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Aeschylus Quotes

Browse 8 quotes about Aeschylus.

Aeschylus Quotes

“Is it possible that the Pentateuch could not have been written by uninspired men? that the assistance of God was necessary to produce these books? Is it possible that Galilei ascertained the mechanical principles of 'Virtual Velocity,' the laws of falling bodies and of all motion; that Copernicus ascertained the true position of the earth and accounted for all celestial phenomena; that Kepler discovered his three laws—discoveries of such importance that the 8th of May, 1618, may be called the birth-day of modern science; that Newton gave to the world the Method of Fluxions, the Theory of Universal Gravitation, and the Decomposition of Light; that Euclid, Cavalieri, Descartes, and Leibniz, almost completed the science of mathematics; that all the discoveries in optics, hydrostatics, pneumatics and chemistry, the experiments, discoveries, and inventions of Galvani, Volta, Franklin and Morse, of Trevithick, Watt and Fulton and of all the pioneers of progress—that all this was accomplished by uninspired men, while the writer of the Pentateuch was directed and inspired by an infinite God? Is it possible that the codes of China, India, Egypt, Greece and Rome were made by man, and that the laws recorded in the Pentateuch were alone given by God? Is it possible that Æschylus and Shakespeare, Burns, and Beranger, Goethe and Schiller, and all the poets of the world, and all their wondrous tragedies and songs are but the work of men, while no intelligence except the infinite God could be the author of the Pentateuch? Is it possible that of all the books that crowd the libraries of the world, the books of science, fiction, history and song, that all save only one, have been produced by man? Is it possible that of all these, the bible only is the work of God?”

LightInspirationScienceFictionProgressBooksBibleIndiaTragedyMathematicsIntelligenceChinaMathExperimentsWriterChemistryRomePoetsEgyptGreeceNewtonPioneersShakespeareFranklinSongsLibrariesWilliam ShakespeareDiscoveriesThe BibleEuclidGoetheInventionsOpticsCopernicusDescartesKeplerIsaac NewtonLaws Of MotionGalileoLeibnizBurnsJames WattSchillerTheory Of GravityAeschylusJohannes KeplerNicolaus CopernicusPentateuchBenjamin FranklinGalileo GalileiRobert BurnsWattMorseGottfried LeibnizGottfried Wilhelm LeibnizJohann Wolfgang Von GoetheRené DescartesCavalieriPneumaticsAlessandro VoltaBerangerBonaventura CavalieriBonaventura Francesco CavalieriFultonGalvaniGottfried Von LeibnizGottfried Wilhelm Von LeibnizHydrostaticsJohann Von GoetheLuigi Aloisio GalvaniLuigi GalvaniPierre Jean De BérangerRichard TrevithickRobert FultonSamuel Finley Breese MorseSamuel MorseTheory Of Universal GravitationTrevethickVoltaÆSchylus
Book:Some Mistakes of Moses
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“The tragic style of Aeschylus (I use the word "style" in the sense it receives in sculpture, and not in the exclusive signification of the manner of writing,) is grand, severe, and not unfrequently hard: that of Sophocles is marked by the most finished symmetry and harmonious gracefulness: that of Euripides is soft and luxuriant; overflowing in his easy copiousness, he often sacrifices the general effect to brilliant passages. The analogies which the undisturbed development of the fine arts among the Greeks everywhere furnishes, will enable us, throughout to compare the epochs of tragic art with those of sculpture. Aeschylus is the Phidias of Tragedy, Sophocles her Polycletus, and Euripides her Lysippus. Phidias formed sublime images of the gods, but lent them an extrinsic magnificence of material, and surrounded their majestic repose with images of the most violent struggles in strong relief. Polycletus carried his art to perfection of proportion, and hence one of his statues was called the Standard of Beauty. Lysippus distinguished himself by the fire of his works; but in his time Sculpture had deviated from its original destination, and was much more desirous of expressing the charm of motion and life than of adhering to ideality of form.”

SculptureSophoclesEuripidesStylesAeschylusPhidiasLysipposPolykleitos
Book:Lectures on Dramatic Art and Literature
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