Best Images Quotes | Short & Famous Sayings

“Images of broken light dance behind my eyelids. How could this giant lamp compare to the sun? Everything is wrong here. Shattered. Broken. Like the light. Like me. I never thought about how important the sky was until I didn’t have one. I am surrounded by walls. I have just replaced one box for another.”

Important Light Sun Sky Broken Wrong Unnatural Shattered Walls Images Box Metal Claustrophobic

Book:Across the Universe

Source: Across the Universe

“It is only with the heart that one can see, hear and feel clearly. Think of an image, music or movie that moves you. Things that we truly love touch our heart before our head analyzes them away. Once we think we understand them, they disappear... It is because simple things in life are invisible, inaudible and insensible to an analytical mind and an undiscerning heart. Let your heart hear the music -- be moved by images, people and places... for that makes you more alive than others.”

“It does not matter what religion you are, so long as your conscience guides your words and actions. We are all reflections of God means we are all reflections of his image — which is LIGHT. There is only one God and that is the cosmic heart of the universe — whatever you choose to call him or her. The heart within us is what connects us to God (the heart of the universe). This super basic concept is preached in all religions. God is TRUTH and LIGHT, and only through your conscience do you connect to him. Any person who does not use their conscience is very disconnected from God. Because again, the language of light can only be decoded by the heart.”

Source: Rise Up and Salute the Sun: The Writings of Suzy Kassem

“My objective is to create my own world and these images which we create mean nothing more than the images which they are. We have forgotten how to relate emotionally to art: we treat it like editors, searching in it for that which the artist has supposedly hidden. It is actually much simpler than that, otherwise art would have no meaning. You have to be a child—incidentally children understand my pictures very well, and I haven’t met a serious critic who could stand knee-high to those children. We think that art demands special knowledge; we demand some higher meaning from an author, but the work must act directly on our hearts or it has no meaning at all.”

Heart Children Art Understanding Emotion Essence Universal Critics Simplicity Clarity Meaning Worldview Accessibility Images Blase Overanalysis Universal Appeal

Author:Andrei Tarkovsky

“The idea is to spin the wheel of metaphors and images until sparks of associations begin to fly for the reader.”

Imagination Interpretation Metaphors Images

Author:Charles Simic

“In the artifacts that are conscious, memories of vanished lives still flicker. Tissues that were changed without dying hold the moment that a boy heard his sister was leaving home. They hold multiplication tables. They hold images of sexuality and violence and beauty. They hold the memories of flesh that no longer exists. They hold metaphors: mitochondria, starfish, Hitler’s-brain-in-a-jar, hell realm. They dream. Structures that were neurons twitch and loop and burn and dream. Images and words and pain and fear, endless.”

Pain Fear Memories Dreams Dying Images Investigator Tissue

Book:Cibola Burn

Source: Cibola Burn

“Ce que je peux adorer les images : celles qu'on me donne à l'école quand j'ai accumulé dix points de bonne conduite, cette monnaie miraculeuse de la sagesse qui fait de l'écolier un petit actionnaire de ses hypocrisies, les vignettes historiques ou naturalistes, les saintes dévorées par les lions, les bestioles les plus inimaginables, le tapir, le sapajou. Mais celles que j'aime encore le plus, ce sont les images cartonnées, beaucoup trop aimablement coloriées, que place le beurre Préval dans ses boîtes demi-sel entre le carton à la glycérine et le fin papier ondulé qui protège le bloc de beurre : elles représentent les rois de France, qui sont tous jolis comme des coeurs ou vilains comme des diables, qui ont des airs sournois de levrette efflanquée, des pâleurs d'hémophile, des toques d'empoisonneur, des pourpoints d'hermine, et qui puent délicieusement le beurre. Un texte biographique au dos, explique combien le passage de ce sire dans la constellation des rois a été brève et cruelle, une raison de plus pour l'adorer.”

School Childhood Images

Book:My Parents

Source: My Parents

“People easily become familiar with what you teach them practically than what you tell them verbally. Action fixes images in their minds and they can carry those images for a long period.”

Source: Leaders' Ladder

“My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool.”

