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The Intelligence of Evil or the Lucidity Pact

Book by Jean Baudrillard · 46 quotes · Reality, Pop Culture, Simulation

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The Intelligence of Evil or the Lucidity Pact Quotes

“The dream of identity ends in indifference. What can be read between the lines of these stories is that chance and destiny are not to be found elsewhere, in some imaginary decree. Chance is already present in the unpredictability of ordinary life. There is nothing more unpredictable than any moment of daily life. All one needs to do is to acknowledge immediately the non-existence of this individual structure, and to recognize that the ego exists only in the showing-through [transparition] of the world and all its most insignificant possibilities. It is no use wondering where freedom or identity lies and what is to be done with them. Human beings are the coming-to-pass of what they are and what they do. Therein lies the movement of becoming, and what they wanted to be is not an issue; their ideals or free will are not an issue: these are merely retrospective justifications.”

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“Here lies the total abstraction and the source of all domination: in the breakdown of the dual relation. The strategy of domination is, indeed, to ensure that, through all the techniques of communication, through inescapable, streaming information, there can no longer be any response. It is a domination by signs empty of meaning. But, on the other side, there is an equal indifference and blank resistance.”

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“Such is our intelligence, that intelligence that lives on the illusion of an exponential growth of our stock. Whereas the most probable hypothesis is that the human race merely has at its disposal, today, as it had yesterday, a general fund, a limited stock that redistributes itself across the generations, but is always of equal quantity. In intelligence, we might be said to be infinitely superior, but in thought we are probably exactly the equal of preceding and future generations. There is no privilege of one period over another, nor any absolute progress - there, at least, no inequalities. At species level, democracy rules. This hypothesis excludes any triumphant evolutionism and also spares us all the apocalyptic views on the loss of the 'symbolic capital' of the species (these are the two standpoints of humanism: triumphant or depressed). For if the original stock of souls, natural intelligence or thought at humanity's disposal is limited, it is also indestructible. There will be as much genius, originality and invention in future periods as in our own, but not more - neither more nor less than in former ages. This runs counter to two perspectives that are corollaries of each other: positive illuminism - the euphoria of Artificial Intelligence - and regressive nihilism - moral and cultural depression.”

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“Thought, too, while scattering its traces, leaves the literalness of the world intact, leaves intact the pure literalness of objects, though it sends their meaning up in smoke. Shadowing the world - following the word like its shadow to cover up its tracks and to show that, behind its supposed ends, it is going nowhere. It is in this way that thought connects up with the event of the world - not with the occurrence of a totality that is nowhere to be found, but with the occurrence of the world as it is, in its unpredictable coming-to-pass. It is in this way that we attain to the literalness, the material imagining, of the world, by the elimination of whatever obstacle may be between the image and the gaze.”

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“To speak evil' is to speak this fateful, paradoxical situation that is the reversible concatenation of good and evil. That is to say that the irresistible pursuit of good, the movement of Integral Reality - for this is what good is: it is the movement towards integrality, towards an integral order of the world - is immoral. The eschatological perspective of a better world is in itself immoral. For the reason that our technical mastery of the world, our technical approach to good, having become an automatic and irresistible mechanism, none of this is any longer of the order of morality or of any kind of finality. Nor is to speak and read evil the same thing as vulgar nihilism, the nihilism of a denunciation of all values, that of the prophets of doom. To denounce the reality contract or the reality 'conspiracy' is not at all nihilistic. It is not in any sense to deny an obvious fact, in the style of 'All is sign, nothing is real - nothing is true, everything is simulacrum' - an absurd proposition since it is also a realist one! It is one thing to note the vanishing of the real into the Virtual, another to deny it so as to pass beyond the real and the Virtual. It is one thing to reject morality in the name of a vulgar immoralism, another to do so, like Nietzsche so as to pass beyond good and evil. To be 'nihilistic' is to deny things at their greatest degree of intensity, not in their lowest versions. Now, existence and self-evidence have always been the lowest forms. If there is nihilism, then, it is not a nihilism of value, but a nihilism of form. It is to speak the world in its radicality, in its dual, reversible form, and this has never meant banking on catastrophe, any more than on violence. No finality, either positive or negative, is ever the last word in the story. And the Apocalypse itself is a facile solution.”

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“It is a truly superb allegory, this story of the Golden Temple: the allegory of evil's revenge, of destruction as the only way out from beauty and the excess of beauty. But not just beauty. Evil can also befall intelligence. Intelligence protects us from nothing - not even from stupidity. Being intelligent is not enough, then, to prevent one from being stupid, and sometimes intelligence even lives in stupidity's shade, and vice versa. Not only does intelligence not mark the end of stupidity, there is no other way out from excess of intelligence but stupidity. In keeping with an implacable reversibility, stupidity lies in wait for it, as its shadow, as its double. Only thought, only lucidity, which stands as much opposed to intelligence as to stupidity, can escape this trial of strength. But there is no rule, no more for good than for evil: they chase each other endlessly around the Moebius strip. Given the hellish production of collective intelligence, we shall have to reckon in the future with an ever-higher rate of artificial stupidity.”

