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Contemporary Art Quotes

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Contemporary Art Quotes

“You’ve got to do what interests you. And it can’t matter [how popular it is]—maybe it’s not what’s current now, or what’s being celebrated—but sooner or later people will take notice because it’ll have a vibrancy and a truthfulness to it; it is you, it’s you speaking, it’s you painting. So to me, I thought, why fight it? Let’s see how it goes. I have nothing better to do in this life, so let’s just see where it goes, and where it takes me.”

ArtistPaintingLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering ZenIndra S Jewels
Author:James Stanford
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“My work was very meticulous and very slow as a painter and so the difficulty was—the question that my graduate thesis program had—was “how are you going to make a living doing this?” After I graduated, I continued on in the same way, but I discovered that I was progressing very quickly as an artist, and that before my pieces were done, I was getting tired of them. So I knew I had to find something that moved along quicker, that followed my natural path of growth as an artist.”

ArtistPaintingLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering ZenIndra S Jewels
Book:Shimmering Zen
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“In the beginning of Photoshop and Illustrator—what became Creative Suite—and to me it looked like another tool, another set of tools. And it fit in well with my photography. The photography had been there to support my art, basically, a way of gathering information and images in order to create better paintings.”

ArtistPaintingLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering ZenIndra S Jewels
Book:Shimmering Zen
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“I was sort of collaging and I would think, “Oh, I’ll collage this work and then I’ll paint it.” But as I progressed I began to realize that everything was changing: there were different ways of printing the work, and perhaps there were things I could use to develop the work that didn’t involve painting.”

ArtistPaintingLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering ZenIndra S Jewels
Book:Indra's Jewels
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“When I first started showing the “Indra’s Jewels” work, I had people coming out of the woodwork saying “Who is this guy? What is he doing? Who does he think he is doing this stuff?” and the more they’d find out they’d go “Oh, he was a painter? He taught for more than decade on the university level? He knows what he’s talking about? Oh, well let’s look at it a little closer.”

ArtistPaintingLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering ZenIndra S Jewels
Book:Indra's Jewels
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“The main criticism was really “he just presses a filter and gets these images.” But then they’d realize that I had learned how to paint and how to draw—that I had paid my dues, and I’d also been a graphic artist and a technical illustrator. And so I was able to show that I could draw with technical pens—and do anything that anyone else could do—and yet still was fascinated by this, and that sort of opened people up a little bit more. The more they knew about me, the more open they were to my explorations in the digital field.”

ArtistPaintingLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering ZenIndra S Jewels
Author:James Stanford
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“Sometimes knowing what to shoot is a big relief. Other times, being extemporaneous is the way to go. I love to go out and see what the universe is presenting to me on any given day. Learning to be sensitive to what is out there with no preconceived idea is a wonderful way to discover new subject matter. But only looking for the shot that presents itself in the moment seldom creates new technical skills. In order to master the camera, I give myself special assignments. Giving yourself an assignment helps you to learn about photography and your equipment. By knowing what you want to achieve, you can plan things out. This way you can slow things down. Shoot and confirm. Take notes. Concentrate on getting the shot just right! You will learn to master Aperture Priority, shutter speed, ISO, manual settings, and more. Digital Camera, 2018”

ArtistPaintingPhotographyLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering Zen
Author:James Stanford
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“The Mojave Desert is a harsh, but very spiritual, place. It’s as much a matrix as anything else in my life has been. Growing up in the desert has a different gestalt than growing up in a temperate zone, with its humidity and rainfall. As children growing up in the Mojave, we chased lizards and snakes, instead of frogs and squirrels. There is an arid openness about it, and a true feeling of being alone, that you don’t get in any other type of environment.”

ArtistPaintingPhotographyLas VegasContemporary ArtArtist QuotesDigital ArtJames StanfordShimmering ZenMojave Desert
Book:Shimmering Zen
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“The temptation is always to think of Las Vegas as a gambling mecca, the ‘Entertainment Capital of the World’. Well, it’s that. But, it’s a lot more than that as well. There are beautiful natural rock formations, rare plants and animals, and even pseudo-alpine regions. Just because you can see for a hundred miles doesn’t mean that there’s nothing there to see, and open desert allows you to see things in a different way. There is nothing to block your view, and nothing to hide behind.”

ArtistPaintingPhotographyLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering Zen
Author:James Stanford
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“I developed a thirst for great art, but it wasn’t until I was 20 that I finally visited my first museum, the Prado in Madrid. There, in 1968, my interest was caught by the paintings of Luis de Morales, a 16th-century artist from the harsh Extremadura region of Spain. Morales was a Mannerist, like El Greco or Parmigianino, who painted very graceful figures with long necks and limbs. He did a magnificently smooth sfumato modelling. But the effect that impressed me the most was a fine line that he applied around all of his figures. He didn’t need those illustrative lines, but they really made his figures ‘pop’ off the background.”

