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Narration Quotes

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Narration Quotes

“I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!”

LifeWritingInspirationTruthHappinessInspiringEducationInspirational LifeBirthFameInspirational AttitudeFortuneFaultsIslamEducationalHappyDialogueExcitementParadiseIslamicLife And DeathImperfectionInspiring QuotesPublishingReincarnationGrammarWriting AdviceCritiqueNovelsBorn AgainLiterature QuotesAuthorshipFamous AuthorsIslamic QuotesRomanLiterary CriticismHuman PotentialWriting CraftCraftsmanshipCharacterizationCraftRoman PayneWriting From The HeartNovelistNarrationHappiness Positive OutlookPaulo CoelhoPayneLiterary TheoryFame And FortuneAdvice For WritersKoranHumanenessSentence StructureCoelhoLeonard CohenAlephArt Of LiteraturePhrasingCohenWriting ArtWriting As A ProfessionCritique Of ModernityGrammaticalWriting And Art
Author:Roman Payne
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“These people showed a marked increase in connections between parts of the frontal cortex associated with self-concept and parts of the brain associated with processing sensory and motor information. It’s hard to know what to really make of this, and it’s tricky to attribute emotions or insights to people based on functional brain images. But Williams’s theory is backed up by some other research. Well-connected brains in these areas, she said, tend to be pretty good at processing stressful information and making narrative and personal sense of it. In other words, these drunk-on-beauty people know how to tell themselves a story when something confusing happens. The single emotion they share is awe.”

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Book:Heartbreak: A Personal and Scientific Journey
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“We are all born as storytellers. Our inner voice tells the first story we ever hear.”

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Author:Kamand Kojouri
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“L’écriture est un moyen de saisir l’instant. Pas comme dans l’expression carpe diem, parce que l’écriture en simultané, tout comme la prise frénétique de photos, masque le réel au moment où il se produit, empêche de vivre le voyage. L’écriture n’est pas une photo qui figerait à jamais une seconde d’intense singularité – quitte à la provoquer, comme le font parfois les photographes. Elle est un cliché à postériori, qui essaie d’embrasser tout le souvenir de l’instant. Dans le petit ou grand écart entre le temps racontant et le temps raconté se situe tout le jeu et tout l’enjeu des récits – ceux du réel ou ceux de la fiction. La poésie, elle qui ne nécessite pas la narration, permet de condenser les temps en une seule énonciation qui les contient tous.”

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Book:Oubliez
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“Cependant, toutes les histoires – je parle des vraies, hein, pas de celles où des ados à grande gueule se transforment en espions-ninjas, ou dont les protagonistes vieillissants renversent leur petite vie privilégiée sur un coup de tête et vont ouvrir une librairie d’occasion à Barcelone, où ils découvrent enfin l’amour – ont besoin de nous pour survivre. Les êtres humains sont les nuages d’où pleuvent les histoires, mais nous sommes également les éclats de verre qui en réfractent la lumière, qui en polarisent les rayons jusqu’à les rendre brûlants.”

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Book:La Vie ô combien ordinaire d'Hannah Green
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“A page of Addison or of Irving will teach more of style than a whole manual of rules, whilst a story of Poe's will impress upon the mind a more vivid notion of powerful and correct description and narration than will ten dry chapters of a bulky textbook.”

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Book:H. P. LOVECRAFT äóñ Ultimate Collection: 120+ Works ALL in One Volume: Complete Novellas & Short Stories, Juvenilia, Poetry, Essays & Collaborations: The Call of Cthulhu, The Shadow Out of Time, At the Mountains of Madness, The Dunwich Horror, Dagon, The Case of Charles Dexter Ward, The Outsider, The Whisperer in Darkness, The Cats of Ultharäó_
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“There are, occasionally, writers who are able to combine both story and style. They are, of course, the best. You get a spectacular view and you also get to look at it from the backseat of a chauffeur-driven Cadillac. In the field of fantasy, those writers able to combine story-as-narration with story-as-style are even rarer. But there are a few...the late Theodore Sturgeon, the early Ray Bradbury...and Richard Christian Matheson. A brilliant chip off the old block.”

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Author:Stephen King
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“The true historian, therefore, seeking to compose a true picture of the thing acted, must collect facts and combine facts. Methods will differ, styles will differ. Nobody ever does anything like anybody else; but the end in view is generally the same, and the historian's end is truthful narration. Maxims he will have, if he is wise, never a one; and as for a moral, if he tell his story well, it will need none; if he tell it ill, it will deserve none.”

IfsNeedsWellsDoeEndsFactsStoriesViewsMoralWiseStyleDeserveMethodIllSeekingHistorianTruthfulMaximsNarration
Book:The collected essays & addresses of the Rt. Hon. Augustine Birrell, 1880-1920
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“I don't like making didactic, pedagogical documentaries based on standard formulas of narration: I'm only interested in the ambitious French tradition of the documentaire de création where the film, if successful, is not about something but that something itself. The goal is to incorporate areas of risk and paradox that we associate with cinematic art.”

IfsArtFilmGoalSuccessfulRiskStandardsAreasTraditionParadoxFormulasAmbitiousAssociatesDocumentariesCinematicNarrationDidactic
Author:Damian Pettigrew
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“So it became in my mind a nine-carol service; an oratorio and orchestral concert all in one, but with narration. That's something I've learned about, because it's the story that keeps you in there. I wrote a libretto and I gave it to John Du Prez. We normally don't work in this fashion but I said off you go, and he went off for about three months. He brought me back this demo which blew my mind.”

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Author:Eric Idle
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“When writers are self-conscious about themselves as writers they often keep a great distance from their characters, sounding as if they were writing encyclopedia entries instead of stories. Their hesitancy about physical and psychological intimacy can be a barrier to vital fiction. Conversely, a narration that makes readers hear the characters' heavy breathing and smell their emotional anguish diminishes distance. Readers feel so close to the characters that, for those magical moments, they become those characters.”

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Author:Jerome Stern
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“Narration is as much a part of human nature as breath and the circulation of the blood.... storytelling is intrinsic to biological time, which we cannot escape. Life, Pascal said, is like living in a prison from which every day fellow prisoners are taken away to be executed. We are all, like Scheherazade, under sentence of death, and we all think of our lives as narratives, with beginnings, middles and ends.”

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Author:A. S. Byatt
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