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Iconography Quotes

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Iconography Quotes

“The figure in the icon is not meant to represent literally what Peter or John or any of the apostles looked like, or what Mary looked like, nor the child, Jesus. But, the orthodox painter feels, Jesus of Nazareth did not walk around Galilee faceless. The icon of Jesus may not look like the man Jesus two thousand years ago, but it represents some *quality* of Jesus, or his mother, or his followers, and so becomes an open window through which we can be given a new glimpse of the love of God.”

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Book:Walking on Water: Reflections on Faith and Art
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“Iconography aside, it is easy to see what someone is trying to communicate when he pairs a lady with a snake. Alexander the Great's mother - as murderous and maniacal a Macedonian princess who ever lived - kept serpents as pets. She used them to terrify men. Before her came Eve, Medusa, Electra, and the Erinyes; when a woman teams up with a snake, a moral storm threatens somewhere.”

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Book:Cleopatra: A Life
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“But what is the use of the humanities as such? Admittedly they are not practical, and admittedly they concern themselves with the past. Why, it may be asked, should we engage in impractical investigations, and why should we be interested in the past? The answer to the first question is: because we are interested in reality. Both the humanities and the natural sciences, as well as mathematics and philosophy, have the impractical outlook of what the ancients called vita contemplativa as opposed to vita activa. But is the contemplative life less real or, to be more precise, is its contribution to what we call reality less important, than that of the active life? The man who takes a paper dollar in exchange for twenty-five apples commits an act of faith, and subjects himself to a theoretical doctrine, as did the mediaeval man who paid for indulgence. The man who is run over by an automobile is run over by mathematics, physics and chemistry. For he who leads the contemplative life cannot help influencing the active, just as he cannot prevent the active life from influencing his thought. Philosophical and psychological theories, historical doctrines and all sorts of speculations and discoveries, have changed, and keep changing, the lives of countless millions. Even he who merely transmits knowledge or learning participates, in his modest way, in the process of shaping reality - of which fact the enemies of humanism are perhaps more keenly aware than its friends. It is impossible to conceive of our world in terms of action alone. Only in God is there a "Coincidence of Act and Thought" as the scholastics put it. Our reality can only be understood as an interpenetration of these two.”

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Book:Meaning in the Visual Arts
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“Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted for the constraint of a definite "thing" cedes directly to the imagination. How can we draw "evolution" or "social organization," not to mention the more mundane "digestion" or "self-interest," without portraying more of a mental structure than a physical reality? If we wish to trace the history of ideas, iconography becomes a candid camera trained upon the scholar's mind.”

IfsMindIdeasSelfRealityWishSocialProcessInterestImaginationObjectsEvolutionDrawsConceptsOrganizationCamerasStructureScholarDefiniteRevealingSelf InterestMundaneConstraintsDigestionCandidPortrayingSocial OrganizationIconographyCandid Camera
Book:Eight little piggies: reflections in natural history
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“History--the product, not the raw material--is a bottle with a label. For many years now, the emphasis of historical discussion has been laid upon the label (its iconography, its target-group of customers) and upon the interesting problems of manufacturing bottle-glass. The contents, on the other hand, are tasted in a knowing, perfunctory way and then spat out again. Only amateurs swallow them.”

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Author:Neal Ascherson
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“To speak plainly and truthfully about the state of our world - to say, for instance, that the Bible and the Koran both contain mountains of life-destroying gibberish - is antithetical to tolerance as moderates currently conceive it. But we can no longer afford the luxury of such political correctness. We must finally recognize the price we are paying to maintain the iconography of our ignorance.”

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Author:Sam Harris
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“In Celtic Ireland the name Leo was Lugh, another solar hero and mystic. In Wales he was Llew, to the Romans Lugus, to the Sumerians Lughal. Its not the same dude on walkabout, it's the Astrological sign of Leo. In the Christian iconography we have one of the Evangelists represented by a Lion. In the Nativity scenes we see 4 animals around the cradle of the Son/Sun king. One of these is also a Lion. Christians probably believe that there was one in the area and just happened to wander into the inn to take a peek at sleeping Jesus. Good thing it wasn't very hungry.”

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Author:Michael Tsarion
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“It's difficult to choose between these art forms. Iconography is entirely different from the style of the 15th century masters, who were experts in foreshortening and perspective. The technical skill and visual effects of painters like Uccello have to be admired. They achieved a level of artistry that has never been surpassed, in my opinion.”

ArtDifferentFormDifficultLevelsOpinionEffectsCenturyStyleMastersPerspectiveSkillsPainterExpertsVisualsArtistryTechnical SkillsIconographyVisual Effects
Author:Mary Pope Osborne
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“I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.”

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Author:Quentin Tarantino
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“You're young and you're always in pursuit your young manhood. You're trying to figure out - what does that mean? What does - you know, there's a lot of pressure on young men to sort that out. And, you know, we tend to gravitate towards one-dimensional iconography as far as what it means to be a fully grown man. And you can get lost in so much of it out there.”

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Author:Bruce Springsteen
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“I think because it is a very well-saturated story,episode of Justified in Hannibal, and we've all heard it in some frame of a story, we've heard the urban legend of waking up in a bathtub with a kidney missing. It felt like if we are telling an organ-harvesting story, it was really about quickly selling the iconography of an organ-harvesting story, and then being able to mask that as a perfect way for Hannibal Lecter to go shopping for his menu.”

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Author:Bryan Fuller
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“My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating.”

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Author:Florence Welch
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“In reality, genuine epiphanies are extremely rare. In contemporary adult life maturation & acquiescence to reality are gradual processes. Modern usage usually deploys epiphany as a metaphor. It is usually only in dramatic representations, religious iconography, and the 'magical thinking' of children that insight is compressed to a sudden blinding flash.”

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Author:David Foster Wallace
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“Except in a few well-publicized instances (enough to lend credence to the iconography painted on the walls of the media), the rigorous practice of rugged individualism usually leads to poverty, ostracism and disgrace. The rugged individualist is too often mistaken for the misfit, the maverick, the spoilsport, the sore thumb.”

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Author:Lewis H. Lapham
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“Modern man has been in search of a new language of form to satisfy new longings and aspirations - longings for mental appeasement, aspirations to unity, harmony, serenity - an end to his alienation from nature. All these arts of remote times or strange cultures either give or suggest to the modern artist forms which he can adapt to his needs, the elements of a new iconography.”

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Author:Herbert Read
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