PaintingPhotographyLas VegasContemporary ArtArtists LifeArtist QuotesJames StanfordShimmering ZenMojave DesertLuis De Morales
Author:James Stanford
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“Living in the desert makes a lot of things very clear. It really gives you an unobstructed view. The severity of the landscape opens people up to their inner selves. St. Anthony went into the wilderness and was tormented by demons. Jesus was tempted by the devil in the desert. In an unexpected way, the Mojave is a very spiritual place.”

ArtistPaintingPhotographyLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering Zen
Author:James Stanford
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“The gestalt of living in the desert, surrounded by the desert, was a big influence in my life and in the lives of other artists in this community. There are many artists and musicians who grew up as lonely kids in the desert with nothing to do, and who chose to channel their focus inward. In the Mojave Desert, numinous, mystical experiences are not as rare as one might think. The numinous is a part of the whole artistic experience for the desert artist.”

InspirationArtistPaintingPhotographyLas VegasContemporary ArtArtist QuotesJames StanfordShimmering ZenMojave Desert
Author:James Stanford
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“At first, I thought I would use photography and the collage and montage possibilities of Photoshop strictly for visualization in preparation for my paintings. But after I experimented with Photoshop and digital photography, I soon discovered new possibilities and found exciting new ways of presenting ideas. I soon found that I was more interested in pure image-making than I was in actually painting the images. Digital Camera, 2017”

ArtistPaintingPhotographyLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering Zen
Book:Shimmering Zen
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“Technology also made some of the established principles of image-making meaningless, such as the idea that symmetrical images are more static and perhaps less interesting than asymmetrical images. Symmetry is easier to achieve with mechanical means, so I used my collection of digital tools to break the rules, explore perfect symmetry and create repeatable patterns. Digital Camera, 2017”

PaintingPhotographyLas VegasArtists QuotesContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering Zen
Author:James Stanford
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“When I take a picture of a derelict sign, I already begin to see and find the patterns and shapes that will form the final piece. Once I get the image in the studio, I begin to layer the patterns created, making sure to save the patterns I particularly like. I never lose a layer of work during this process; I simply continue to build and modify those patterns that appeal to me. Digital Camera, 2017”

ArtistPaintingPhotographyLas VegasContemporary ArtArtist QuotesArtistic VisionDigital ArtJames StanfordShimmering Zen
Book:Indra's Jewels
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“The revolutionary idea of contemporary art was that any object, any detail or fragment of the material world, could exert the same strange attraction and pose the same insoluble questions as were reserved in the past for a few rare aristocratic forms known as works of art. That is where true democracy lay: not in the accession of everyone to aesthetic enjoyment, but in the transaesthetic advent of a world in which every object would, without distinction, have its fifteen minutes of fame (particularly objects without distinction). All objects are equivalent, everything is a work of genius. With, as a corollary, the transformation of art and of the work itself into an object, without illusion or transcendence, a purely conceptual acting-out, generative of deconstructed objects which deconstruct us in their turn. No longer any face, any gaze, any human countenance or body in all this - organs without bodies, flows, molecules, the fractal. The relation to the 'artwork' is of the order of contamination, of contagion: you hook up to it, absorb or immerse yourself in it, exactly as in flows and networks. Metonymic sequence, chain reaction. No longer any real object in all this: in the ready-made it is no longer the object that's there, but the idea of the object, and we no longer find pleasure here in art, but in the idea of art. We are wholly in ideology. And, ultimately, the twofold curse of modem and contemporary art is summed up in the 'ready-made': the curse of an immersion in the real and banality, and that of a conceptual absorption in the idea of art.”

AddictionIdeologyAbstractionPop CultureSimulationBanalityContemporary ArtPandemicsDemocratization
Book:The Intelligence of Evil or the Lucidity Pact
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“By the late Nineties, we had become a more visual nation. Big-money taste moved to global standards - new architecture, design and show-off contemporary art. The Sloane domestic aesthetic - symmetry, class symbolism and brown furniture - became as unfashionable as it had been hot in the early Eighties.”

ArtShowsBigsNationsClassDesignTasteLateStandardsHotMovedArchitectureContemporaryVisualsBrownAestheticFurnitureEightySymbolismShowing OffSymmetryContemporary ArtArchitecture Design
Author:Peter York
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“Growing up I was very into art. In high school I was into the surrealists and impressionists, and I loved Klimt. In '91 or '92 I saw one of those Felix Gonzalez-Torres Untitled billboards. I was just really arrested by it. It was kind of my first foray into contemporary art. It was a turning point for me as to what art could be and what it meant and the impact it could have.”

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Author:Chloe Sevigny
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