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“A more subtle misconception is that of a hypostasis of evil as indestructible reality, a kind of primal scene, a sort of substratum of accumulated death-drive. The radicality of evil is seen as that of a naturally inevitable force, associated always with violence, suffering and death. Hence Sloterdijk's hypothesis that 'the reality of reality is the eternal return of violence'. To which he opposes a 'pacifism that is in keeping with our most advanced theoretical intuitions, a deep-level pacifism, based on a radical analysis of the circularity of violence, deciphering the forces that determine its eternal return'. A radical analysis, then, to remedy the radical evil. But can a 'radical' analysis have a finality of whatever kind? Is it not itself part of the process of evil?”

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“Thinking based on evil is not pessimistic; it is the thinking based on misfortune that is pessimistic because it wants desperately to escape evil or, alternatively, to revel in it. Thought, for its part, does not cure human misfortune, the terrible obviousness of which it absorbs for purposes of some unknown transformation. Pessimism excludes any depth that eludes its negative judgement, whereas thought wishes to penetrate magically beyond the fracture of the visible. The rays of the black sun of pessimism do not reach down to the floor of the abyss. Absolute depth knows neither good nor evil. Thus the intelligence of evil goes far beyond pessimism. In reality, the only genuinely pessimistic, nihilistic vision is that of good since, at bottom, from the humanist point of view, the whole of history is nothing but crime. Cain killing Abel is already a crime against humanity (there were only two of them!) and isn't original sin already a crime against humanity too? This is all absurd, and, from the standpoint of good, the effort to rehabilitate the world's violence is a hopeless exercise. All the more so as, without all these crimes, there simply wouldn't be any history. 'If the evil in man were eliminated,' says Montaigne, 'you would destroy the fundamental conditions of life.”

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“Thought is measured by a different rule, and puts us in mind, rather, of those souls whose number, according to certain ancient myths, is limited. There was in that time a limited contingent of souls or spiritual substance, redistributed from one living creature to the next as successive deaths occurred. With the result that some bodies were sometimes waiting for a soul (like present-day heart patients waiting for an organ donor). On this hypothesis, it is clear that the more human beings there are, the rarer will be those who have a soul. Not a very democratic situation and one which might be translated today into: the more intelligent beings there are (and, by the grace of information technology, they are virtually all intelligent), the rarer thought will be. Christianity was first to institute a kind of democracy and generalized right to a personal soul (it wavered for a long time where women were concerned). The production of souls increased substantially as a result, like the production of banknotes in an inflationary period, and the concept of soul was greatly devalued. It no longer really has any currency today and it has ceased to be traded on the exchanges. There are too many souls on the market today. That is to say, recycling the metaphor, there is too much information, too much meaning, too much immaterial data for the bodies that are left, too much grey matter for the living substance that remains. To the point where the situation is no longer that of bodies in search of a soul, as in the archaic liturgies, but of innumerable souls in search of a body. Or an incalculable knowledge in search of a knowing subject.”

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“The exact hypothesis is that man is born unfree, that the world is born untrue, non-objective, non-rational. But this radical hypothesis is definitively beyond proof, unverifiable and, in a sense, unbearable. Hence the success of the opposite hypothesis, of the easiest hypothesis. Subjective illusion: that of freedom. Objective illusion: that of reality. Just as belief in freedom is merely the illusion of being the cause of one's own acts, so the belief in objective reality is the illusion of finding an original cause for phenomena and hence of inserting the world into the order of truth and reason. Despairing of confronting otherness, seduction, the dual relation and destiny, we invent the easiest solution: freedom. First, the ideal concept of a subject wrestling with his own freedom. Then, de facto liberation, unconditional liberation - the highest stage of freedom. We pass from the right to freedom to the categorical imperative of liberation. But to this stage, too, there is the same violent abreaction: we rid ourselves of freedom in every way possible, even going so far as to invent new servitudes.”

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“Or, rather, there is a duel between them: death toys with life, life toys with death. Which of the two succumbs? Stanislaw Lec reverses the terms here: it is not we who defend ourselves against death, it is death that defends itself against us: 'Death resists us, but it gives in in the end.' Nothing else so stunning as this has ever been said about death. Needless to say, this dual relationship has nothing to do with interactivity, which is a parody of it. There is nothing interactive in the antagonistic process of reversibility and becoming. The feminine and the masculine are not 'interactive': that is ridiculous. Life and the world are not interactive -life isn't a question-and-answer session or a video game. There is nothing interactive in words when they are articulated in language. Interactivity is a gigantic mythology, a mythology of integrated systems or of systems craving integration, a mythology in which otherness is lost in feedback, interlocution and interface - a kind of generalized echography.”