Soul Water Ocean Madness Bottom Void Images Vacuum

Book:The Book of Disquiet

Source: The Book of Disquiet

“...the way that the words hung together to produce meaning had a logic that he could not follow, and sometimes he thought that this was because they spoke in images, immediate, sensuous images, that their minds had escaped the temporal relationships that had defined the language of the past and instead they lived in an eternal, causeless present, a world of pure simultaneity.”

Communication Speech Logic Words Definitions Meaning Images

Book:The Doloriad

Source: The Doloriad

“Use your imagination to create your beautiful life.”

“When I think of what I already lived through it seems to me I was shedding my bodies along the paths.”

Life Body Past Path Living Survival Words Present Renewal Image Continuation Otherness Images

Author:Clarice Lispector

“In another surprising study published in 2010 in the journal Psychological Science, researchers Ernest Abel and Michael Kruger of Wayne State University examined vintage photos of 230 major league baseball players from the 1952 season, comparing the lifespans of the 184 players who had already died. Of the players’ photos in the baseball cards, 40% showed no smile, 42% showed a partial smile, and 18% had a full smile. Those players who had no smiles lived an average of 72.9 years, while those with partial smiles had a lifespan of 75 years. However, those with big authentic grins lived to be 79.9 years on average, approximately 10% longer than those who did not smile in their photographs. The researchers could not confirm whether any of the players were prompted by the photographer to smile for their photos or if they smiled spontaneously. At the same time, the data seems to suggest that distributed images of smiling people result in a longer, happier life. So smile in your photos!”

Success Psychology Smile Longevity Images Life Span Baseball Cards

Book:The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know

Source: The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know

“And suffering we know breeds images, it breeds the most beautiful images of all.”

Inspiration Beautiful Suffering Iris Murdoch Contradictory Juxtaposition Images Henry And Cato Contrasting

Book:Henry and Cato

Source: Henry and Cato

“Reflections are the mirror of vanity.”

Self Ego Quote Of The Day Vanity Anthony T Hincks Veitch Mirror Reflections Images

Author:Anthony T. Hincks

“Sadly, the signals that allow men and women to find the partners who most please them are scrambled by the sexual insecurity initiated by beauty thinking. A woman who is self-conscious can't relax to let her sensuality come into play. If she is hungry she will be tense. If she is "done up" she will be on the alert for her reflection in his eyes. If she is ashamed of her body, its movement will be stilled. If she does not feel entitled to claim attention, she will not demand that airspace to shine in. If his field of vision has been boxed in by "beauty"--a box continually shrinking--he simply will not see her, his real love, standing right before him.”

Source: The Beauty Myth

“Men are visually aroused by women's bodies and less sensitive to their arousal by women's personalities because they are trained early into that response, while women are less visually aroused and more emotionally aroused because that is their training. This asymmetry in sexual education maintains men's power in the myth: They look at women's bodies, evaluate, move on; their own bodies are not looked at, evaluated, and taken or passed over. But there is no "rock called gender" responsible for that; it can change so that real mutuality--an equal gaze, equal vulnerability, equal desire--brings heterosexual men and women together.”

Source: The Beauty Myth

“A consequence of female self-love is that the woman grows convinced of social worth. Her love for her body will be unqualified, which is the basis of female identification. If a woman loves her own body, she doesn't grudge what other women do with theirs; if she loves femaleness, she champions its rights. It's true what they say about women: Women are insatiable. We are greedy. Our appetites do need to be controlled if things are to stay in place. If the world were ours too, if we believed we could get away with it, we would ask for more love, more sex, more money, more commitment to children, more food, more care. These sexual, emotional, and physical demands would begin to extend to social demands: payment for care of the elderly, parental leave, childcare, etc. The force of female desire would be so great that society would truly have to reckon with what women want, in bed and in the world.”

