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Masculinity Quotes

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Masculinity Quotes

“The villa you claim will be my home will be little more than a glorified prison cell. The servants you purpose to provide me with are little more than jailors to keep me there, and, when the time comes, men to bury me in an unmarked grave, far from friends, family or honour. No, Eamonn of Southwind, I will not trade my honour for a few more years of worthless existence.”

“Life was never about survival. For a long time, it was proposed that all living organisms shared a single purpose: to survive—but this was not the appropriate case for humans. Survival was all along but a secondary basis to man, while attendance to life was the first. One must secure something to survive for, as the cells of the straightforward body will, regardless of permission, do their job. Men do not breathe without air first around to inhale. A sailor cannot know his passion for sailing without an existing body of water. Similarly, a man can only survive if there is something larger in him that lives—not a beating heart, but a moving one. If he only “holds on,” prolonging preservation and supervising health, there is nothing in that lingering lifeform to endanger or threaten. And since no system of security can defend from death’s next play, there is no use in mortals wearing armor. The essence of chance had loitered since the beginning of time, anticipating a being who adhered to its expressions. The human priority is one’s comet.”

“Ima u njemu nečeg krhkog. Potpuno je nezaštićen, izložen, ranjiv, takav je čak i njegov polni organ, kog povazdan mora da nosi isturenog, izvan sebe; ali on je snažan, neverovatno snažan. Nisam siguran da bi mogao da vuče sanke duže nego ja, ali je u stanju da vuče snažnije i brže - duplo snažnije. On može da podigne prednji ili zadnji deo sanki kako bi zaobišao prepreku. Ja ne bih uspeo da podignem i držim toliki teret, osim u doteu. U skladu sa tom krhkošću i snagom, njegov duh lako zapada u očajanje i lako prkosi okolini: žestoka, nestrpljiva hrabrost. Polagano, teško, puzavo napredovanje kojem smo se ovih dana predali iscrpljuje njegovo telo i duh tako da bi ga, da je pripadnik moje rase, smatrao za kukavicu, ali on je sve samo ne to, odvažnost kao što je njegova ja još nisam sreo. Spreman je i željan da stavi život na kocku nad provalijom.”

“If all pleasure has, preserved within it, earlier pain, then here pain, as pride in bearing it, is raised directly, untransformed, as a stereotype, to pleasure: unlike wine, each glass of whisky, each inhalation of cigar smoke, still recalls the repugnance that it cost the organism to become attuned to such strong stimuli, and this alone is registered as pleasure.”

“Yes, despite his shortcomings she envied young Roger with his thick, clumping boots, his cropped hair and his Etons; envied his school and his masculine companions of whom he would speak grandly as: 'all the other fellows!'; envied his right to climb trees and play cricket and football—his right to be perfectly natural; above all she envied his splendid conviction that being a boy constituted a privilege in life; she could well understand that conviction, but this only increased her envy.”

“It seems almost like America wants their boys hurt. That they need that. That guy who writes books about the wolf and the boy: every book has a scene where the kid gets caught in an avalanche or a freak blizzard. Invariably, the kid winds up naked and alone and bleeding to death and it's only the effort of the wolf that saves him. The boy can never do it himself. If they did that with a female character in a long set of books like that, the feminists would be up in arms. But does anyone mind it when it's a little boy?”

“Boys often have permission to become men without the forfeiture of their desirability. And so these men write stories that grasp at girls who are ghosts twice over: first by being dead and second by being shallow shadows of actual girls, the assorted fragments of men's aging imaginations rather than the deep and dimensioned creatures that real girls are.”

“He eyed her fingernails, painted bright blue. Her wrists smelled like peppermint and she said her name was “Stella.” Andrei was impressed by her femininity, the subject of which was a dangerous thing. When some men are exposed to a certain kind of woman, they become so absolutely entranced by their iridescence that they would do anything to be around them for longer. Lie. Linger. Kill. It was a pure, wild attraction, that started from a collarbone, that would make a man agree to rip out his tooth if only to hear a woman talk again. Lastly, she had these devilish eyes exclusive to brown and only ever sometimes encountered. Those types of eyes were so dark they had death in them, but were framed with such sweet, narrow eyelids that took death, swirled it in a sizzling adorableness, and communicated a dangerous, impatient capability for sex. It seduced men throughout history—what lived behind the mischievous, delicate, hickory fire.”

“Beautiful people were led to think their beauty needed to go somewhere. On a person’s phone. In a magazine. Outwards. Why do anything with it? Maybe all the models on runways loved it, but maybe most just walked in because they fit inside the doors. Here was a pretty man who did not share himself and very much could have. It was rare to meet someone with that kind of jaw, sweet eyes, and those arms, who did not fall into modeling or influencing. There was magic in this. Lorenzo inadvertently alchemized his reserve into a valuable currency: the only time someone could see his beauty was if they were in the same room he was in or if they heard about it from someone who was there. Lorenzo had planted a kind of beauty in the world not captured by a camera, but a beauty that passed through and could only ever be run into.”

