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The Intelligence of Evil or the Lucidity Pact

Book by Jean Baudrillard · 5 quotes · Reality, Pop Culture, Simulation

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The Intelligence of Evil or the Lucidity Pact Quotes

“Thought, too, while scattering its traces, leaves the literalness of the world intact, leaves intact the pure literalness of objects, though it sends their meaning up in smoke. Shadowing the world - following the word like its shadow to cover up its tracks and to show that, behind its supposed ends, it is going nowhere. It is in this way that thought connects up with the event of the world - not with the occurrence of a totality that is nowhere to be found, but with the occurrence of the world as it is, in its unpredictable coming-to-pass. It is in this way that we attain to the literalness, the material imagining, of the world, by the elimination of whatever obstacle may be between the image and the gaze.”

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“Perhaps the agnostic even prefers signs to reality. Perhaps he prefers this undecidable situation, since you can play with these floating signs and that is not possible with so-called 'objective' reality. The move from the real to the sign opens up an enormous field of play and uncertainty. Particularly where the reality of power is concerned. For if there is, indeed,a risk of anaesthesia and manipulation by signs and images that is to power's advantage, there is the risk that power itself may find itself reduced merely to the signs of power. This profusion of signs and of what is manifested does, moreover, effect a profound change in the symbolic relation to power. That relation is based on the unilateral gift (of laws, institutions, work, security, etc.). It is not so much by violence and constraint, but only by this symbolic obligation that power exists. Now, from the point when all that it gives us is signs, our debt to it is infinitely less great. With power distributing nothing but signs to us, we merely give back signs in return, and our servitude is the lighter for it. Admittedly, the enjoyment of immaterial goods is not so great, but this also means we owe little in return and we respond to the airiness of signs with an equal indifference. We can deny power and set it aside by mere incredulity, simply responding to the signs of power with the signs of servitude. This is perhaps what is meant by 'weak thought' (pensiero debole). With Virtual Reality, this process of disinvestment becomes even more radical, and we enter upon a phase of unbinding [deliaison], of quasi-total disobligation.”

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“The revolutionary idea of contemporary art was that any object, any detail or fragment of the material world, could exert the same strange attraction and pose the same insoluble questions as were reserved in the past for a few rare aristocratic forms known as works of art. That is where true democracy lay: not in the accession of everyone to aesthetic enjoyment, but in the transaesthetic advent of a world in which every object would, without distinction, have its fifteen minutes of fame (particularly objects without distinction). All objects are equivalent, everything is a work of genius. With, as a corollary, the transformation of art and of the work itself into an object, without illusion or transcendence, a purely conceptual acting-out, generative of deconstructed objects which deconstruct us in their turn. No longer any face, any gaze, any human countenance or body in all this - organs without bodies, flows, molecules, the fractal. The relation to the 'artwork' is of the order of contamination, of contagion: you hook up to it, absorb or immerse yourself in it, exactly as in flows and networks. Metonymic sequence, chain reaction. No longer any real object in all this: in the ready-made it is no longer the object that's there, but the idea of the object, and we no longer find pleasure here in art, but in the idea of art. We are wholly in ideology. And, ultimately, the twofold curse of modem and contemporary art is summed up in the 'ready-made': the curse of an immersion in the real and banality, and that of a conceptual absorption in the idea of art.”

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“This is merely one of the sides of the conspiracy. The other side is that of the spectator who, for want of understanding anything whatever most of the time, consumes his own culture at one remove. He literally consumes the fact that he understands nothing and that there is no necessity in all this except the imperative of culture, of being a part of the integrated circuit of culture. But culture is itself merely an epiphenomenon of global circulation. The idea of art has become rarefied and minimal, leading ultimately to conceptual art, where it ends in the non-exhibition of non-works in non-galleries - the apotheosis of art as non-event. As a corollary, the consumer circulates in all this in order to experience his non- enjoyment of the works.”

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“It seems nothing can counteract the proliferation of this Artificial Intelligence based on the zero degree of thought. Nothing, that is, except this reversibility of intelligence and stupidity - the latter representing a renewed challenge to victorious intelligence. There is something here too like a revenge of evil. Something to which the tyranny of reality leads equally well - to appreciating any old form of madness and illusion.”

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