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Banality Quotes

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Banality Quotes

“So always avoid banality. That is, avoid illustrating the author's words and remarks. If you want to create a true masterpiece you must always avoid beautiful lies: the truths on the calender under each date you find a proverb or saying such as: "He who is good to others will be happy." But this is not true. It is a lie. The spectator, perhaps, is content. The spectator likes easy truths. But we are not there to please or pander to the spectator. We are here to tell the truth.”

TruthAwarenessLiesTheaterTheatreBanalityPlays
Author:Jerzy Grotowski
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“In "A Stolen Life," Dugard’s ability to think through questions of suffering, love, hope, and justice is indistinguishable from that of people her age who have lived "normally,” immersed in the world of blockbuster films, disposable fashion, popular music, easy virtue, virtue signaling, screen addiction, trendy political causes, and banal propaganda. The further I got into "A Stolen Life," the more I realized Dugard sounded just like the young women (and men) whose work I read in college writing workshops. My conclusion is both horrifying and offensive: for all the good our freedom is doing us we might as well have been locked up in a dungeon with demoniacs. The effects of living freely in the Modern world are not easily distinguishable from the effects of living in captivity with a psychopath.”

BeautyTraditionModernityModernismGood TasteBanality
Author:Joshua Gibbs
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“He was looking for the Knight of Faith, the real prodigy. That real prodigy, having set its relations with the infinite, was entirely at home in the finite. Able to carry the jewel of faith, making the motions of the infinite, and as a result needing nothing but the finite and the usual. Whereas others sought the extraordinary in the world. Or wished to be what was gaped at.”

LifeFaithExtraordinaryInfinityBanality
Book:Mr. Sammler's Planet
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“Insisting that architecture maintain such a profound lack of character without even the hint of any feeling is not a lack of position or an accidental design flaw but rather a commitment to a once progressive but now painfully outmoded position struggling to maintain its faded hegemony. What was once radical abstraction in pursuit of universality and utopia is today just banal accommodation in pursuit of free corporate expansion.”

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Book:Kissing Architecture
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“Some people can't see their piteous personalities. They can't fathom the of their own selves! They remain prisoners in their own cages of archaic thoughts. Fettered to a parochial mentality, they fail to become visionaries! Enslaved to their innate desire for pettiness, they remain small minded and little hearted! Alas, wearing a well-tailored tailored suit or a trendy blazer does not take away their lack of sophistication. Unknowingly they make a caricature of themselves! Thus, they remain epitomes of platitude and banality; their thoughts reek of oafishness, fatuousness, and avariciousness! In the process, they fail to inspire the world, and let down people around them.”

BanalityPeople SuckPlatitudeFatuousnessParochialAvariciousnessDeplorabilityOafishnessPiteous
Author:Avijeet Das
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“I sort of thought that maybe people had to talk that way, sort of saying the same things over and over because that way they can get along together without thinking." She stopped and thought. Why I was so worried,” she said, “was because if people didn't say those damn things over and over, then they wouldn't talk to each other at all.”

ConversationBanalitySmall TalkPleasantriesBanalitiesMrs AndersonTalk About The Weather
Book:Just an Ordinary Day: The Uncollected Stories
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“In terms of "quiet" bourgeois democracy two fundamental possibilities are open to the industrial worker: identification with the bourgeoisie, which holds a higher position in the social scale, or identification with his own social class, which produces its own anti-reactionary way of life. To pursue the first possibility means to envy the reactionary man, to imitate him, and, if the opportunity arises, to assimilate his habits of life. To pursue the second of these possibilities means to reject the reactionary man's ideologies and habits of life. Due to the simultaneous influence exercised by both social and class habits, these two possibilities are equally strong. The revolutionary movement also failed to appreciate the importance of the seemingly irrelevant everyday habits, indeed, very often turned them to bad account. The lower middle-class bedroom suite, which the "rabble" buys as soon as he has the means, even if he is otherwise revolutionary minded; the consequent suppression of the wife, even if he is a Communist; the "decent" suit of clothes for Sunday; "proper" dance steps and a thousand other "banalities," have an incomparably greater reactionary influence when repeated day after day than thousands of revolutionary rallies and leaflets can ever hope to counterbalance. Narrow conservative life exercises a continuous influence, penetrates every facet of everyday life; whereas factory work and revolutionary leaflets have only a brief effect.”