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“Doesn't everyone have in them this potential change and becoming? This absolute singularity which demands only to occur effortlessly, an inspired form freed from the straitjacket of our individual being? We have this becoming within us, and we lack nothing, since we are rid of truth. The world too lacks nothing as it is; it opposes any attempt to make it signify anything whatever. To inflict truth on it is like explaining a joke or a funny story.”

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“Prohibitions themselves are no longer transcendent. Once upon a time they were signified to us from on high by laws that came from a far-off region - perhaps, here again, an Island of Prohibitions, ruled over by a divinity concerned for our fate. But today they too have been internalized; they are produced by the brain. It is we who produce them; they are secretions of the individual unconscious. They no longer have any grandeur, nor, in the end, do they even have any charm. They either disappear purely and simply (it is forbidden to forbid), or become once again, paradoxically, objects of nostalgia, objects of desire - where once they separated us from the accomplishment of desire.”

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“The same acting-out, the same loss of distance and the same fall into the real threatens thought too, as soon as it crosses the demarcation line which is that of its impossible exchange with truth, as soon as it comes to act out truth. Thought must at all costs keep itself from reality, from the real projection of ideas and their translation into acts. The Overman and the Eternal Return are, in this way, visions and they have the sovereignty of a hypothesis. If we try to turn them into acts or faits accomplis, they become monstrous and ridiculous. The same goes for less visionary perspectives, such as biogenetic experimentation on the human species: as a hypothesis, this opens up all kinds of metaphysical and anthropological questions. But if we move from potential mutation to real projection (as Peter Sloterdijk does in his Menschenpark project), we lose all philosophical distance; and thought, in mingling with the real course of things, offers merely a false alternative to the operation of the system. Thought must refrain from instructing, or being instructed by, a future reality, for, in that game, it will always fall into the trap of a system that holds the monopoly of reality. And this is not a philosophical choice. It is, for thought, a life-and-death question.”

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“Despairing of an aim, salvation or an ideal, we invent for ourselves the easiest solution: happiness. Here again we begin with utopia - the ideal of happiness - and end in achieved happiness, the highest stage of happiness. The same abreaction to integral happiness as to integral reality or freedom: these are all unbearable. In the end, it is the opposite form of misfortune, the victim ideology, that triumphs. Being incapable of accepting thought (the idea that the world thinks us, the intelligence of evil), we invent the easiest solution, the technical solution: Artificial Intelligence. The highest stage of intelligence: integral knowledge. This time the rejection will arise perhaps from a resistance on the part of things themselves to their digital transparency or from a failure of the system in the form of a major accident. Against all the sovereign hypotheses are ranged the easiest solutions. And all the easiest solutions lead to catastrophe.”

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“The non-event is not when nothing happens. It is, rather, the realm of perpetual change, of a ceaseless updating, of an incessant succession in real time, which produces this general equivalence, this indifference, this banality that characterizes the zero degree of the event. A perpetual escalation that is also the escalation of growth - or of fashion, which is pre-eminently the field of compulsive change and built-in obsolescence. The ascendancy of models gives rise to a culture of difference that puts an end to any historical continuity. Instead of unfolding as part of a history, things have begun to succeed each other in the void. A profusion of language and images before which we are defenceless, reduced to the same powerlessness, to the same paralysis as we might show on the approach of war. It isn't a question of disinformation or brainwashing. It was a naIve error on the part of the FBI to attempt to create a Disinformation Agency for purposes of managed manipulation - a wholly useless undertaking, since disinformation comes from the very profusion of information, from its incantation, its looped repetition, which creates an empty perceptual field, a space shattered as though by a neutron bomb or by one of those devices that sucks in all the oxygen from the area of impact. It's a space where everything is pre-neutralized, including war, by the precession of images and commentaries, but this is perhaps because there is at bottom nothing to say about something that unfolds, like this war, to a relentless scenario, without a glimmer of uncertainty regarding the final outcome.”

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“When an event and the broadcasting of that event in real time are too close together, the event is rendered undecidable and virtual; it is stripped of its historical dimension and removed from memory. We are in a generalized feedback effect. Wherever a mingling of this kind - a collision of poles - occurs, then the vital tension is discharged. Even in 'reality TV' where, in the live telling of the story, the immediate televisual acting, we see the confusion of existence and its double. There is no separation any longer, no emptiness, no absence: you enter the screen and the visual image unimpeded. You enter life itself as though walking on to a screen. You slip on your own life like a data suit.”