Source: The Beauty Myth

“Whatever is deeply, essentially female--the life in a woman's expression, the feel of her flesh, the shape of her breasts, the transformations after childbirth of her skin--is being reclassified as ugly, and ugliness as disease. These qualities are about an intensification of female power, which explains why they are being recast as a diminution of power. At least a third of a woman's life is marked with aging; about a third of her body is made of fat. Both symbols are being transformed into operable condition--so that women will only feel healthy if we are two thirds of the women we could be. How can an "ideal" be about women if it is defined as how much of a female sexual characteristic does not exist on the woman's body, and how much of a female life does not show on her face?”

Source: The Beauty Myth

“Women could probably be trained quite easily to see men first as sexual things. If girls never experienced sexual violence; if a girl's only window on male sexuality were a stream of easily available, well-lit, cheap images of boys slightly older than herself, in their late teens, smiling encouragingly and revealing cuddly erect penises the color of roses or mocha, she might well look at, masturbate to, and, as an adult, "need" beauty pornography based on the bodies of men. And if those initiating penises were represented to the girl as pneumatically erectible, swerving neither left nor right, tasting of cinnamon or forest berries, innocent of random hairs, and ever ready; if they were presented alongside their measurements, length, and circumference to the quarter inch; if they seemed to be available to her with no troublesome personality attached; if her sweet pleasure seemed to be the only reason for them to exist--then a real young man would probably approach the young woman's bed with, to say the least, a failing heart.”

Source: The Beauty Myth

“A man is unlikely to be brought within earshot of women as they judge men's appearance, height, muscle tone, sexual technique, penis size, personal grooming, or taste in clothes--all of which we do. The fact is that women are able to view men just as men view women, as objects for sexual and aesthetic evaluation; we too are effortlessly able to choose the male "ideal" from a lineup and if we could have male beauty as well as everything else, most of us would not say no. But so what? Given all that, women make the choice, by and large, to take men as human beings first.”

Source: The Beauty Myth

“Men who read it [beauty pornography] don't do so because they want women who look like that. The attraction of what they are holding is that it is not a woman, but a two-dimensional woman-shaped blank. The appeal of the material is not the fantasy that the model will come to life; it is precisely that she will not, ever. Her coming to life would ruin the vision. It is not about life. Ideal beauty is ideal because it does not exist; The action lies in the gap between desire and gratification. Women are not perfect beauties without distance. That space, in a consumer culture, is a lucrative one. The beauty myth moves for men as a mirage, its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion.”

Source: The Beauty Myth

“We do not have to spend money and go hungry and struggle and study to become sensual; we always were. We need not believe we must somehow earn good erotic care; we always deserved it. Femaleness and its sexuality are beautiful. Women have long secretly suspected as much. In that sexuality, women are physically beautiful already; superb; breathtaking. Many, many men see this way too. A man who wants to define himself as a real lover of women admires what shows of her past on a woman's face, before she ever saw him, and the adventures and stresses that her body has undergone, the scars of trauma, the changes of childbirth, her distinguishing characteristics, the light is her expression. The number of men who already see in this way is far greater than the arbiters of mass culture would lead us to believe, since the story they need to tell ends with the opposite moral.”

Source: The Beauty Myth

“The beauty myth sets it up this way: A high rating as an art object is the most valuable tribute a woman can exact from her lover. If he appreciates her face and body because it is hers, that is next to worthless. It is very neat: The myth contrives to make women offend men by scrutinizing honest appreciation when they give it; it can make men offend women merely by giving them honest appreciation. It can manage to contaminate the sentence "You're beautiful," which is next to "I love you" in expressing a bond of regard between a woman and a man. A man cannot tell a woman that he loves to look at her without risking making her unhappy. If he never tells her, she is destined to be unhappy. And the "luckiest" woman of all, told she is loved because she's "beautiful," is often tormented because she lacks the security of being desired because she looks like who she lovably is.”

Source: The Beauty Myth

“Our society does reward beauty on the outside over health on the inside. Women must not be blamed for choosing short-term beauty "fixes" that harm our long-term health, since our life spans are inverted under the beauty myth, and there is no great social or economic incentive for women to live a long time. A thin young woman with precancerous lungs [who smokes to stay thin] is more highly rewarded socially that a hearty old crone. Spokespeople sell women the Iron Maiden [an intrinsically unattainable standard of beauty used to punish women for their failure to achieve and conform to it]and name her "Health": if public discourse were really concerned with women's health, it would turn angrily upon this aspect of the beauty myth.”

