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Quote by K.J. Bishop

“Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one’s spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today’s poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.”

Quote by K.J. Bishop

Work

The Etched City

This novel delves into the complexities of a highly advanced urban environment, examining the societal and psychological impacts of urban life in a speculative future. more

Author

K.J. Bishop

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“No sooner was I safely among the gravestones than a great feeling of warmth and calm contentment came sweeping over me. Life among the dead. This was where I was meant to be! What a revelation! And what a place to have it! I could succeed at whatever I chose. I could, for instance, become an undertaker. Or a pathologist. A detective, a gravedigger, a tombstone maker, or even the world's greatest murderer. Suddenly the world was my oyster—even if it was a dead one.”

“A soft breeze settled around our shoulders as we walked into the cemetery. That same breeze made the world around us shiver a little bit. The slick green leaves of the tall trees rustled, and the long curtain of ivy dangling from the branches began to wave. When the ivy blows in the graveyard, it casts the prettiest lacelike shadows on the ground. They remind me of banners, rippling over the dearly departed in silent celebration.”

“Cemeteries in Bohemia are like gardens. The graves are covered with grass and colorful flowers. Modest tombstones are lost in the greenery. When the sun goes down, the cemetery sparkles with tiny candles. It looks as though the dead are dancing at a children's ball. Yes, a children's ball, because the dead are as innocent as children. No matter how brutal life becomes, peace always reigns in the cemetery. Even in wartime, in Hitler's time, in Stalin's time, through all occupations. When she felt low, she would get into the car, leave Prague far behind, and walk through one or another of the country cemeteries she loved so well. Against a backdrop of blue hills, they were as beautiful as a lullaby.”