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“Before the event it is too early for the possible. After the event it is too late for the possible. It is too late also for representation, and nothing will really be able to account for it. September 11 th, for example, is there first - only then do its possibility and its causes catch up with it, through all the discourses that will attempt to explain it. But it is as impossible to represent that event) as it was to forecast it before it occurred. The CIA's experts had at their disposal all the information on the possibility of an attack, but they simply didn't believe in it. It was beyond imagining. Such an event always is. It is beyond all possible causes (and perhaps even, as Italo Svevo suggests, causes are merely a misunderstanding that prevents the world from being what it is). We have, then, to pass through the non-event of news coverage (information) to detect what resists that coverage. To find, as it were, the 'living coin' of the event. To make a literal analysis of it, against all the machinery of commentary and stage-management that merely neutralizes it. Only events set free from news and information (and us with them) create a fantastic longing. These alone are 'real', since there is nothing to explain them and the imagination welcomes them with open arms.”

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“Bergson felt the event of the First World War this way. Before it broke out, it appeared both possible and impossible (the similarity with the suspense surrounding the Iraq war is total), and at the same time he experienced a sense of stupefaction at the ease with which such a fearful eventuality could pass from the abstract to the concrete, from the virtual to the real. We see the same paradox again in the mix of jubilation and terror that characterized, in a more or less unspoken way, the event of 11 September. It is the feeling that seizes us when faced with the occurrence of something that happens without having been possible. In the normal course of events, things first have to be possible and can only actualize themselves afterwards. This is the logical, chronological order. But they are not, in that case, events in the strong sense. This is the case with the Iraq war, which has been so predicted, programmed, anticipated, prescribed and modelled that it has exhausted all its possibilities before even taking place. There is no longer anything of the event in it. There is no longer anything in it of that sense of exaltation and horror felt in the radical event of 11 September, which resembles the sense of the sublime spoken of by Kant. The non-event of the war leaves merely a sense of mystification and nausea.”

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“We do not have to plump for the one or the other [extreme]. We experience the simultaneous attraction and repulsion of the event and the non-event. Just as, according to Hannah Arendt, we are confronted in any action with the unforeseeable and the irreversible. But, since the irreversible today is the movement towards virtual ascendancy over the world, towards total control and technological 'enframing', towards the tyranny of absolute prevention and technical security, we have left to us only the unpredictable, the luck of the event. And just as Mallarmé said that a throw of the dice would never abolish chance - that is to say, there would never be an ultimate dice throw which, by its automatic perfection, would put an end to chance - so we may hope that virtual programming will never abolish events. Never will the point of technical perfection and absolute prevention be reached where the fateful event can be said to have disappeared. There will always be a chance for the troubling strangeness [das Unheimliche] of the event, as against the troubling monotony of the global order.”

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“And it is, indeed, to the more general problem of fetishism that this new twist brings us: after the becoming-sign of the object, the becoming-object of the sign. In the sexual register, the fetish is no longer a sign but a pure object, meaningless in itself - a banal accessory, but one of absolute value, for which there can be no possible exchange. It is that object and no other. But this banal singularity means that any object whatever can become a fetish. Its potentiality is total, precisely because it lies beyond any sexual reference or metaphor. It is the perfect object of sex, its perfect realization, insofar as it substitutes for any real sex - just as Virtual Reality substitutes itself for the real world and in that way becomes the universal form of our modern fetishism. Modern man's immense panoply of information technology has become his true object of (perverse?) desire. Fetishism being, as the name indicates (Feiticho), linked to abstraction and artifice, it is all the more radical for the abstraction being total. If it was possible, in the past, to speak of the fetishism of the commodity, of money, of the simulacrum and the spectacle, that was still a limited fetishism (related to sign-value). There stretches beyond this for us today the world of radical fetishism, linked to the de-signification and limitless operation of the real - to the sign's becoming pure object once again, before or beyond any metaphor.”

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“One of the variants of this lethal accomplishment, of this acting-out, is the realization of all metaphors - the collapse of the metaphor into the real. Here, again, we have the phantasm of materializing all that is parable, myth, fable and metaphor. Romain Gary: 'All humanity's metaphors end up becoming realities. I am coming to wonder whether the real aim of science is not a validation of metaphors.”

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“What are we to do with an interactive world in which the demarcation line between subject and object is virtually abolished? That world can no longer either be reflected or represented; it can only be refracted or diffracted now by operations that are, without distinction, operations of brain and screen - the mental operations of a brain that has itself become a screen. The other side of this Integral Reality is that everything operates in an integrated circuit. In the information media - and in our heads too - the image-feedback dominates, the insistent presence of the monitors - this convolution of things that operate in a loop, that connect back round to themselves like a Klein bottle, that fold back into themselves. Perfect reality, in the sense that everything is verified by adherence to, by confusion with, its own image. This process assumes its full magnitude in the visual and media world, but also in everyday, individual life, in our acts and thoughts. Such an automatic refraction affects even our perception of the world, sealing everything, as it were, by a focusing on itself. It is a phenomenon that is particularly marked in the photographic world, where everything is immediately decked out with a context, a culture, a meaning, an idea, disarming any vision and creating a form of blindness condemned by Rafael Sanchez Ferlosio: 'There exists a terrible form of blindness which very few people notice: the blindness that allows you to look and see, but not to see at a stroke without looking. That is how things were before: you didn't look at them, you were happy simply to see them. Everything today is poisoned with duplicity; there is no pure, direct impulse. So, for example, the countryside has become "landscape" or, in other words, a representation of itself ...”