Source: The Beauty Myth

“Why should her lover, just because he is male, be in a position to judge her against other women? Why must she need to know her position and hate needing to, and hate knowing? Why should his reply have such exaggerated power? And it does. He does not know that what he says will affect the way she feels when they next make love. She is angry for a number of good reasons that may have nothing to do with this particular man's intentions. The exchange reminds her that, in spite of a whole fabric of carefully woven equalities, they are not equal in this way that is so crucial that its snagged thread unravels the rest.”

Source: The Beauty Myth

“Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it? The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film. This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire. Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?”

Source: The Beauty Myth

“Young women today feel vulnerable to judgment; if a harsh sentence is passed (or even suspected or projected), it is not her reputation that suffers so much as the stability of her moral universe. They did not have long to explore the sexual revolution and make it their own. Before the old chains had grown cold, while young women were still rubbing the circulation back into their ankles and taking tentative steps forward, the beauty industries levied a heavy toll on further investigations, and beauty pornography offered them designer bondage.”

Source: The Beauty Myth

“Beauty" and sexuality are both commonly misunderstood as some transcendent inevitable fact; falsely interlocking the two makes it seem doubly true that a woman must be "beautiful" to be sexual. That of course is not true at all. The definitions of both "beautiful" and "sexual" constantly change to serve the social order, and the connection between the two is a recent invention.”

Source: The Beauty Myth

“Self-denial can lock women into a smug and critical condescension to other, less devout women. According to Appel, cult members develop..."an attitude of moral superiority, a contempt for secular laws, rigidity of thought, and the diminution of regard for the individual." A premium is placed on conformity to the cult group; deviation is penalized. "Beauty" is derivative; conforming to the Iron Maiden [an intrinsically unattainable standard of beauty that is then used to punish women physically and psychologically for failure to achieve and conform to it] is "beautiful." The aim of beauty thinking, about weight or age, is rigid female thought. Cult members are urged to sever all ties with the past: "I destroyed all my fat photographs!"; "It's a new me!”

Source: The Beauty Myth

“The beauty myth of the present is more insidious than any mystique of femininity yet: A century ago, Nora slammed the door of the doll's house; a generation ago, women turned their backs on the consumer heaven of the isolated multiapplianced home; but where women are trapped today, there is no door to slam. The contemporary ravages of the beauty backlash are destroying women physically and depleting us psychologically. If we are to free ourselves from the dead weight that has once again been made out of femaleness, it is not ballots or lobbyists or placards that women will need first; it is a new way to see.”

Beauty Society Self Esteem Marketing Advertising Magazines Eating Disorders Images

Book:The Beauty Myth

Source: The Beauty Myth

“In a sexual double standard as to who receives consumer protection, it seems that if what you do is done to women in the name of beauty, you may do what you like. It is illegal to claim that something grows hair, or makes you taller, or restores virility, if it does not. It is difficult to imagine that the baldness remedy Minoxidil would be on the market if it had killed nine French and at least eleven American men. In contrast, the long-term effects of Retin-A are still unknown--Dr. Stuart Yusps of the National Cancer Institute refers to its prescription as "a human experiment"--and the Food and Drug Administration has not approved it yet dermatologists are prescribing it to women at a revenue of over $150 million a year.”

Source: The Beauty Myth

“At least a third of a woman's life is marked with aging; about a third of her body is made of fat. Both symbols are being transformed into operable condition--so that women will only feel healthy if we are two thirds of the women we could be. How can an "ideal" be about women if it is defined as how much of a female sexual characteristic does not show on her body, and how much of a female life does not show on her face?”

Source: The Beauty Myth

“Women are mere "beauties" in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individuality, interesting and ever changing, while "beauty" is generic, boring, and inert. While culture works out moral dilemmas, "beauty" is amoral: If a woman is born resembling an art object, it is an accident of nature, a fickle consensus of mass perception, a peculiar coincidence--but it is not a moral act. From the "beauties" in male culture, women learn a bitter amoral lesson--that the moral lessons of their culture exclude them.”