“Could Stephen have met men on equal terms, she would always have chosen them as her companions; she preferred them because of their blunt, open outlook, and with men she had much in common—sport for instance. But men found her too clever if she ventured to expand, and too dull if she suddenly subsided into shyness. In addition to this there was something about her that antagonized slightly, an unconscious presumption. Shy though she might be, they sensed this presumption; it annoyed them, it made them feel on the defensive. She was handsome but much too large and unyielding both in body and mind, and they liked clinging women. They were oak-trees, preferring the feminine ivy. It might cling rather close, it might finally strangle, it frequently did, and yet they preferred it, and this being so, they resented Stephen, suspecting something of the acorn about her.”

“Captain Ramsay was kind-hearted, he would try very hard to be complimentary; his grey eyes would try to express admiration, polite admiration as they rested on Stephen. His voice would sound softer and more confidential, the voice that nice men reserve for good women, protective, respectful, yet a little sex-conscious, a little expectant of a tentative response. But Stephen would feel herself growing more rigid with every kind word and gallant allusion. Openly hostile she would be feeling, as poor Captain Ramsay or some other victim was manfully trying to do his duty.”

“The average woman, unless she is particularly ill-favoured, regards loving and being loved as a normal part of life. If a man says he loves her she believes him. Indeed some women are convinced they are adored by men who can be seen by all to be running in the opposite direction. For homosexuals this is not so. Love and admiration have to be won against heavy odds. Any declaration of affection requires proof. So many approaches made to them are insincere—even hostile. What better proof of love can there be than money? A ten-shilling note shows incontrovertibly just how mad about you a man is. Even in the minds of some women a confusion exists between love and money if the quantity is large enough. They evade the charge of mercenariness by using the cash they extort from one man to deal a bludgeoning blow of humiliation upon another. Some homosexuals attempt this gambit, but it is risky. The giving of money is a masculine act and blurs the internal image.”

“The whole set of stylizations that are known as 'camp' (a word that I was hearing then for the first time) was, in 1926, self-explanatory. Women moved and gesticulated in this way. Homosexuals wished for obvious reasons to copy them. The strange thing about 'camp' is that it has become fossilized. The mannerisms have never changed. If I were now to see a woman sitting with her knees clamped together, one hand on her hip and the other lightly touching her back hair, I should think, 'Either she scored her last social triumph in 1926 or it is a man in drag.' Perhaps 'camp' is set in the 'twenties because after that differences between the sexes—especially visible differences—began to fade. This, of course, has never mattered to women in the least. They know they are women. To homosexuals, who must, with every breath they draw, with every step they take, demonstrate that they are feminine, it is frustrating. They look back in sorrow to that more formal era and try to re-live it. The whole structure of society was at that time much more rigid than it has ever been since, and in two main ways. The first of these was sexual. The short skirts, bobbed hair and flat chests that were in fashion were in fact symbols of immaturity. No one ever drew attention to this, presumably out of politeness. The word 'boyish' was used to describe the girls of that era. This epithet they accepted graciously. They knew that they looked nothing like boys. They also realized that it was meant to be a compliment. Manliness was all the rage. The men of the 'twenties searched themselves for vestiges of effeminacy as though for lice. They did not worry about their characters but about their hair and their clothes. Their predicament was that they must never be caught worrying about either. I once heard a slightly dandified friend of my brother say, 'People are always accusing me of taking care over my appearance.' The sexual meaning of behaviour was only sketchily understood, but the symbolism of clothes was recognized by everyone. To wear suede shoes was to be under suspicion. Anyone who had hair rather than bristle at the back of his neck was thought to be an artist, a foreigner or worse. A friend of mine who was young in the same decade as I says that, when he was introduced to an elderly gentleman as an artist, the gentleman said, 'Oh, I know this young man is an artist. The other day I saw him in the street in a brown jacket.' The other way in which society in the 'twenties was rigid was in its class distinctions. Doubtless to a sociologist there were many different strata merging here and there but, among the people that I was now getting to know, there were only two classes. They never mingled except in bed. There was 'them', who acted refined and spoke nice and whose people had pots of money, and there was 'us', who were the salt of the earth.”

“Throughout the years, the ugly boy had lost belief in the practicality of love. He argued there would always be a better version of a man somewhere in the world and thus, no sound reason for a woman to commit to one. Plus, he believed, there was nothing to a woman—they did not love. They chose men for certain seasons and focused to enjoy life above all, in all its grandeur, intentionally saving sincerity for the end—once they were finished. How can men with eyes not sink into depression? And if a woman ever welcomed a man as a companion, she always smelled his feelings, which were gratifying and advantageous to her, and rosily sipped a man’s glad spring of generosity until she was satiated. Andrei saw a woman’s timeline and in response, froze his heart dry and hammered it to pieces. Steel or emptiness—these were the only two available armors available and adequate to withstand the ephemeral nature of women, who he regarded not as individual people, but as a collective entity of superficial vampires. So he promised himself he’d never woo the dead.”

“Pornography did not serve him either. Andrei used to have his personal kinks and fetishes, but after a while, nothing could get him off. For a long time, the only videos he would search were the ones titled: “Who is she?” The only thing that vitalized his self-play was the prospect of some woman on the earth no one knew of and could not find. There was something infinite to these tapes, not the appearance of the girls, but the agitating dissatisfaction and momentary access of a not-so-innocent stranger who men innocently lost forever. It consisted of poorly recorded videos, posted from a smartphone or webcam, and a desperate number of melancholy comments trying to search for the mystery woman. There were plenty of these recordings. But it broke Andrei even more when eventually he knew all the girls no one knew.”