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“But the end of history is not the last word on history. For, against this background of perpetual non-events, there looms another species of event. Ruptural events, unforeseeable events, unclassifiable in terms of history, outside of historical reason, events which occur against their own image, against their own simulacrum. Events that break the tedious sequence of current events as relayed by the media, but which are not, for all that, a reappearance of history or a Real irrupting in the heart of the Virtual (as has been said of 11 September). They do not constitute events in history, but beyond history, beyond its end; they constitute events in a system that has put an end to history. They are the internal convulsion of history. And, as a result, they appear inspired by some power of evil, appear no longer the bearers of a constructive disorder, but of an absolute disorder. Indecipherable in their singularity, they are the equivalent in excess of a system that is itself indecipherable in its extension and its headlong charge.”

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“To turn yourself into an image is to expose your daily life, your misfortunes, your desires and your possibilities. It is to have no secrets left. Never to tire of expressing yourself, speaking, communicating. To be readable at every moment, overexposed to the glare of the information media (like the woman who appears live twenty-four hours a day on the Internet, showing the tiniest details of her life).”

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“Can we advance the hypothesis that, beyond the critical stage, the heroic stage (which is still that of metaphysics), there is an ironic stage of technology, an ironic stage of history, an ironic stage of value, etc.? This would free us from the Heideggerian view of technology as the effectuation, and the last stage, of metaphysics; it would free us from all retrospective nostalgia for being, giving us, rather, a gigantic objective irony, a superior intuition of the illusoriness of all this process - which would not be far from the radical post-historical snobbery Alexandre Kojeve spoke of. At the heart of this artificial reality, this Virtual Reality, this irony is perhaps all we have left of the original illusion, which at least preserves us from any temptation one day to possess the truth.”

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“Perhaps the agnostic even prefers signs to reality. Perhaps he prefers this undecidable situation, since you can play with these floating signs and that is not possible with so-called 'objective' reality. The move from the real to the sign opens up an enormous field of play and uncertainty. Particularly where the reality of power is concerned. For if there is, indeed,a risk of anaesthesia and manipulation by signs and images that is to power's advantage, there is the risk that power itself may find itself reduced merely to the signs of power. This profusion of signs and of what is manifested does, moreover, effect a profound change in the symbolic relation to power. That relation is based on the unilateral gift (of laws, institutions, work, security, etc.). It is not so much by violence and constraint, but only by this symbolic obligation that power exists. Now, from the point when all that it gives us is signs, our debt to it is infinitely less great. With power distributing nothing but signs to us, we merely give back signs in return, and our servitude is the lighter for it. Admittedly, the enjoyment of immaterial goods is not so great, but this also means we owe little in return and we respond to the airiness of signs with an equal indifference. We can deny power and set it aside by mere incredulity, simply responding to the signs of power with the signs of servitude. This is perhaps what is meant by 'weak thought' (pensiero debole). With Virtual Reality, this process of disinvestment becomes even more radical, and we enter upon a phase of unbinding [deliaison], of quasi-total disobligation.”

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“Once the great and the good had the privilege of granting pardon. Today, they want to be pardoned in their turn. They take the view that, on the basis of human rights, they are entitled to the universal compassion that had until now been the prerogative of the poor and of victims (in fact we cannot pardon them enough and they deserve all our compassion, not for reasons of rights or morality, but quite simply because there is nothing worse than being in power). However this may be, they believe they must now stand before the moral tribunal of public opinion and even declare their corruption before it (more or less spontaneously!). They would even accuse themselves of crimes they did not commit in order to gain an artificial immunity as a by-product. But the cunning of the dominated is even subtler. If consists not in pardoning them (you do not pardon those in power), nor in inflicting any real punishment on them, but in passing over their little acts of embezzlement and this faked-up spectacle with a certain indifference. And this should leave the politicians very crestfallen, as it is the clear sign of their insignificance for everyone. Some of them have demanded to be judged and found guilty (though they are innocent, of course!). But the 'ordeal' the judges have put the politicians and the big industrialists through has in the end only restored legitimacy, recognition and an audience to people who had lost them. Hence the strange confusion that prevails in the political sphere. For there is in the fact of this universal compassion a deep disturbance of symbolic regulation. Everywhere today we see the tormentors (pretending to) take the victim's side, showing them compassion and compensating them (as in Charles Najman's film La memoire est-elle soluble dans l'eau ... ?). This may perhaps resolve things on the moral plane, but it aggravates them at the symbolic level.”

