, which he'd conquered. For some reason the elevators mysteriously stopped working that day. Some people say it might have had to do with the French resistance. So he couldn't go up.”

“I do kind of aspire to do comedy that appeals to a wide range of audiences and doesn't divide people. I never want to do material that makes people laugh at the expense of making other people feel bad - not to say I'm not guilty of that at times. ... I try and make humor out of the really important issues of the day, like Hot Pockets and elevators and not wanting to get out of bed.”

“Immortals is without doubt the best-looking awful movie you will ever see. Eiko Ishioka's costume designs alone deserve an Oscar nomination. "They weren't at all historically accurate," grumbled a woman in the elevator after the sneak preview, as if lots of documentation exists about the wardrobes of the gods. She added: "I guess that's what we deserve for using free tickets we got at a Blackhawks game.”

“We've all had some level of injustice, whether 20 years in prison, or 20 minutes sitting in your car waiting for a police officer to determine your future. Or even a few moments in an elevator with some woman clutching her purse thinking you're going to rob her ¾ regardless of celebrity, that has happened to me.”

“This guy, when I met him he was 47 years old, he'd just come out of a divorce and he was, you know, very desirable. He had every Cosmo cover girl and undercover girl. They were just coming out of his ears. Baking cakes on his doorstep, one in the back door, one on the roof, one waiting in the basement, another in the elevator. So I know I have to keep an eye on him.”

“I felt permanently exiled from 'normality.' Whether imposed by self or society, this outsider status - and not the disability itself - constitutes the most daunting barrier for most people with physical impairments, because it, even more than flights of steps or elevators without braille, prevents them from participating fully in the ordinary world, where most of life's satisfactions dwell.”

“Astronomers are pure of heart and appealingly puerile. They look into the midnight sky and ask big questions, just as we did when we were in college: Who are we? Where do we come from? And why are we standing around outside on the night before finals, do we want to end up making elevator parts for a living like our father or what?”

“The first time I watched television I felt exactly as if something important had taken an elevator ride up to my head and gotten off and turned on the light in my mind. I knew that I was going to do something in television. It was in my cards. I remember feeling the warm relief of knowing where my future was.”

“I wanted to reexamine the idea of the album for generations of people who are not my age, who love music or learning about music or are finding this band called R.E.M. or have just previously heard "Losing My Religion" and "Everybody Hurts" as their elevator music. I wanted to present an idea of what an album could be in the age of YouTube and the Internet.”

“They seldom looked happy. They passed one another without a word in the elevator, like silent shades in hell, hell-bent on their next look from a handsome stranger. Their next rush from a popper. The next song that turned their bones to jelly and left them all on the dance floor with heads back, eyes nearly closed, in the ecstasy of saints receiving the stigmata.”

“I've always found that when you're trying to create illusions with sound, especially in a science fiction or fantasy movie, that pulling sounds from the world around us is a great way to cement that illusion because you can go out and record an elevator in George Lucas's house or something, and it will have that motor sound.”

“In our truly remarkable an unexampled civil peace, where there are rarely fist fights; where no one is born, is gravely ill, or dies; where meat is eaten but no one sees an animal slaughtered; where scores of millions of cars, trains, elevators, and airplanes go their scheduled way and there is rarely a crash; where an immense production proceeds in orderly efficiency and the shelves are duly clears and nevertheless none of this come to joy or tragic grief or any other final good it is not surprising if there are explosions.”

“In the first Chucky film, there's a scene in the elevator where a woman is just bringing food to a friend's home and they're in that cage elevator. She says, 'What an ugly doll,' and walks away. As the elevator begins to descend, Brad just decides he's going to drop this in and it was so simple but he just goes 'F*&k you,' and the audience went crazy. It was really a marker for us, and an evolution to understand what the potential of not just this killer, but this guy that obviously has some opinions as well.”