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Classical Quotes

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Classical Quotes

“Rufus didn’t pay any attention to the voice back then. At that time, he attributed the voice to his lack of confidence, causing him to doubt the durability of his friendship with Melissa. But as the years passed, the voice became louder in his head, and it seemed to be someone else’s. It didn’t sound like Rufus did when he spoke. And it didn’t think like he thought. The most crucial difference between Rufus and the voice was that it didn’t tell the truth because the truth was that only good things had happened to him since he’d met Melissa.”

StrengthExcitingInjusticeTraumaLove StoryDemiseClassicalBricklayerHeart Over HeadTragic Demise
Book:One More Life to Live
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“Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity.”

ArtModernUnityIndividualityMiddle AgesModernityObjectivityRenaissanceAntiquitySubjectivityIndividuationClassical
Book:Meaning in the Visual Arts
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“The melancholy of the antique world seems to me more profound than that of the moderns, all of whom more or less imply that beyond the dark void lies immortality. But for the ancients that ‘black hole’ is infinity itself; their dreams loom and vanish against a background of immutable ebony. No crying out, no convulsions—nothing but the fixity of the pensive gaze. With the gods gone, and Christ not yet come, there was a unique moment, from Cicero to Marcus Aurelius, when man stood alone. Nowhere else do I find that particular grandeur.”

DeathReligionHumanityAtheismImmortalityRomeNihilismModernismClassical
Author:Flaubert Gustave
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“Epic art is founded on action, and the model of a society in which action could play out in greatest freedom was that of the heroic Greek period; so said Hegel, and he demonstrated it with The Iliad: even though Agamemnon was the prime king, other kings and princes chose freely to join him and, like Achilles, they were free to withdraw from the battle. Similarly the people joined with their princes of their own free will; there was no law that could force them; behavior was determined only by personal motives, the sense of honor, respect, humility before a more powerful figure, fascination with a hero's courage, and so on. The freedom to participate in the struggle and the freedom to desert it guaranteed every man his independence. In this way did action retain a personal quality and thus its poetic form. Against this archaic world, the cradle of the epic, Hegel contrasts the society of his own period: organized into the state, equipped with a constitution, laws, a justice system, an omnipotent administration, ministries, a police force, and so on. The society imposes its moral principles on the individual, whose behavior is thus determined by far more anonymous wishes coming from the outside than by his own personality. And it is in such a world that the novel was born.”

ActionAncientBureaucracyGreeceStatismDoingHegelIliadHomerClassical
Book:The Curtain: An Essay in Seven Parts
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“When left alone, quantum particles behave as multiple images of themselves (as waves, really), simultaneously moving through all possible paths in space and time. Now, again, why do we not experience this multitude around ourselves? Is it because we are probing things around us all the time? Why do all experiments that involve, say, the position of a particle make the particle suddenly be somewhere rather than everywhere? No one knows. Before you probe it, a particle is a wave of possibilities. After you've probed it, it is somewhere, and subsequently it is somewhere for ever, rather than everywhere again. Strange, that. Nothing, within the laws of quantum physics, allows for such a collapse to happen. It is an experimental mystery and a theoretical one. Quantum physics stipulates that whenever something is there, it can transform into something else, of course, but it cannot disappear. And since quantum physics allows for multiple possibilities simultaneously, these possibilities should then keep existing, even after a measurement is made. But they don't. Every possibility but one vanishes. We do not see any of the others around us. We live in a classical world, where everything is based on quantum laws but nothing resembles the quantum world.”

LawTimeSpaceKnowledgePositionExperienceDisappearPhysicsLiveQuantumMultiplePossibilitiesParticlesKnowPossibleMeasurementQuantum PhysicsLeft AloneLawsWavesSomethingTransformPathsImagesProbingSomewhereEverywhereClassicalProbeSimultaneouslyVanishes
Book:The Universe in Your Hand: A Journey Through Space, Time, and Beyond
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“The 'magic' is the known and unknown quiet, spiritual, invisible thread which links and reveals harmonic elements to a universe of high vibrational sensory. And our beloved Bro. Maurice David knew it's undeniable creative power, from within.”

SoulWisdomEarthSpiritSoundMusicMagicSourceGeniusBandTransformationHarmonyJazzMusicalCreatorRhythmGiftedFusionFunkVibrationUniversal LoveElements Of PowerClassicalR BFrom WithinEwfMaurice DavidQuotes About Maurice DavidWind Fire
Author:T.F. Hodge
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“Beethoven introduced us to anger. Haydn taught us capriciousness, Rachmaninoff melancholy. Wagner was demonic. Bach was pious. Schumann was mad, and because his genius was able to record his fight for sanity, we heard what isolation and the edge of lunacy sounded like. Liszt was lusty and vigorous and insisted that we confront his overwhelming sexuality as well as our own. Chopin was a poet, and without him we never would have understood what night was, what perfume was, what romance was.”

MusicBeethovenClassicalSchumannChopinComposers
Book:The Wild Rose
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