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The Intelligence of Evil or the Lucidity Pact

Book by Jean Baudrillard · 2 quotes · Reality, Pop Culture, Simulation

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The Intelligence of Evil or the Lucidity Pact Quotes

“Once the great and the good had the privilege of granting pardon. Today, they want to be pardoned in their turn. They take the view that, on the basis of human rights, they are entitled to the universal compassion that had until now been the prerogative of the poor and of victims (in fact we cannot pardon them enough and they deserve all our compassion, not for reasons of rights or morality, but quite simply because there is nothing worse than being in power). However this may be, they believe they must now stand before the moral tribunal of public opinion and even declare their corruption before it (more or less spontaneously!). They would even accuse themselves of crimes they did not commit in order to gain an artificial immunity as a by-product. But the cunning of the dominated is even subtler. If consists not in pardoning them (you do not pardon those in power), nor in inflicting any real punishment on them, but in passing over their little acts of embezzlement and this faked-up spectacle with a certain indifference. And this should leave the politicians very crestfallen, as it is the clear sign of their insignificance for everyone. Some of them have demanded to be judged and found guilty (though they are innocent, of course!). But the 'ordeal' the judges have put the politicians and the big industrialists through has in the end only restored legitimacy, recognition and an audience to people who had lost them. Hence the strange confusion that prevails in the political sphere. For there is in the fact of this universal compassion a deep disturbance of symbolic regulation. Everywhere today we see the tormentors (pretending to) take the victim's side, showing them compassion and compensating them (as in Charles Najman's film La memoire est-elle soluble dans l'eau ... ?). This may perhaps resolve things on the moral plane, but it aggravates them at the symbolic level.”

“This is why, where art is concerned, the most interesting thing would be to infiltrate the spongiform encephalon of the modern spectator, For this is where the mystery lies today: in the brain of the receiver, at the nerve centre of this servility before 'works of art'. What is the secret of it? In the complicity between the mortification 'creative artists' inflict on objects and themselves, and the mortification consumers inflict on themselves and their mental faculties. Tolerance for the worst of things has clearly increased considerably as a function of this general state of complicity. Interface and performance - these are the two current leitmotifs. In performance, all the forms of expression merge - the plastic arts, photography, video, installation, the interactive screen. This vertical and horizontal, aesthetic and commercial diversification is henceforth part of the work, the original core of which cannot be located. A (non-) event like The Matrix illustrates this perfectly: this is the very archetype of the global installation, of the total global fact: not just the film, which is, in a way, the alibi, but the spin-offs, the simultaneous projection at all points of the globe and the millions of spectators themselves who are inextricably part of it. We are all, from a global, interactive point of view, the actors in this total global fact.”