Beauty Self Esteem Advertising Images

Book:The Beauty Myth

Source: The Beauty Myth

“The more legal and material hindrances women have broken through, the more strictly and heavily and cruelly images of female beauty have come to weigh upon us...During the past decade, women breached the power structure; meanwhile, eating disorders rose exponentially and cosmetic surgery became the fastest-growing specialty...pornography became the main media category, ahead of legitimate films and records combined, and thirty-three thousand American women told researchers that they would rather lose ten to fifteen pounds than achieve any other goal...More women have more money and power and scope and legal recognition than we have ever had before; but in terms of how we feel about ourselves physically, we may actually be worse off than our unliberated grandmothers.”

Beauty Society Self Esteem Eating Disorders Images

Author:Naomi Wolf

“Why does the social order feel the need to defend itself by evading the fact of real women, our faces and voices and bodies, and reducing the meaning of women to these formulaic and endlessly reproduced "beautiful" images? Though unconscious personal anxieties can be a powerful force in the creation of a vital lie, economic necessity practically guarantees it. An economy that depends on slavery needs to promote images of slaves that "justify" the institution of slavery. Western economies are absolutely dependent now on the continued underpayment of women. An idealogy that makes women feel "worth less" was urgently needed to counteract the way feminism had begun to make us feel worth more. This does not require a conspiracy; merely an atmosphere. The contemporary economy depends right now on the representation of women within the beauty myth.”

Source: The Beauty Myth

“Where woman do not fit the Iron Maiden [societal expectations/assumptions about women's bodies], we are now being called monstrous, and the Iron Maiden is exactly that which no woman fits, or fits forever. A woman is being asked to feel like a monster now though she is whole and fully physically functional. The surgeons are playing on the myth's double standard for the function of the body. A man's thigh is for walking, but a woman's is for walking and looking "beautiful." If women can walk but believe our limbs look wrong, we feel that our bodies cannot do what they are meant to do; we feel as genuinely deformed and disabled as the unwilling Victorian hypochondriac felt ill.”

Source: The Beauty Myth

“Sexual satisfaction eases the stranglehold of materialism, since status symbols no longer look sexual, but irrelevant. Product lust weakens where emotional and sexual lust intensifies. The price we pay for artificially buoying up this market is our heart's desire. The beauty myth keeps a gap of fantasy between men and women. That gap is made with mirrors; no law of nature supports it. It keeps us spending vast sums of money and looking distractedly around us, but its smoke and reflection interfere with our freedom to be sexually ourselves.”

Source: The Beauty Myth

“Never," enjoins a women's magazine, "mention the size of his [penis] in public...and never, ever let him know that anyone else knows or you may find it shrivels up and disappears, serving you right." That quotation acknowledges that critical sexual comparison is a direct anaphrodisiac when applied to men; either we do not yet recognize that it has exactly the same effect on women, or we do not care, or we understand on some level that right now that effect is desirable and appropriate. A man is unlikely to be brought within earshot of women as they judge men's appearance, height, muscle tone, sexual technique, penis size, personal grooming, or taste in clothes--all of which we do. The fact is that women are able to view men just as men view women, as objects for sexual and aesthetic evaluation; we too are effortlessly able to choose the male "ideal" from a lineup and if we could have male beauty as well as everything else, most of us would not say no. But so what? Given all that, women make the choice, by and large, to take men as human beings first.”

Source: The Beauty Myth

“Katika maisha watu wengi hawataki kukuona ukiendelea kwa sababu ukiendelea unakuwa kioo kwao. Ghafla wataanza kukutazama. Wanajua wana akili kama wewe, wamesoma kama wewe, au wana akili kuliko wewe, au wamesoma kuliko wewe, na labda wanazijua sifa zako za udhaifu na sifa zako za ushupavu toka utotoni kwako. Lakini ghafla unakuwa kioo, na wanapojitazama katika hicho kioo, wanajiona taswira zao isipokuwa sasa hawapo mahali ambapo wewe upo. Katika maisha watu watakushauri, watakufitini, watakurubuni na watakukatisha tamaa. Sema hapana kwa ndiyo nyingi kwa sababu hawaoni unachokiona, hawajui unachokifanya na hawajui unapoelekea. Unachokiona ni takdiri ya maisha yako, unachokifanya ni kupanda mbegu na kuzimwagilia kwa imani, na unapoelekea ni kileleni. Hivyo, songa mbele, kuwa wewe daima, wape muda, wape nafasi.”

