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Crossover Quotes

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Crossover Quotes

“You will only know the road, until you have travel on it.”

“I think that there's a strong crossover in that Janis, studying the visual arts, was learning how to break it down into details and see how to get the expression that we wanted. And her visual art is emotionally expressive as her singing was. And, I think, when she switched over to singing, she already knew that it was something serious that you broke into pieces so she developed the ability to break it down and learn little riffs that she could throw in here and there.”

“The wrestling, even though I would only wrestle for 15 or 20 or 30 minutes at a time, and it would look like that was the only time I was in it, was really a 24-hour job. Keeping yourself alive, reinventing yourself, staying physically in shape, the traveling, all the other commitments with being a wrestler, it was a crossover situation where it became sports entertainment and you actually became a media star, so it was very demanding.”

“There's also the idea in this country [USA], it's not wholly new, but it's new in its kind of purity, in that you have to be really smart to be really rich. I always say to people, the reason people believe this is a) they've never met a really smart person, and b) they've never met a really rich person. I have met both, and I cannot see the crossover. You do not have to be a genius to get rich. You have to be ruthless to get rich.”

“I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.”

“I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.”

“I think the record-buying public know what they like, and when people are trying to pander to them, I think they know it. They want the genuine article, so if we try to sort of "dumb down" for the mass public, I think they're too smart for that, and would recognize us as fakes. It seems like the bands that do crossover do so really on their own terms, and they just find that their terms just kind of make a big dove-tail with the masses.”

“First, there are some of my readers who only read Hap and Leonard, not the other stuff, and some who don't read Hap and Leonard, but a large percentage are crossover readers. And yes, I did refuse to go to Vietnam and it looked like prison was in my future, but they sent me to the psychiatrist and he gave me a 1-Y, which is unfit for military service essentially.”

“I never tried to crossover or be in the public's eye everyday. I'm laid back with it and at times I wondered if I was doing the right thing promoting myself staying back a little bit and coming out when I felt that I had too. But when I get all the accolades and hear the things people say it just puts it all together for me man. It's a blessing.”