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“It is, in fact, no longer exactly a struggle between good and evil. It's a question of transparency. Good is transparent: you can see through it. Evil, by contrast, shows through: it is what you see when you see through. Or alternatively, evil is the first hypothesis, the first supposition. Good is merely a transposition and a substitute product: the hypostasis of evil. Good definitively scattered among the figures of evil. Anamorphosis of good. Evil definitively scattered among the figures of good. Anamorphosis of evil. It is only through the distorted, disseminated figures of evil that one can reconstitute, in perspective, the figure of good. It is only through the dispersed and falsely symmetrical figures of good that one can reconstitute the paradoxical figure of evil. As it is only through the dispersion of the name of God in the labyrinth of the poem that you can sense the original figure running through it.”

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“This kind of speculation reached a high point with the Pentagon's initiative of creating a 'futures market in events', a stock market of prices for terrorist attacks or catastrophes. You bet on the probable occurrence of such events against those who don't believe they'll happen. This speculative market is intended to operate like the market in soya or sugar. You might speculate on the number of AIDS victims in Africa or on the probability that the San Andreas Fault will give way (the Pentagon's initiative is said to derive from the fact that they credit the free market in speculation with better forecasting powers than the secret services). Of course it is merely a step from here to insider trading: betting on the event before you cause it is still the surest way (they say Bin Laden did this, speculating on TWA shares before 11 September). It's like taking out life insurance on your wife before you murder her. There's a great difference between the event that happens (happened) in historical time and the event that happens in the real time of information. To the pure management of flows and markets under the banner of planetary deregulation, there corresponds the 'global' event- or rather the globalized non-event: the French victory in the World Cup, the year 2000, the death of Diana, The Matrix, etc. Whether or not these events are manufactured, they are orchestrated by the silent epidemic of the information networks. Fake events.”

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“Fortunately, there are other, more poetic ways of ridding oneself of freedom - that of gaming, for example, where what is at stake is not a freedom subject to the law, but a sovereignty subject to rules. A more subtle and paradoxical freedom which consists in a rigorous observance, an enchanted form of voluntary servitude that is, as it were, the miraculous combination of master and slave: in gaming no one is free, everyone is both the master and the slave of the game.”

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“The revolutionary idea of contemporary art was that any object, any detail or fragment of the material world, could exert the same strange attraction and pose the same insoluble questions as were reserved in the past for a few rare aristocratic forms known as works of art. That is where true democracy lay: not in the accession of everyone to aesthetic enjoyment, but in the transaesthetic advent of a world in which every object would, without distinction, have its fifteen minutes of fame (particularly objects without distinction). All objects are equivalent, everything is a work of genius. With, as a corollary, the transformation of art and of the work itself into an object, without illusion or transcendence, a purely conceptual acting-out, generative of deconstructed objects which deconstruct us in their turn. No longer any face, any gaze, any human countenance or body in all this - organs without bodies, flows, molecules, the fractal. The relation to the 'artwork' is of the order of contamination, of contagion: you hook up to it, absorb or immerse yourself in it, exactly as in flows and networks. Metonymic sequence, chain reaction. No longer any real object in all this: in the ready-made it is no longer the object that's there, but the idea of the object, and we no longer find pleasure here in art, but in the idea of art. We are wholly in ideology. And, ultimately, the twofold curse of modem and contemporary art is summed up in the 'ready-made': the curse of an immersion in the real and banality, and that of a conceptual absorption in the idea of art.”

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Book:The Intelligence of Evil or the Lucidity Pact
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“People tell you the computer is just a handier, more complex kind of typewriter. But that isn't true. The typewriter is an entirely external object. The page floats free, and so do I. I have a physical relation to writing. I touch the blank or written page with my eyes - something I cannot do with the screen. The computer is a prosthesis. I have a tactile, intersensory relation to it. I become, myself, an ectoplasm of the screen. And this, no doubt, explains, in this incubation of the virtual image and the brain, the malfunctions which afflict computers, and which are like the failings of one's own body. On the other hand, the fact that priority belongs to the network and not to individuals implies the possibility of hiding, of disappearing into the intangible space of the Virtual, so that you cannot be pinned down anywhere, which resolves all problems of identity, not to mention those of alterity. So, the attraction of all these virtual machines no doubt derives not so much from the thirst for information and knowledge as from the desire to disappear, and the possibility of dissolving oneself into a phantom conviviality. A kind of 'high' that takes the place of happiness. But virtuality comes close to happiness only because it surreptitiously removes all reference from it. It gives you everything, but it subtly deprives you of everything at the same time. The subject is, in a sense, realized to perfection, but when realized to perfection, it automatically becomes object, and panic sets in.”

