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Quote by Karl Kristian Flores

“Pornography did not serve him either. Andrei used to have his personal kinks and fetishes, but after a while, nothing could get him off. For a long time, the only videos he would search were the ones titled: “Who is she?” The only thing that vitalized his self-play was the prospect of some woman on the earth no one knew of and could not find. There was something infinite to these tapes, not the appearance of the girls, but the agitating dissatisfaction and momentary access of a not-so-innocent stranger who men innocently lost forever. It consisted of poorly recorded videos, posted from a smartphone or webcam, and a desperate number of melancholy comments trying to search for the mystery woman. There were plenty of these recordings. But it broke Andrei even more when eventually he knew all the girls no one knew.”

Quote by Karl Kristian Flores

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A Happy Ghost

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Karl Kristian Flores

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“He did not want to write a book about it. He’d tried once, attempting a novel, even some poems, but they broke his heart and he could not bring himself to art anymore. 'So the only way to end this painful curiosity is to transfer it to someone else? To fictionalize it? To talk about it and still live the same problem tomorrow? To appear as if you’ve beaten it just because you can identify the problem?' He would sob in museums, where he sought refuge but escaped in horror. 'Fuck that—art’s not an answer to life, it’s a disguise.”

“He kissed the wall and bent his knees. For an instant, he grew ashamed and sad. He himself was not touched very often. Andrei sensed how pathetic he must have looked, but he was much too lonely to care. He sped up and could feel the devil cheering, “Lower. Go as low as hell,” and he limboed his way into that hell. And it was freezing and it was hot. One knows they are truly gone when their own tears start to lubricate their self-play. Andrei kept going, stroking wet, painfully, finishing at the same time the man did. And then the door opened.”

“Andrei avoided the internet as well and this evasion only added to his gloom. He loved music, especially old songs, and he loved movies, of all sorts. If he had the patience, sometimes he would read. While most of the pages he turned bored him to sleep, certain books with certain lines disarranged him. Some literature brought him to his feet, laughing and howling in his room. When the book was right, it was bliss and he wept. His room hushed with serenity and indebtedness. When he turned to his computer, however, or took out his phone, he would inevitably come across a viral trend or video that took the art he loved and turned it into a joke. The internet, in Andrei’s desperate eyes, managed to make fun of everything serious. And if one did not laugh, they were not intelligent. The internet could not be slowed and no protest to criticize its exploitation of art could be made because recreations of art hid perfectly under the veneer of mockery and was thus, impenetrable. It was easy to use Chopin’s ‘Sonata No. 2’ for a quick laugh, to reduce the ‘Funeral March’ to background music. It was a sneaky way for a digital creator to be considered an artist—and parodying the classics made them appear cleverer than the original artist. Meanwhile, Andrei’s body had healed playing Chopin alone in his apartment. He would frailly replay movie moments, too, that he later found the world edited and ripped apart with its cheap teeth. And everyone ate the internet’s crumbs. This cruel derision was impossible to escape. But enough jokes, memes, and glam over someone’s precious source of life would eventually make a sensitive body numb. And Andrei was afraid of that. He needed his fountain of hope unblemished. For this reason, he escaped the internet’s claws and only surrendered to it for e-mails, navigation, and the weather.”

“She was everything I had ever wanted to be and so much more. What with her sparkly eyes and animated, gesticulated hands, her beautiful blonde hair cascading down gracefully like silk and her eyes so electric and cheeks the colour of rose. Vivacious and vibrant though she was in her innate talent at being able to hold a conversation with anyone, she loved and prized being alone paramount to being besieged.”

“It was nothing I hadn't thought of, plenty, and in far less taxing circumstances; the urge shook me grandly and unpredictably, a poisonous whisper that never wholly left me, that on some days lingered just on the threshold of my hearing but on others roared up uncontrollably into a sort of lurid visionary frenzy, why I wasn't sure, sometimes even a bad movie or a gruesome dinner party could trigger it, short term boredom and long term pain, temporary panic and permanent desperation striking all at once and flaring up in such an ashen desolate light that I saw, really saw, looking back down the years and with all clear-headed and articulate despair, that the world and everything in it was intolerably and permanently fucked and nothing had ever been good or okay, unbearable claustrophobia of the soul, the windowless room, no way out, waves of shame and horror, leave me alone, my mother dead on a marble floor, stop it stop it, muttering aloud to myself in elevators, in cabs, leave me alone, I want to die, a cold, intelligent, self-immolating fury that had-- more than once-- driven me upstairs in a resolute fog to swallow indiscriminate combos of whatever booze and pills I happened to have on hand: only tolerance and ineptitude that I'd botched it, unpleasantly surprised when I woke up though relieved for Hobie that he hadn't had to find me.”