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Elevators Quotes

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Elevators Quotes

“Government can ensure that we share schools and streets and lunch counters and buses and elevators and theaters, but let us never forget that only God can give us the power to love each other and to respect each other and to share life, liberty and the pursuit of happiness.”

“The best food storage is not in welfare grain elevators but in sealed cans and bottles in the homes of our people. What a gratifying thing it is to see cans of wheat and rice and beans under the beds or in the pantries of women who have taken welfare responsibility into their own hands. Such food may not be tasty, but it will be nourishing if it has to be used.”

“I remember getting in the elevator for my audition and there was a guy next to me who had a backpack full of props and wigs and things, and I went, 'Oh, my God, that guy is so prepared, I have nothing, I have no props.' And that was Andy Samberg. And Andy Samberg said he was looking at me going, 'Oh, that guy has no props. He doesn't need props.' And that was the first time we met, was in that elevator.”

“I'm very much still connected to the way that I've always been perceived. And it happens. I'm not trying to play up anything, it is true. I've walked by numerous cars where they've locked the doors, I get into an elevator and someone moves out of the way. I've been to a place where some people think their children shouldn't play with my children. And that breaks my heart.”

“While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.”

“When the prisoner is brought down from Death Row he steps from the elevator directly into a "holding" room that adjoins the witness room. There are two cells in this "holding" room, two, in case it's a double execution. They're ordinary cells, just like this one, and the prisoner spends his last night there before his execu­tion in the morning, reading, listening to the radio, playing cards with the guards.”

“Just wait and see this stuff play out as it does. But if, for example, why would he say some human activity linked to climate change when he has gone on record as saying that he doesn't believe it and we're gonna get people out of the EPA who do and we're gonna stop playing games with this. Why would he say it? [Donald Trump] wants to build a bridge with the opposition. This is why you don't see me at Trump Tower going up and down the elevators.”

“There was a place in New York called Tannen's Magic. It still exists. But back in the day, it was really fantastic. You'd go into the old Wurlitzer Building, take the elevator to the 13th floor, which was labeled 14, because of bad luck, the elevator would open, and you'd be in heaven. It was all of these guys doing magic stuff with props. It's kind of gone now, that experience, the brick-and-mortar magic shop, but you really felt like you'd landed in the most amazing place in the world.”

“I met [ Samuel L. Jackson ] for the first time on The Today Show. He came out of an elevator. I was promoting A Mighty Wind and he was promoting something else. He said, "I hear we're going to be working together." I said, "On what?" He said, 'The Man.' I hadn't heard his name mentioned before. I made a few calls and found out he had the script and was interested. That was it.”

“All children in the '50s were taught manners, they were taught to say please and thank you, they were taught not to be rude. And I'm seeing some problems today where somebody's losing a job because they made fun of a fat lady that couldn't fit in the elevator. I mean that was the sort of thing that, when I was eight years old, my mother made it very clear to me that that was not okay to say that kind of stuff.”

“The magnificent lobby of the Chrysler Building - faced with rare marbles, aglitter with decorative metalwork, and surmounted by a ceiling painted with a totemic image of the tower itself - leads to elevator cabs inlaid with exotic woods in fanciful patterns. The entire route from street to office is invested with ceremony, dignity, and delight.”