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“This is why, where art is concerned, the most interesting thing would be to infiltrate the spongiform encephalon of the modern spectator, For this is where the mystery lies today: in the brain of the receiver, at the nerve centre of this servility before 'works of art'. What is the secret of it? In the complicity between the mortification 'creative artists' inflict on objects and themselves, and the mortification consumers inflict on themselves and their mental faculties. Tolerance for the worst of things has clearly increased considerably as a function of this general state of complicity. Interface and performance - these are the two current leitmotifs. In performance, all the forms of expression merge - the plastic arts, photography, video, installation, the interactive screen. This vertical and horizontal, aesthetic and commercial diversification is henceforth part of the work, the original core of which cannot be located. A (non-) event like The Matrix illustrates this perfectly: this is the very archetype of the global installation, of the total global fact: not just the film, which is, in a way, the alibi, but the spin-offs, the simultaneous projection at all points of the globe and the millions of spectators themselves who are inextricably part of it. We are all, from a global, interactive point of view, the actors in this total global fact.”

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“Only with our modern civilization did we find ourselves forcibly inducted into this individual existence. Of course, we fight to retain this 'inalienable' right, and we are naturally driven to win it and defend it at all costs. We demand this freedom, this autonomy, as a fundamental human right and, at the same time, we are crippled by the responsibility that ends up making us detest ourselves as such. This is what resounds in the complaint of Job. God asks too much: ''What is man, that thou shouldest magnify him? And that thou shouldest set thy heart upon him? And that thou shouldest visit him every morning, and try him every moment? How long wilt thou not depart from me, nor let me alone till I swallow down my spittle? ' This leaves us subject to a contradictory twofold requirement: to seek an identity by all possible means - by hounding the identities of others or by exploring the networks - and to slough off identity in every possible way, as though it were a burden or a disguise. It is as though liberty and individuality, from having been a 'natural' state in which one may act freely, had become artificial states, a kind of moral imperative, whose implacable decree makes us hostages to our identities and our own wills. This is a very particular case of Stockholm Syndrome, since we are here both the terrorist and the hostage. Now, the hostage is by definition the unexchangeable, accursed object you cannot be rid of because you don't know what to do with it. The situation is the same for the subject: as hostage to himself, he doesn't know how to exchange himself or be rid of himself.”

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“This is merely one of the sides of the conspiracy. The other side is that of the spectator who, for want of understanding anything whatever most of the time, consumes his own culture at one remove. He literally consumes the fact that he understands nothing and that there is no necessity in all this except the imperative of culture, of being a part of the integrated circuit of culture. But culture is itself merely an epiphenomenon of global circulation. The idea of art has become rarefied and minimal, leading ultimately to conceptual art, where it ends in the non-exhibition of non-works in non-galleries - the apotheosis of art as non-event. As a corollary, the consumer circulates in all this in order to experience his non- enjoyment of the works.”

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“In all these forms of disavowal, nay-saying and denial, what is at work is not a dialectic of negativity or the 'work of the negative'. It is no longer a question of a thought critical of reality, but of a subversion of reality in its principle, in its very self-evidence. The greater the positivity, the more violent is the - possibly silent - denial. We are all dissidents of reality today, clandestine dissidents most of the time. If thought cannot be exchanged for reality, then the immediate denial of reality becomes the only reality-based thinking. But this denial does not lead to hope, as Adorno would have it: 'Hope, as it emerges from reality by struggling against it to deny it, is the only manifestation of lucidity.' Whether for good or for ill, this is not true. Hope, if we were still to have it, would be hope for intelligence of - for insight into - good. Now, what we have left is intelligence of evil, that is to say, intelligence not of a critical reality, but of a reality that has become unreal by dint of positivity, that has become speculative by dint of simulation. Because it is there to counter a void, the whole enterprise of simulation and information, this aggravation of the real and of knowledge of the real, merely gives rise to an evergreater uncertainty. Its very profusion and relentlessness simply spreads panic. And that uncertainty is irredeemable, as it is made up of all the possible solutions.”

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“In this impossibility of reapprehending the world through images and of moving from information to a collective action and will, in this absence of sensibility and mobilization, it isn't apathy or general indifference that's at issue; it is quite simply that the umbilical cord of representation is severed. The screen reflects nothing. It is as though you are behind a two-way mirror: you see the world, but it doesn't see you, it doesn't look at you. Now, you only see things if they are looking at you. The screen screens out any dual relation (any possibility of 'response'). It is this failure of representation which, together with a failure of action, underlies the impossibility of developing an ethics of information, an ethics of images, an ethics of the Virtual and the networks. All attempts in that direction inevitably fail. All that remains is the mental diaspora of images and the extravagant performance of the medium. Susan Sontag tells a good story about this pre-eminence of the medium and of images: as she is sitting in front of the television watching the moon landing, the people she is watching with tell her they don't believe it at all. 'But what are you watching, then?' she asks. 'Oh, we're watching television!' Fantastic: they do not see the moon; they see only the screen showing the moon. They do not see the message; they see only the image. Ultimately, contrary to what Susan Sontag thinks, only intellectuals believe in the ascendancy of meaning; 'people' believe only in the ascendancy of signs. They long ago said goodbye to reality. They have gone over, body and soul, to the spectacular.”

