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Artwork Quotes

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Artwork Quotes

“In this kind of personal artwork, jettison any idea that you can help yourself or others by interpreting, praising, or criticizing. These kinds of creative pieces and experiences are only for being with. The only helpful response is to nourish the imagination and your piece by associating other images to it and noticing what feelings it evokes in you.”

ImaginationArtworkDream Imagery
Book:The Art of Dreaming: Tools for Creative Dream Work
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“(The Mona Lisa), that really is the ugliest portrait I’ve seen, the only thing that supposedly makes it famous is the mystery behind it,” Katherine admitted as she remembered her trips to the Louvre and how she shook her head at the poor tourists crowding around to see a jaundiced, eyebrow-less lady that reminded her of tight-lipped Washington on the dollar bill. Surely, they could have chosen a better portrait of the First President for their currency?”

ArtHumorFunnyMoneyMysteryMasterpieceArtworkSad But TrueMona LisaPresidentsPortraitGadflyGeorge WashingtonSarcastic QuotesDa VinciUgly Art
Book:Brushstrokes of a Gadfly
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“You were born an original work of art. Stay original always. Originals cost more than imitations.”

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Book:Rise Up and Salute the Sun: The Writings of Suzy Kassem
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“A work of art is essentially the internal made external, resulting from a creative process operating under the impulse of feeling, and embodying the combined product of the poet's perceptions, thoughts, and feelings. The primary source and subject matter of a poem, therefore, are the attributes and actions of the poet's own mind; or of if aspects of the external world, then these only as they are converted from fact to poetry by the feelings and operations of the poet's mind.”

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Author:M.H. Abrams
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“The best art is not always the most popular art, and the most popular art is never truly the best art. The best art is that which is streamed through God. And the worst art is that which is void of God. The master artist of the universe is the Creator of All Things, and his reflection is in all of us. Only the artist who is aware that he is a reflection of that greatness, and that creativity is supreme love, is a true divine artist. Even if he is not the most popular artist, he will be very popular among the stars of His universe. That is the master artist, one who uses his talents to serve as a vehicle of God. In his work, you hear God's voice and see with His eyes.”

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Book:Rise Up and Salute the Sun: The Writings of Suzy Kassem
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“We are told that in translation there is no such thing as equivalence. Many times the translator reaches a fork in the translating road where they must make a choice in the interpretation of a word. And each time they make one of these choices, they are taken further from the truth. But what we aren’t told is that this isn’t a shortcoming of translation; it’s a shortcoming of language itself. As soon as we try to put reality into words, we limit it. Words are not reality, they are the cause of reality, and thus reality is always more. Writers aren't alchemists who transmute words into the aurous essence of the human experience. No, they are glassmakers. They create a work of art that enables us to see inside to help us understand. And if they are really good, we can see our own reflections staring back at us.”

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Author:Kamand Kojouri
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“Perhaps the most important sexual tool is consciousness. If we think we are "not enough" or "too much," we surely are. Similarly, when you give a gift, create artwork, or perform any task with the thought that it's "not enough" or "too much," it surely will be.”

SexConsciousnessToo MuchSizeGiftHungArtworkEndowmentNot EnoughJust Right
Book:Mirror of Intimacy: Daily Reflections on Emotional and Erotic Intelligence
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“The memory of human blood manifests now as a kind of visceral reaction to seeing people's veins and their necks. The skin on a neck appears to me as different from the skin anywhere else on a body. It seems as thin and consumable as rice paper wrapped around a sweet. It is too blank compared with skin everywhere else, as though it is asking to have marks made on it, like very expensive calligraphy paper, or cold-pressed Fabriano. Often, I wonder whether the urge I have to make art is the same as the urge to consume and destroy the blankness of a human neck. While at art college, I read that the best paper used by artists in the seventeenth century was made from the skins of lamb fetuses. This skin was soft and absorbent, and had an even texture right across its surface. For a long time, the process of creating art has been linked to the killing of living things. My dad, even, used fine silk stretched across wooden frames in his own work as a painter. Once, when we still had some of his pieces, I looked at the odd geometric shapes he created on a huge sheet and thought about all the silkworms who had had their cocoons torn open before they were able to become moths.”

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Book:Woman, Eating
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“Work. Good, honest work, whether it’s working with your hands to create an artwork, or manual labour, brings forth a sense of divinity at play. The only prerequisite is that whatever the work is, it is done sincerely and in congruence with the soul’s true origin and intent, then, without any effort, one experiences a flow, wherein one feels a part of the plan of the entire universe.”