PropagandaMaterialismClass StruggleBanality1969Political InfluenceAuthoritarian FamilyReactionary PoliticsAuthoritarian IdeologyDomesticationBourgeois IndulgenceLower Middle Class
Book:The Mass Psychology of Fascism
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“The revolutionary idea of contemporary art was that any object, any detail or fragment of the material world, could exert the same strange attraction and pose the same insoluble questions as were reserved in the past for a few rare aristocratic forms known as works of art. That is where true democracy lay: not in the accession of everyone to aesthetic enjoyment, but in the transaesthetic advent of a world in which every object would, without distinction, have its fifteen minutes of fame (particularly objects without distinction). All objects are equivalent, everything is a work of genius. With, as a corollary, the transformation of art and of the work itself into an object, without illusion or transcendence, a purely conceptual acting-out, generative of deconstructed objects which deconstruct us in their turn. No longer any face, any gaze, any human countenance or body in all this - organs without bodies, flows, molecules, the fractal. The relation to the 'artwork' is of the order of contamination, of contagion: you hook up to it, absorb or immerse yourself in it, exactly as in flows and networks. Metonymic sequence, chain reaction. No longer any real object in all this: in the ready-made it is no longer the object that's there, but the idea of the object, and we no longer find pleasure here in art, but in the idea of art. We are wholly in ideology. And, ultimately, the twofold curse of modem and contemporary art is summed up in the 'ready-made': the curse of an immersion in the real and banality, and that of a conceptual absorption in the idea of art.”

AddictionIdeologyAbstractionPop CultureSimulationBanalityContemporary ArtPandemicsDemocratization
Book:The Intelligence of Evil or the Lucidity Pact
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“At Dachau. We had a wonderful pool for the garrison children. It was even heated. But that was before we were transferred. Dachau was ever so much nicer than Auschwitz. But then, it was in the Reich. See my trophies there. The one in the middle, the big one. That was presented to me by the Reich Youth Leader himself, Baldur von Schirach. Let me show you my scrapbook.”

HateEvilSwimmingHolocaustAuschwitzBanalityThird ReichDachau
Book:Sophie’s Choice
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“A woman, Erika S., who lived at Melk in Austria near the site of one of the subcamps of Mauthhausen, gives a frank account of the way she dealt with this physical proximity. She did sometimes see things, unavoidably. She tells of having felt pity in particular for the plight of one Jew she observed, though a pity, it has to be said, that was mixed with something darker, namely amusement at the incongruous gait---'like a circus horse'---forced upon this man by the pain in his bare feet and the whipping of the guards. Her general attitude, however, Erika S. characterizes as follows: 'I am happy when I hear nothing and see nothing of it. As far as I am concerned, they aren't interned. That's it. Over. It does not interest me at all”

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Book:The Contract of Mutual Indifference: Political Philosophy After the Holocaust
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“Put crudely, one is left with a choice between two unsatisfactory combinations: artistic integrity married to spiritual compromise; and spiritual integrity married to artistic banality-or, worse, art compromised on both counts. Neither one will satisfy those who recognize the fundamental necessity of integrity in both faith and art.”

ArtTwoSpiritualChoicesCultureLeftChristianityIntegrityMarriedFundamentalsCompromiseArtisticCombinationBanalityArtistic IntegritySpiritual Integrity
Author:John Walford
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“Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.”