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“When truth and reality were made to take lie-detector tests, they themselves confessed to not believing in truth and reality. We are all agnostics. There were those who believed in God and those who did not. There are those who believe in reality and those who do not. And then there are the reality agnostics who, though not rejecting it in an absolute sense, reject belief in it: 'Reality (like God in the past) may perhaps exist, but I don't believe in it.' There is nothing contradictory or absurd in this. It is the enlightened refusal to let oneself be caught in the trap of a reality that is fetishized in its principle, a reality that is itself caught in the trap of the signs of reality. Is there such a thing as a naked, original reality, anterior to the signs in which it is made manifest? Who knows? The self-evidence of reality has a shadow of retrospective doubt hovering over it. However this may be, the agnostic is not concerned with this hinterworld or this original reality; he confines himself to reality as an unverifiable hypothesis, to signs as signs, behind which might also be hidden the absence of reality. (Their profusion in fact ends up voiding them of their credibility.)”

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“Art has always denied itself. But once it did so through excess, thrilling to the play of its disappearance. Today it denies itself by default - worse, it denies its own death. It immerses itself in reality, instead of being the agent of the symbolic murder of that same reality, instead of being the magical operator of its disappearance. And the paradox is that the closer it gets to this phenomenal confusion, this nullity as art, the greater credit and value it is accorded, to the extent that, to paraphrase Canetti, we have reached a point where nothing is beautiful or ugly any more; we passed that point without realizing it and, since we cannot get back to that blind spot, we can only persevere in the current destruction of art.”

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“The virtuality of war is not, then, a metaphor. It is the literal passage from reality into fiction, or rather the immediate metamorphosis of the real into fiction. The real is now merely the asymptotic horizon of the Virtual. And it isn't just the reality of the real that's at issue in all this, but the reality of cinema. It's a little like Disneyland: the theme parks are now merely an alibi - masking the fact that the whole context of life has been disneyfied. It's the same with the cinema: the films produced today are merely the visible allegory of the cinematic form that has taken over everything - social and political life, the landscape, war, etc. - the form of life totally scripted for the screen. This is no doubt why cinema is disappearing: because it has passed into reality. Reality is disappearing at the hands of the cinema and cinema is disappearing at the hands of reality. A lethal transfusion in which each loses its specificity. If we view history as a film - which it has become in spite of us - then the truth of information consists in the postsynchronization, dubbing and sub-titling of the film of history.”

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“All this follows a kind of dizzying whirl, as though this growing abstraction, this rise of an integral hyperreality, were itself a response to a hypersensitivity to certain final conditions. But what final conditions? Reality will have been only a fleeting solution then. Indeed, it merely succeeded others, such as the religious illusion in all its forms. This truth, this rationality, this objective reality - which we took in exchange for religious values, imagining that we had moved definitively beyond them - is only the disenchanted heir to those same religious values. It does not seem ever genuinely to have gained the upper hand, as it happens, nor does it appear that the transcendent solution is entirely past and gone or that God is dead, even though we now deal only with his metastases. Perhaps that solution was merely eclipsed and it is emerging from its eclipse in reaction to this very intensification of reality, to the weight of an ever more real, ever more secular world in which there is no possibility of redemption. Reality too is a hinterworld and a substitutive illusion, and in fact we live in this 'real' world as in a hinterworld. It is merely that we have succeeded in negotiating it in a way that does without heaven and hell (though not without debt and guilt, for which we are now answerable to ourselves). Have we gained or lost on the deal? There is no answer. We have exchanged one illusion for another, and it turns out that the material, objective illusion, the illusion of reality, is as fragile as the illusion of God and no longer protects us, once the euphoria of science and the Enlightenment is past, from the fundamental illusion of the world and its absence of truth. In fact, this secular, desacralized reality has slowly become a useless function, the fiction of which we are desperately attempting to rescue (as once we attempted to rescue the existence of God), but which, deep down, we do not know how to rid ourselves of.”

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“It seems nothing can counteract the proliferation of this Artificial Intelligence based on the zero degree of thought. Nothing, that is, except this reversibility of intelligence and stupidity - the latter representing a renewed challenge to victorious intelligence. There is something here too like a revenge of evil. Something to which the tyranny of reality leads equally well - to appreciating any old form of madness and illusion.”

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