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Author:Kamand Kojouri
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“Remember that although technique is important, there are other issues in art making that should take precedence. When the strongest thing in an artwork is technique, the subject is vanity. Art must have a higher subject. Something else must rise to the top. A work of art is born in the desire for something—to explore something, be it formal (understanding light, color, or objects in space), political, or emotional. The creative act takes in everything about you—the images and creative means of who you are and where you come from, added to the world you see and hope for. The technique you learn should always be in the service of this.”

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Author:Kenneth Leslie
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“Without the spiritual component, the artist works with a crucial disadvantage. The spiritual world provides a sense of wonder and a degree of open-mindedness not always found within the confines of science. The world of reason can be narrow and filled with dead ends, while a spiritual viewpoint is limitless and invites fantastic possibilities. The unseen world is boundless.”

ArtistSpiritualityLimitlessArtworkSpiritual WorldOpenmindednessBoundlessness
Book:The Creative Act: A Way of Being
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“Aliens (intermediate programmers) are not creating computer games in the ordinary sense of the term. These games are more like works of art, improvisational theater, performance art, scientific and philosophic investigation and historical novels.”

AliensArtworkGnosticismPerformance ArtHistorical NovelSimulation HypothesisIntermediate Programmers
Book:Alien Parasites: 40 Gnostic Truths to Defeat the Archon Invasion!
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“It was summer, so the sun appeared in the bottom left-hand corner of the big window at quarter past six. Ish. It was hard to tell exactly until the sun rose just a little bit more, enough to send his beams through the holes carefully bored through a piece of wood, above which the hours were marked off in beautifully painted flourishes. This simple timepiece hung from the ceiling off a stick hammered sturdily in, because a string would have let it spin and therefore fail its task of tracking the sun. The wind chimes, however, assembled from more bits of wood, and pieces of metal, and shaped and dried bits of pottery, were free to swing and tinkle as they pleased. These were surrounded by celestial bric-a-brac that also dangled from the ceiling and spun with abandon when the breeze found them: paper-mâché stars, comets of hoarded glass shards and mirror, a very carefully re-created (and golden) replica of the constellation Orion, a quilted and embroidered cloth model of the sun, and several paintings on rectangular panels hung such that they faced straight down. So that the viewer, in bed, might look up at them and pretend they were windows or friends, depending on whether the subject was landscapes or faces.”

ArtworkCreative WorkCraftsmanshipRapunzelInnovative ProductsSummer Morning
Book:What Once Was Mine
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“In 1972, Bayber's work underwent another metamorphosis, yet refused to be defined by or adhere to any specific style. Elements of abstract expressionism, modernism, surrealism, and neo-expressionism combine with figurative art to create works which remain wholly original and highly complex, both delighting and terrifying at a subconscious level. There is nothing fragile here, nothing dreamlike. No protections are offered, not for the artist himself and not for those viewing his work. All is called forth in a raw state, human values finessed on the canvas, softened and sharpened, separated and made aggregate. While there are certain motifs in these works- often a suggestion of water, the figure of a bird- and various elements are repeated, aside from an introverted complexity, the context in which they appear is never the same from one piece to the next. What ties these works together is the suggestion of loss, of disappearance, and of longing ( see figs. 87-95)" The figure of a bird. He had forgotten his own writing. Finch took the book back to his desk and pulled a magnifying glass from the top drawer to study the color plates. Thomas had completed six paintings in 1972, four of them after July. In each of those four, Finch managed to find what he had seen long ago, the figure of a bird. Was it Alice, flown away from him?”

LossBirdsArtworkThomas BayberHidden ImageDennis Finch
Book:The Gravity of Birds
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“Can you really see different things in a painting from day to day?" This seemed to genuinely interest the duke. She wasn't certain which part of it fascinated him most, the fact that a painting could change or that she thought it could. "Well, it isn't like a crystal ball. Whereby you see shifting images and the like. But haven't you ever looked at a painting for a length of time, or on more than one occasion, and experienced it differently each time?" Where to begin explaining art to someone who seemed to know nothing about it? Now, if she were dancing with Harry... "Of course. As a young man touring the Continent, I once looked at 'length' at a painting called 'Venus and Mars' by an Italian painter called Veronese. Do you know it? Venus is nude as the day she was born, and Mars is entirely clothed and down on his knees in front of her, and it looks as though Mars is about to give her a pleasuring. And there are cherubs hanging about. I looked at it for quite some time." A... pleasuring. 'God above.' He had her attention now. She was speechless. Everything was astonishing about what he'd just said. She stared up at him, her mind exploding with vivid images, her cheeks going increasingly hotter. She knew the painting. She knew 'precisely' where Mars was kneeling in front of Venus. The duke had said it purposely. Suddenly she was acutely aware of her five senses, as though they were blinking on, one by one, like fireflies in the dark. Most particularly vivid was touch. She was potently aware of his hands: the one resting with firm assurance against her waist, warm there now through the fine silk of her gown, the other enfolding hers. She was acutely aware of his size, and everything that was masculine to her feminine. Goodness. He could certainly look at her for a long time without blinking.”

