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Caverns Quotes

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Caverns Quotes

“Fresh beauty opens one's eyes wherever it is really seen, but the very abundance and completeness of the common beauty that besets our steps prevents its being absorbed and appreciated. It is a good thing, therefore, to make short excursions now and then to the bottom of the sea among dulse and coral, or up among the clouds on mountain-tops, or in balloons, or even to creep like worms into dark holes and caverns underground, not only to learn something of what is going on in those out-of-the-way places, but to see better what the sun sees on our return to common every-day beauty.”

“As the architecture of a country always follows the earliest structures, American architecture should be a refinement of the log-house. The Egyptian is so of the cavern and the mound; the Chinese, of the tent; the Gothic, of overarching trees; the Greek, of a cabin.”

“The Loneliness One dare not sound -- And would as soon surmise AS in its Grave go plumbing To ascertain the size -- The Loneliness whose worst alarm Is lest itself should see -- And perish from before itself For just a scrutiny -- The Horror not to be surveyed -- But skirted in the Dark -- With Consciousness suspended -- And Being under Lock -- I fear me this -- is Loneliness -- The Maker of the soul Its Caverns and its Corridors Illuminate -- or seal”

“Every human being lived behind an impenetrable wall of choking mist within which no other but he existed. Occasionally there were the dim signals from deep within the cavern in which another man was located so that each might grope toward the other. Yet because they did not know one another, and could not understand one another, and dared not trust one another, and felt from infancy the terrors and insecurity of that ultimate isolation there was the hunted fear of man for man, the savage rapacity of man toward man.”

“The popular prophets have underestimated how strange the truth can be. The human brain, that 'perfect instrument,' that 'fabulous electronic dance,' can be our open sesame to an infinitely richer life than we have believed possible. The fluent, liberating, creative, healing attributes of the altered states can be incorporated into consciousness. We are just beginning to realize that we can truly open the doors of perception and creep out of the cavern.”

“If I completely understood what was going on and I understood these songs, they wouldn't make sense to play live anymore. They're still enigmatic for me. I'm still searching in the songs as they are. That's what's actually been the most fun about playing and touring for me is that there's still a lot of caverns in the songs where you can go and hide out different nights.”

“"Each moment you fight is a gift to those in this cavern. Each second we fight is a second longer that thousands of people can draw breath. Each stroke of the sword, each koloss felled, each breath earned is another victory! It is a person protected for a moment longer, a life extended, an enemy frustrated!" There was a brief pause. "In the end they shall kill us"... "But first, they shall fear us!"”

“At night, when the objective world has slunk back into its cavern and left dreamers to their own, there come inspirations and capabilities impossible at any less magical and quiet hour. No one knows whether or not he is a writer unless he has tried writing at night.”

“And I will now rock the brown basin from side to side so that my ships may ride the waves. Some will founder. Some will dash themselves against the cliffs. One sails alone. That is my ship. It sails into icy caverns where the sea-bear barks and stalactites swing green chairs. The waves rise, their crests curl; look at the lights on the mastheads. They have scattered, they have foundered, all except my ship which mounts the wave and sweeps before the gale and reaches the islands where the parrots chatter and then the creepers.”

“Sometimes I think there's a beast that lives inside me, in the cavern that's where my heart should be, and every now and then it fills every last inch of my skin, so that I can't help but do something inappropriate. Its breath is full of lies; it smells of spite.”

“we are such inward secret creatures, that inwardness the most amazing thing about us, even more amazing than our reason. but we cannot just walk into the cavern and look around. most of what we think we know about our minds is pseudo-knowledge. we are all such shocking poseurs, so good at inflating the importance of what we think we value.”

“But the worst enemy you can meet will always be yourself; you lie in wait for yourself in caverns and forests. Lonely one, you are going the way to yourself! And your way goes past yourself, and past your seven devils! You will be a heretic to yourself and witch and soothsayer and fool and doubter and unholy one and villain. You must be ready to burn yourself in your own flame: how could you become new, if you had not first become ashes?”

“Guess what it is that turns plants to coal. Pressure. Guess what it is that turns limestone to marble. Pressure. Guess what it is that turns Briony's heart to stone. Pressure. Pressure is uncomfortable, but so are the gallows. Keep your secrets, wolfgirl. Dance your fists with Eldric's, snatch lightning from the gods. Howl at the moon, at the blood-red moon. Let your mouth be a cavern of stars.”

“Far over the Misty Mountains cold, To dungeons deep and caverns old, We must away, ere break of day, To seek our pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells, In places deep, where dark things sleep, In hollow halls beneath the fells. The pines were roaring on the heights, The wind was moaning in the night, The fire was red, it flaming spread, The trees like torches blazed with light.”

“See! those fiendish lineaments graven on the darkness, the writhed lip of scorn, the mockery of that living eye, the pointed finger, touching the sore place in your heart! Do you remember any act of enormous folly, at which you would blush, even in the remotest cavern of the earth? Then recognize your Shame.”

“I know, perhaps as well as anyone, what depression means, and what it is to feel myself sinking lower and lower. Yet at the worst, when I reach the lowest depths, I have an inward peace which no pain or depression can in the least disturb. Trusting in Jesus Christ my Savior, there is still a blessed quietness in the deep caverns of my soul.”

“In misery's darkest cavern known, His useful care was ever nigh Where hopeless anguish pour'd his groan, And lonely want retir'd to die.”

“When you enter a grove peopled with ancient trees, higher than the ordinary, and shutting out the sky with their thickly inter-twined branches, do not the stately shadows of the wood, the stillness of the place, and the awful gloom of this doomed cavern then strike you with the presence of a deity?”

“Let us be today's Christians. Let us not take fright at the boldness of today's church. With Christ's light let us illuminate even the most hideous caverns of the human person: torture, jail, plunder, want, chronic illness. The oppressed must be saved, not with a revolutionary salvation, in mere human fashion, but with the holy revolution of the Son of Man, who dies on the cross to cleanse God's image, which is soiled in today's humanity, a humanity so enslaved, so selfish, so sinful.”

“It's a physical urge, huger and stronger than thirst or sex. Halfway back on the left side of my head there is a spot that yearns, that longs, that pleads for the jolt of a bullet. I want that rage, that fire, that final empty rip. I want to be let out of this dark cavern, to open myself up to the ease of not-living. I am tired of sorrow and struggle and worry. ... I want to turn out the last light.”

“Child of woe is wane and delicate... sensitive and on the quiet side, she loves the picnics and outings to the underground caverns... a solemn child, prim in dress and, on the whole, pretty lost... secretive and imaginative, poetic, seems underprivileged and given to occasional tantrums... has six toes on one foot.”

“All cities are geological; you cannot take three steps without encountering ghosts bearing all the prestige of their legends. We move within a closed landscape whose landmarks constantly draw us toward the past. Certain shifting angles, certain receding perspectives, allow us to glimpse original conceptions of space, but this vision remains fragmentary. It must be sought in the magical locales of fairy tales and surrealist writings: castles, endless walls, little forgotten bars, mammoth caverns, casino mirrors.”