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Touchstones Quotes

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Touchstones Quotes

“It's easy to forget history or give it a cliff notes. The cliff notes of history. But mainly, so much of what happens in 'Eyes on the Prize' happened in Jackson, Mississippi. Jackson, Mississippi isn't really known for any other touchstone to the movement, other than Medgar Evers being killed. There were sit-ins and riots and atrocities.”

“I think that one of the things that we all agree to is that the touchstone for economic policy is, does it allow the average American to find good employment and see their incomes rise; that we can't just look at things in the aggregate, we do want to grow the pie, but we want to make sure that prosperity is spread across the spectrum of regions and occupations and genders and races; and that economic policy should focus on growing the pie, but it also has to make sure that everybody has got opportunity in that system.”

“By 'socialism' I mean a classless society in which the State has disappeared, production is cooperative, and no man has political or economic power over another. The touchstone would be the extent to which each individual could develop his own talents and personality.”

“The source of each accordant strain Lies deeper than the Poet's brain. First from the people's heart must spring The passions which he learns to sing; They are the wind, the harp is he, To voice their fitful melody,-- The language of their varying fate, Their pride, grief, love, ambition, hate,-- The talisman which holds inwrought The touchstone of the listener's thought; That penetrates each vain disguise, And brings his secret to his eyes.”

“Every man carries about him a touchstone, if he will make use of it, to distinguish substantial gold from superficial glitterings, truth from appearances. And indeed the use and benefit of this touchstone, which is natural reason, is spoiled and lost only by assuming prejudices, overweening presumption, and narrowing our minds.”

“The question of art songs always came up with Gastr del Sol. I think Jim O'Rourke had it right in being clear that there's a tradition of art song - Ives being the touchstone for the two of us - and what we do doesn't belong to it. It wasn't important to advance those kinds of distinctions, but clearly he thought it was fanciful for anyone to speak of what we were doing as being in that tradition.”

“You get notes from two studios and a network instead of a studio and a network. Although we early on forced them all to do their notes together. I make them all talk to each other first. Because we went through the pains of getting notes from ABC and at the time it was Touchstone, that were opposite - and then CBS notes that were opposite again. So it was, you guys are going to have to work it out as to what is the most important note.”

“Working- and Middle-class families sat down at the dinner table every night - the shared meal was the touchstone of good manners. Indeed, that dinner table was the one time when we were all together, every day: parents, grandparents, children, siblings. Rudeness between siblings, or a failure to observe the etiquette of passing dishes to one another, accompanied by "please" and "thank you," was the training ground of behavior, the place where manners began.”

“I think the world is more perilous and America is basically undefended. For me the two touchstones after 9/11 for domestic security were our borders. Not for discriminatory reasons or to stop immigration, but simply to allow law enforcement to find out who is in our country without facing an undocumented pool of aliens that increases by the hour.”

“Really, for me, it's important to know who's pitching and who's catching - just what that scene is supposed to accomplish in terms of storytelling. That being said, on the day, basically what you're trying to get yourself into an open place. And if the character is in a state of anxiety or vulnerability, you try to find some touchstone.”

“For me, reggae music and its aesthetic are touchstones in both simple and complex ways. Reggae's capacity to be a folk music that is created in a wholly modern context of the recording studio (and sometimes that is the sole performance space) is riddled with the kinds of contradictory impulses that we have come to expect from the post-modern. I revel in this, for it gives me, shall I say, permission.”