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Styles Quotes

Browse 21 quotes about Styles.

Styles Quotes

“The overhead lights hit the Serch Bythol sculpture on the utmost tier, the sugar crystals shimmering and dancing like a cascade of diamonds. The planes of the cake beneath were clean and crisp, and the sugar-stained glass panels caught every light on the ceiling, throwing back shimmering rainbow rays. Sylvie was most proud of the silhouette that circled the middle stained-glass tiers--the skylines of London and Johnny's family estate in Lancashire. Only when viewed at close range did a second, hidden skyline emerge from within the reflective depths---the fantasy lands of I, Slayer, complete with a tiny, flying dragon. It was a work of art---and even now, she was taken aback by the level of harmony they had achieved, twinning together two very different styles. In honor of the union of two very different people, whose lives would hopefully interlock just as successfully.”

DifferentSymbolicWedding CakeBride And GroomStylesRoyal Wedding
Book:Battle Royal
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“The poetry of Homer, sprung from the soil of legend, is not yet wholly detached from it, even as the figures of a bas-relief adhere to an extraneous backing of the original block. These figures are but slightly raised, and in the epic poem all is painted as past and remote. In bas- relief the figures are usually in profile, and in the epos all are characterized in the simplest manner in relief; they are not grouped together, but follow one another; so Homer's heroes advance, one by one, in succession before us. It has been remarked that the Iliad is not definitively closed, but that we are left to suppose something both to precede and to follow it. The bas-relief is equally without limit, and may be continued ad infinitum, either from before or behind, on which account the ancients preferred for it such subjects as admitted of an indefinite extension, sacrificial processions, dances, and lines of combatants, &c. Hence they also exhibited bas-reliefs on curved surfaces, such as vases, or the frieze of a rotunda, where, by the curvature, the two ends are withdrawn from our sight, and where, while we advance, one object appears as another disappears. Reading Homer is very much like such a circuit; the present object alone arresting our attention, we lose sight of that which precedes, and do not concern ourselves about what is to follow.”

HomerHerosStylesBas Relief
Book:Lectures on Dramatic Art and Literature
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“The tragic style of Aeschylus (I use the word "style" in the sense it receives in sculpture, and not in the exclusive signification of the manner of writing,) is grand, severe, and not unfrequently hard: that of Sophocles is marked by the most finished symmetry and harmonious gracefulness: that of Euripides is soft and luxuriant; overflowing in his easy copiousness, he often sacrifices the general effect to brilliant passages. The analogies which the undisturbed development of the fine arts among the Greeks everywhere furnishes, will enable us, throughout to compare the epochs of tragic art with those of sculpture. Aeschylus is the Phidias of Tragedy, Sophocles her Polycletus, and Euripides her Lysippus. Phidias formed sublime images of the gods, but lent them an extrinsic magnificence of material, and surrounded their majestic repose with images of the most violent struggles in strong relief. Polycletus carried his art to perfection of proportion, and hence one of his statues was called the Standard of Beauty. Lysippus distinguished himself by the fire of his works; but in his time Sculpture had deviated from its original destination, and was much more desirous of expressing the charm of motion and life than of adhering to ideality of form.”

SculptureSophoclesEuripidesStylesAeschylusPhidiasLysipposPolykleitos
Book:Lectures on Dramatic Art and Literature
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“Serena and Jimena walked into the crowd, strides long and seductive. Jimena wore a silver bustier and capris with matching sandals. Her hair was rolled on top of her head with glitter and jewels. Curls bounced with each step. Her face gleamed; her full lips sparkled. The tattoos on her arms seemed iridescent. She whooped and squealed and gave Serena a high five. Serena had moussed her hair so it stood on end. Streaks of orange glitter shot from her temples into her hair. She wore a yellow tulle skirt over a sheer, clingy red dress and looked like a walking flame.”

RedSilverGlitterGoddessesSerena KillingsworthJimena CastilloStyles
Book:Goddess of the Night
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“Some people just win, while others win with indelible styles. Don’t just dream to win; dare to be remain a winner!”

DreamWinningDreamsAchieveStyleFood For ThoughtIsraelmore AyivorPersonal DevelopmentWinnerDream BigWinBig DreamsWinning And LosingStylishWinnersMake A ChangeIndelibleMotivationsAchieversWinning MentalityUnbeatableStylesChange MakersChange MakerIndelible ImpactIndelible FootprintIndelible FootprintsWinning GameDream To Win
Book:You Can Rise
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“You know those DIY craft kits for kids, where they supply the blank ceramic base and it's just screaming out for the paint and glitter?" She relented when he cast his eyes ceiling-ward. "It's lovely. Elegant, chic, and perfect for the brief. And inspiringly executed. If I had my Operation Cake crown coin, I'd award you the thousand quid." He addressed her with typically crisp brevity. "Your ingenuity was never in question. But your technical ability now---" "Is neck and neck with yours.”

Work EthicCapabilitiesStyles
Book:Battle Royal
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