ArtworkGenevieve And AlexanderPleasuringVenus And Mars
Book:What I Did for a Duke
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“He showed her things she'd never known about things she'd always thought she understood. And she adored it... even as it terrified her. Even as it made her question everything she thought true. She resisted the thought, her gaze rising to one large wall of the club, where the Angel's namesake fell in beautiful glass panels from Heaven to Hell, from good to evil, from sainthood to sin. It was the most beautiful window Pippa had ever seen, the work of true artisans, all reds and golds and violets, at once hideous and holy. It was the angel himself who fascinated her, the enormous, beautiful man crashing to Earth, without the gifts he'd had for so long. In the hands of a poorer artist, the detail of him would have been less intricate, the hands and feet and face would have been shaped with glass of a single color, but this artist had cared deeply for his subject, and the swirls of darks and lights in the panels were finely crafted to depict movement, shape, and even emotion. She could not help but stare at the face of the fall- inverted as he fell to the floor of the hell- the arch of his brow, the complex shade of his jaw, the curve of his lip. She paused there, thinking on another pair of lips, another fall. Another angel. Cross. Emotion flared, one she did not immediately recognize. She let out a long breath. She wanted him- in a way she knew she should not. In a way she knew she should want another. A man destined to be her husband. To be the father of her children. And yet, she wanted Cross. This angel.”

ArtworkPippa MarburyFallen AngelPippa And JasperJasper Arlesey
Book:One Good Earl Deserves a Lover
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“George thrust into Alma's hand a lithograph of a spotted 'Catasetum.' The orchid had been rendered so magnificently that it seemed to grow off the page. Its lips were spotted red against yellow, and appeared moist, like living flesh. Its leaves were lush and thick, and its bulbous roots looked as though one could shake actual soil off them. Before Alma could thoroughly take in the beauty, George handed her another stunning print- a 'Peristeria barkeri,' with its tumbling golden blossoms so fresh they nearly trembled. Whoever had tinted this lithograph had been a master of texture as well as color; the petals resembled unshorn velvet, and touches of albumen on their tips gave each blossom a hint of dew. Then George handed her another print, and Alma could not help but gasp. Whatever this orchid was, Alma had never seen it before. Its tiny pink lobes looked like something a fairy would don for a fancy dress ball.”

ArtworkColorsOrchidsGenus SpeciesBlossomsIllustrationsTexturesLithographs
Book:The Signature of All Things
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“Kit smiled a little as he bent to retrieve the abandoned sketchbook; the irony of a spy being spied upon didn't escape him. He leafed through it idly. Imagine that... she'd not only been spying... she'd been documenting her findings. He bit back a laugh when he saw himself, arms stretched skyward, penis dangling modestly---he had been swimming, after all. But it was a beautiful drawing. She'd roughed in the pier beneath him and the trees behind it, too, and she'd caught him perfectly, the mindless contentment of the moment, the strength and confidence of his body, a hint of pleased-with-himself arrogance in the arch of his back. There was nothing tentative or missish about the drawing; it was, above all things, honest and surprisingly accomplished. He was flattered, but he felt oddly exposed, which had nothing to do with the fact that he was naked in the sketch. She'd captured something essential about him.”

ArtworkSketchNaked Man
Book:Beauty and the Spy
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“I became an artist because I wanted to be an active participant in the conversation about art.”

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Author:Kamand Kojouri
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“Business is a creative and therefore spiritual endeavor. Great entrepreneurs enter the field of business in the same way great artists enter the field of art. With their business creation, entrepreneurs express their spiritual desire for self-realization, evolutionary passion for self- fulfillment, and creative vision of a new world. The entrepreneur's business is their artwork. The creation of business is as creative as any creation in art. In fact, building a business may be the most creative human activity.”

WorldWayHumansMayArtSelfFactsSpiritualDesireArtistPassionVisionCreativeCreationFieldsBuildingActivityEntrepreneurSelf RealizationRealizationFulfillmentEndeavorNew WorldGreat ArtGreat ArtistArtworkHuman ActivitySelf FulfillmentCreative VisionBuilding A Business
Author:Yasuhiko Kimura
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