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Virtuoso Quotes

Browse 45 quotes about Virtuoso.

Virtuoso Quotes

“We really feel very humbled that we are a part of so many lives around the globe and that we can help connect people from everywhere with and through our music. My experiences with fans are mostly wonderful and I am always so grateful when I see what kind of positive effect our music has on people. All of our fan experiences are memorable in different way, but it is especially powerful and meaningful when you can feel that someone is really inspired with what you are doing. This is especially true for the young generation. It feels good to know that we can get these kids to pick up classical instruments and see them as instruments they can rock on.”

“As children we got so we could tell time by the sun pretty well, and would know by the light in the room when we opened our eyes that it was seven o'clock and time to get  up for school, and later that it was almost ten and then almost noon and almost three o'clock and time to be dismissed. School ran strictly by clocks, the old Regulators that Mr. Hamburger was always fiddling with, adding and subtracting paper clips on the pendulum to achieve perfect time, but we were sensitive to light, knowing how little was available to us as winter came on, and always knew what time it was - as anyone will who leads a regular life in a familiar place. My poor great-grandpa,when his house burned down when Grandma left the bread baking in the summer kitchen oven to go visit the Berges and they built the new one facing west instead of south: they say he was confused the rest of his life and never got straightened out even when he set up his bed in the parlor ( which faced north as his former bedroom had): he lived in a twilight world for some time and then moved in his mind to the house he'd grown up in, and in the end didn't know one day from another until he died." Yea, though I walk through the valley of the shadow of death, I will fear no evil," but there's more than one kind of of shadow, and when a man loses track, it can kill him. Not even the siren could have saved my great-grandpa. He died of misdirection.”

“As children we got so we could tell time by the sun pretty well, and would know by the light in the room when we opened our eyes that it was seven o'clock and time to get  up for school, and later that it was almost ten and then almost noon and almost three o'clock and time to be dismissed. School ran strictly by clocks, the old Regulatorsthat Mr. Hamburger was always fiddling with, adding and subtracting paper clips on the pendulum to ahieveperfect time, but we were sensitive to light, knowing how little was available to us as winter came on, and always knew what time it was - as anyone will who leads a regular life in a familiar place. My poor great-grandpa,when his house burned down when Grandma left the bread baking in the summer kitchen oven to go visit the Berges and they built the new one facing west instead of south: they say he was confused the test of his life and never got straightened out even when he set up his bed in the parlor ( which faced north as his former bedroom had): he lived in a twilight world for some time and 5hen moved in his mind to the house he'd grown up in, and in the end didn't know one day from another until he died." Yea, though I walk through the valley of the shadow of death, I will fear no evil," but there's more than one kind of of shadow, and when a man loses track, it can kill him. Not even the siren could have saved my great- grandpa. He died of misdirection. " /”

“Provocative. Striking. Rachel Resnick is a virtuoso on the page. Her fearless examination of the desperate thirst to find love is guaranteed to break your heart. Yet her cool-eyed analysis of the roots of this addiction inspires hope that through committed self-understanding, maybe each of us can change toxic patterns, whatever they may be.”

“I sometimes, in my sprightly moments, consider myself, in my great chair at school, as some dictator at the head of a commonwealth. In this little state I can discover all the great geniuses, all the surprising actions and revolutions of the great world in miniature. I have several renowned generals but three feet high, and several deep-projecting politicians in petticoats. I have others catching and dissecting flies, accumulating remarkable pebbles, cockleshells, etc., with as ardent curiosity as any virtuoso in the Royal Society.”

“Two simple principles lie at the bottom of the whole matter, and they may be precipitated into two rules. The first is that, when there is a choice, the milder drink is always the better-not merely the safer but the better. The second is that no really enlightened drinker ever takes a drink at a time when he has any work to do. There is, of course, more to it than this; but these are sufficient for the beginner, and even the virtuoso never outgrows them.”

“Despite popular opinion, there are no important parallels between Madonna and Monroe, who was a virtuoso comedienne but who was in secure, depressive, passive-aggressive, and infuriatingly obstructionist in her career habits. Madonna is manic, perfectionist, workaholic. Monroe abused alcohol and drugs, while Madonna shuns them. Monroe had a tentative, melting, dreamy solipsism; Madonna has Judy Holliday's wisecracking smart mouth and Joan Crawford's steel will and bossy, circus master managerial competence.”

“For the virtuoso, musical works are in fact nothing but tragic and moving materializations of his emotions; he is called upon to make them speak, weep, sing and sigh, to recreate them in accordance with his own consciousness. In this way he, like the composer, is a creator, for he must have within himself those passions that he wishes to bring so intensely to life.”

“There is more to creative mastership than the surface of satisfaction and political certainty. The music of Joe Fonda is part of a living tradition of belief and dedication. Future historians will be surprised at the breadth of Mr. Fonda's offerings. This is a real virtuoso and composer of the highest order.”

“The great piano virtuoso Paderewski was once playing before an audience of the rich and the royal. After a brilliant performance, an elegant lady waxed ecstatic over the great artist. She said, "Ah Maestro, you are a genius!" Paderewski tartly replied, "Ah yes, madam, but before I was a genius I was a clod!" What he was saying was that his present acclaim was not handed to him on a silver platter. He, too, was once a little boy laboriously practicing his scales. And even at his peak, behind every brilliant performance there were countless hours of practice and preparation.”

“Well, I do expect a lot of myself. I'm a harsh critic because I know what I'm capable of. I have hit those occasional peaks amongst the valleys, but the peaks are so few-things like genuine flashes of virtuoso brush inking, like I've never executed before or since-I can count on one hand the number of jobs where I've been able to hit that mark. The same with penciling. Sometimes it just flows, but more often than not, it's pure physical and spiritual torment just to get something decent on paper. I often get very discouraged with the whole creative process.”