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Artist Quotes Quotes

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Artist Quotes Quotes

“To be ordinary, be normal; to be original, be different; to be valuable, be unique; to be priceless, be yourself.”

“It would have been easy to create the illustrations in this book on a computer -- to take a photo of an original artwork and edit Kitten in digitally. It was a greater challenge, and a whole lot more fun, to see if I could actually make pieces of art that looked like the originals in the Metropolitan Museum of Art and blend Kitten's headlong pursuit of the mouse into them. Everything you see Kitten encountering and exploring in this book was handmade, using acrylic and oil paints, gouache, ink, plaster, wood, gold leaf, clay, paper, glass, lead, and more. Some of the techniques I used were ones that I'd done before, and some were new to me. So yes, it could have been done digitally. And now, artificial intelligence even allows us to enter a description of what we want, and in seconds, the computer spits out an image. But where's the satisfaction in that? The computer created it, not us. If you like making things, practice. Practice makes better! It takes time to develop skills so things turn out the way you want them to; the way you see them in your imagination--you can't simply leap ahead and skip all that work. But it's fun to write stories and to make pictures and build things, and I hope you'll do these things because they're satisfying. Focus on the enjoyment you get while your skills are coming along. You can make pretty much anything you want to, if you teach yourself how. If people before us could do it, why not me? Why not you?”

“Sanibel Island is an alluring paradox. A primordial landscape, buzzing with tourists. A tropical hideaway where storybook sunsets heal souls, and violent hurricanes destroy property. A cherished corner of Old Florida, in the midst of a modernizing metamorphosis. Where unfettered wildness thrives, even as ecological challenges mount. A dream place where I can explore the boundaries between coastal textures, the rhythm of nature, and the stuff of humankind; and create art that is honest and authentic.”

“The storm is an artist; the rainbow is its masterpiece.”

“Sometimes people can be negative, especially about my confidence. I trust myself, I refuse to obey, and I noticed there is a need to punish me for it. But haters are important because they show you you're doing something right. I'm scared of unanimity, artists who everybody likes. When you speak your mind and you're loud, you will attract negativity. But I have thick skin, I think the fact that I was severely bullied in my childhood helped me build strength and believe in my artistic vision. I deal with rejection very well. I have a lifelong vision and an unbreakable spirit.”

“Symphonies begin with one note; fires with one flame; gardens with one flower; and masterpieces with one stroke.”

“Talent silences your competition; genius deafens them.”

“We are all artists; painting the world with our thoughts while coloring the universe with our deeds.”

“Thinking outside of the box is unnecessary when there are no boxes in your imagination.”

“God is the world's oldest poet; love is the world's oldest poem.”

“A storm is an artist who passes by on her way to paint your rainbow.”

“You are God's chisel; it is you He uses to create masterpieces.”

“You’ve got to do what interests you. And it can’t matter [how popular it is]—maybe it’s not what’s current now, or what’s being celebrated—but sooner or later people will take notice because it’ll have a vibrancy and a truthfulness to it; it is you, it’s you speaking, it’s you painting. So to me, I thought, why fight it? Let’s see how it goes. I have nothing better to do in this life, so let’s just see where it goes, and where it takes me.”

“My work was very meticulous and very slow as a painter and so the difficulty was—the question that my graduate thesis program had—was “how are you going to make a living doing this?” After I graduated, I continued on in the same way, but I discovered that I was progressing very quickly as an artist, and that before my pieces were done, I was getting tired of them. So I knew I had to find something that moved along quicker, that followed my natural path of growth as an artist.”

“In the beginning of Photoshop and Illustrator—what became Creative Suite—and to me it looked like another tool, another set of tools. And it fit in well with my photography. The photography had been there to support my art, basically, a way of gathering information and images in order to create better paintings.”

“I was sort of collaging and I would think, “Oh, I’ll collage this work and then I’ll paint it.” But as I progressed I began to realize that everything was changing: there were different ways of printing the work, and perhaps there were things I could use to develop the work that didn’t involve painting.”

“Herbert Bayer was a photographer, an architect, a painter, and he was also the inventor of photo montage, as well as one of the originators—and probably the first modern—land artist. And so it was the idea that an artist could do all of these things using the same basic design concepts, and that it didn’t really matter if he was creating a beautiful land sculpture or if he was using photography or painting. He was really making art using the same methods, the same Bauhaus-type methods.”

“When I first started showing the “Indra’s Jewels” work, I had people coming out of the woodwork saying “Who is this guy? What is he doing? Who does he think he is doing this stuff?” and the more they’d find out they’d go “Oh, he was a painter? He taught for more than decade on the university level? He knows what he’s talking about? Oh, well let’s look at it a little closer.”

“The main criticism was really “he just presses a filter and gets these images.” But then they’d realize that I had learned how to paint and how to draw—that I had paid my dues, and I’d also been a graphic artist and a technical illustrator. And so I was able to show that I could draw with technical pens—and do anything that anyone else could do—and yet still was fascinated by this, and that sort of opened people up a little bit more. The more they knew about me, the more open they were to my explorations in the digital field.”

“Sometimes knowing what to shoot is a big relief. Other times, being extemporaneous is the way to go. I love to go out and see what the universe is presenting to me on any given day. Learning to be sensitive to what is out there with no preconceived idea is a wonderful way to discover new subject matter. But only looking for the shot that presents itself in the moment seldom creates new technical skills. In order to master the camera, I give myself special assignments. Giving yourself an assignment helps you to learn about photography and your equipment. By knowing what you want to achieve, you can plan things out. This way you can slow things down. Shoot and confirm. Take notes. Concentrate on getting the shot just right! You will learn to master Aperture Priority, shutter speed, ISO, manual settings, and more. Digital Camera, 2018”

“The Mojave Desert is a harsh, but very spiritual, place. It’s as much a matrix as anything else in my life has been. Growing up in the desert has a different gestalt than growing up in a temperate zone, with its humidity and rainfall. As children growing up in the Mojave, we chased lizards and snakes, instead of frogs and squirrels. There is an arid openness about it, and a true feeling of being alone, that you don’t get in any other type of environment.”