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Texture Quotes

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Texture Quotes

“Welcome to Book-a-holic Anonymous. Hi, I'm Jazz and I am addicted to the written word. I love the smell of the blackest ink sliding across texture paper. My eyes squint against the loss of time within the pages of story. I don't think there's a cure for my compulsion to lose myself within life and times of those characters bound between the covers.”

“This. Is where you ARE. Be active in what you’ve got, not suckling some prescribed monastic salvation belonging to another era that isn’t yours. Start living all these luminous philosophies in the down-n-dirty texture of the real world for others to see and trip over and align with. Try not segregating yourself so much, limiting your choices to one world or the other.”

“Experts in the fashion industry say the first clothes that people are drawn to are instinctual. Think of your favorite clothes as a child. Then as you mature, you focus deeper into the self. Now you favor clothes that involve sexuality, yours and other people's. You begin to reflect your profession, your mental state, then address your personal affectations. Your personhood. And then you start to look into the world. At society and history and nature. You feel for texture and you create contrasts and distance.”

“I'd used vegetable dyes to color the entire thing a purple so deep it was almost black, the effect of which was fairly unappetizing... but perfect for Halloween, I hoped. I'd turned up the richness of the filling, aiming for a luxurious mouthfeel without being sickening, and made the whole thing more savory, dialing back on the sugar and adding garlic and onion and lots of fresh herbs to cut through the richness. I then rolled bites of it in a potato chip crust and deep-fried them, which sounded bizarre but worked. At least, I thought so. I held my breath as the judges crunched in and chewed thoughtfully. "I love this." Lenore Smith was blunt as always. "It's bizarre, but in all the best ways. The inside is melty and rich and savory, and the outside is perfectly crunchy and salty. It makes me think of an arancini." I was familiar with the fried Italian risotto balls, but I hadn't connected them to my dish until now.”

“I need the comfort. I look for a food memory to calm me and I settle on ceviche. A tart bite, a clean, fresh wave of flavor. Think of the process. Raw fish is translucent, but when you dip the lime juice onto it, it becomes something else. Cubes of white-fleshed fish begin to flake. Shrimp turn pink. Texture becomes color. Visible streaks, almost stripes, show the grain.”

“I don't necessarily love rotting bodies, but there's a texture to a rotting body that is unbelievable. Have you ever seen a little rotted animal? I love looking at those things, just as much as I like to look at a close-up of some tree bark, or a small bug, or a cup of coffee, or a piece of pie. You get in close and the textures are wonderful.”

“Never close your mind to a color. Remember, too, that texture is an important element. The same dress in the same shade of red may look wonderful on you in soft velvet but too harsh in a hard-finished taffeta. Think in terms of color combined with texture, not of one or the other independently.”

“Contrast between textured areas and smooth areas in a tattoo can help direct the viewer’s eye to the most important elements. Highly textured areas will draw the eye and feel ‘closer’ to the viewer than areas with smooth or solid elements. Same goes for highly detailed areas vs. more blurred and soft areas.”

“So now do you see why books are hated and feared? They show the pores in the face of life. The comfortable people want only wax moon faces, poreless, hairless, expressionless. We are living in a time when flowers are trying to live on flowers, instead of growing on good rain and black loam. Even fireworks, for all their prettiness, come from the chemistry of the earth. Yet somehow we think we can grow, feeding on flowers and fireworks, without completing the cycle back to reality. Do you know the legend of Hercules and Antaeus, the giant wrestler, whose strength was incredible so long as he stood firmly on the earth? But when he was held, rootless, in midair, by Hercules, he perished easily. If there isn’t something in that legend for us today, in this city, in our time, then I am completely insane. Well, there we have the first thing I said we needed. Quality, texture of information.”

“You will be educated, which means that you will be interested where others are bored, that you will notice unities where others experience randomness, and that you will intend meanings where others are just spouting words. For exactly that is supposed to be the result of becoming literate: The world becomes a thick texture of significance that you know how to “access.”

“Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.”

“The camera machine cannot evade the objects which are in front of it. When the photographer selects this movement, the light, the objects, he must be true to them. If he includes in his space a strip of grass, it must be felt as the living differentiated thing it is and so recorded. It must take its proper but no less important place as a shape and a texture in relationship to the mountain tree or what not, which are included.”

“Men have always been the victims of trifles, but when they were uncomfortable and passionate, and in constant danger, they hardly had time to notice what the daily texture of their thoughts was in their calm intervals, whereas with us the intervals are all.”

“Sensibility... is a direct and particular reaction to the separate and individual nature of things. It begins and ends with the sensuous apprehension of colour, texture and formal relations; and if we strive to organize these elements, it is not with the idea of increasing the knowledge of the mind, but rather in order to intensify the pleasure of the senses.”

“I have always been interested in fashion as an informing design discipline: proportion structure, detail, materiality, texture, color and quality. With a heightened interest in, and an awareness of the built environment, the 'store' has become a critical, perceptual and psychological component of merchandising as well as imaging. Architecture and fashion are partners.”

“Surfaces reveal so much. The marks painters make reveal so much about their work and themselves; their sense of proportion, line, and rhythm is more telling than their signature. Looking at the surfaces of nature may offer equivalent revelations. What do these shapes and patterns reveal about the world and their creator? Surfaces hide so much.”

“The verb 'to darn' is explained in my pocket dictionary as follows: 'To mend by imitating the texture of the stuff, with thread and needle.' But this definition does not correspond to the work accomplished by good Chinese housewives. When they mend a sock, they do not try 'to imitate the texture of the stuff'. Their art makes no attempt at concealment: it even takes a certain pride in revealing itself.”

“Ah, my brother, it is a far harder thing, and it is afar higher proof of a thorough-going, persistent, Christian principle woven into the very texture of my soul, to go on plodding and patient, never taken by surprise by any small temptation, than to gather into myself the strength which God has given me, and, expecting some great storm to come down upon me, to stand fast, and let it rage. It is a great deal easier to die once for Christ than to live always for Him.”