MayHas BeensTwoStoriesFilmThreeHoursLinesWalksVisionGraceMinutesSpecialEffectsSurpriseLove StoryAdmireOriginalityPearlsHarborsDecemberStunningSpecial EffectsTrianglesBanalityLove TriangleQuotingRedundantCenterpiecesSurprise AttacksDecember 7December 7 1941
Author:Roger Ebert
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“Let us put aside resolutely that great fright, tenderly and without malice, daring to be wrong in something important rather than right in some meticulous banality, fearing no evil while the mind is free to search, imagine, and conclude, inviting our countrymen to try other instruments than coercion and suppression in the effort to meet destiny with triumph, genially suspecting that no creed yet calendared in the annals of politics mirrors the doomful possibilities of infinity.”

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Author:Charles A. Beard
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“As we have come to understand the psychology of evil, we have realized that such transformations of human character are not as rare as we would like to believe. Historical inquiry and behavioral science have demonstrated the "banality of evil" -- that is, under certain conditions and social pressures, ordinary people can commit acts that would otherwise be unthinkable.”

PeopleBelieveHumansCharacterCertainEvilSocialPsychologyConditionsOrdinaryTransformationPressureHistoricalCommitInquiryOrdinary PeopleUnthinkableBanalitySocial Pressure
Author:Philip Zimbardo
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“In 1939 I wrote my first article ("Intime banaliteter" [Intimate banalities] in the journal Helhesten) in which I expressed my love for sofa painting, and for the last twenty years I have been preoccupied with the idea of rendering homage to it. Thus I act with full responsibility and after extensive reflection. Only my current situation has enabled me to accomplish the expensive task of demonstrating that the preferred sustenance of painting is painting.”

YearsFirstsHas BeensIdeasLastsResponsibilitySituationPaintingReflectionTasksTwentiesCurrentsAccomplishIntimateExpensiveArticlesJournalHomageSustenanceRenderingDemonstratingSofasBanalityCurrent Situation
Author:Asger Jorn
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“Fight fire with fire. If you must have bores, always put them together or at the same table ... bores have an effervescent chemical reaction on one another at a party. They invariably have a marvelous time trading banalities in the absence of competition. Clichés roll trippingly off the tongue like sparkling epigrams and trite observations acquire depth sinking into receptive minds.”

IfsMindTogetherFightingPartyFireTablesCompetitionDepthTongueAbsenceReactionsObservationAcquireChemicalsBoresMarvelousTradingSinkingReceptiveEpigramsSparklingBanalityChemical Reactions
Book:I married the world
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“Stopgaps do belong to the internal economy of the form, since the Whole requires them, even if only in a subordinate position ... The stopgap Luigi Paryson's 'zeppa' accepts its own banality, because without the speed that the banal allows up, it would slow up a passage that is crucial for the outcome of the work and its interpretation.”

IfsWholeFormPoetryLiteratureAcceptingEconomyPositionSpeedOutcomesInternalsInterpretationCrucialPassagesSubordinatesBanality
Author:Umberto Eco
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“The truth was that I'd been spending years running away from myself. I hid myself in drama, silliness, stupidity, banality. So afraid to grow up. So afraid to involve myself in relationships where I might be expected to give the same love I got - instead of sixth-grade shenanigans. I bored myself with all the when I grow up nonsense, but I was worried it would never happen even as I longed for it.”

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Author:Megan Crane
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“Billy was fascinated by the television. At its most basic level, it occupied his time and shut out the demons of isolation. This was another irony because, for so long, he had shunned the tube for a similar purpose-to prevent it from bombarding his brain with demons of banality. However, each time he turned the machine on, he began to discover a world of assorted delights, as well as gain insight into the insidious manner in which this medium was shaping the mass psyche. If nothing else, he learned there was nothing innocuous about it.”

IfsWorldWellsLongPurposeLevelsBrainTelevisionMassGainsMachinesDelightInsightMediumsIronyDemonIsolationFascinatedTubesInsidiousBanalityAssorted
Book:The Petting Zoo: A Novel
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