“Language is texture of images and music. We speak in images and rhythm, by taking help of words”

Language Music Words Rhythm Images

Author:Suman Pokhrel

“Only he whose bright lyre has sounded in shadows may, looking onward, restore his infinite praise. Only he who has eaten poppies with the dead will not lose ever again the gentlest chord. Though the image upon the pool often grows dim: Know and be still. Inside the Double World all voices become eternally mild.”

Faith Knowledge Acceptance Enlightenment Shadow Experience Eternity Renewal Confrontation Duality Images

Book:Sonnets to Orpheus

Source: Sonnets to Orpheus

“Metaphorically, tall buildings are people standing erect. As each [NY twin] tower fell, it became a body falling. We are not consciously aware of the metaphorical images, but they are part of the power and the horror we experience when we see them.”

Metaphor Images Twin Towers

Book:Don't Think of an Elephant! Know Your Values and Frame the Debate: The Essential Guide for Progressives

Source: Don't Think of an Elephant! Know Your Values and Frame the Debate: The Essential Guide for Progressives

“Advertisers have known for decades what researchers are verifying in numerous studies: Images contain information and energy that profoundly affect your thoughts, emotions, and behaviors. Images determine your future.”

Energy Information Future Thoughts Emotions Advertising Images Behaviors

Book:The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know

Source: The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know

“For the first time in history, children are growing up whose earliest sexual imprinting derives not from a living human being, or fantasies of their own; since the 1960s pornographic upsurge, the sexuality of children has begun to be shaped in response to cues that are no longer human. Nothing comparable has ever happened in the history of our species; it dislodges Freud. Today's children and young men and women have sexual identities that spiral around paper and celluloid phantoms: from Playboy to music videos to the blank females torsos in women's magazines, features obscured and eyes extinguished, they are being imprinted with a sexuality that is mass-produced, deliberately dehumanizing and inhuman.”

Source: The Beauty Myth

“She may resent Playboy because she resents feeling ugly in sex--or, if "beautiful," her body defined and diminished by pornography. It inhibits in her something she needs to live, and gives her the ultimate anaphrodisiac: the self-critical sexual gaze. Alice Walker's essay "Coming Apart" investigates the damage done: Comparing herself to her lover's pornography, her heroine "foolishly" decides that she is not beautiful.”

Source: The Beauty Myth

“Our self-worth and identity are often projections made up from the images given to us, the words spoken over us, the actions done to us.”

Self Esteem Identity Self Improvement Self Worth Images

Book:Be Afraid: How Horror and Faith Can Change the World

Source: Be Afraid: How Horror and Faith Can Change the World

“I don't want a book, I don't want the trouble of it, he said. I don't want to get involved, I just want to watch what's going on. I know what's going to happen and then it happens, and I can go outside and feel good about it, I can leave it in the room. A book hangs around, but an image is just a moment.”

Reading Books Images Films

Book:Cursed Bread

Source: Cursed Bread

“Images are inherently fascistic because they overstamp the truth, however dim and blurred, of the real past experience; as if, faced with ruins, we must turn architects, not archeologists.”

Past Photography Memory Nostalgia Images Ruin

Book:Daniel Martin

Source: Daniel Martin

“There are tremendous amounts of energy and information packed into a single image, including your personal story. Your tattoo also contains the emotions, thoughts, and actions that make your story even bigger. Other energies that we are often do not see, such as color, emotion, shape, and symbology, are also embedded in that image. This data is packed in a tattoo much like a movie is packed on a DVD, where that energy can be accessed and released so that you and others experience it over and over again.”

Energy Information Emotions Movie Tattoo Tattoos Images

Book:The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know

Source: The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know