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Diary Quotes

Browse 92 quotes about Diary.

Diary Quotes

“You too know that all my eyes see, all I touch with myself, from any distance, is Diego. The caress of fabrics, the color of colors, the wires, the nerves, the pencils, the leaves, the dust, the cells, the war and the sun, everything experienced in the minutes of the non-clocks and the non-calendars and the empty non-glances, is him.”

“Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody.”

“I don't have a diary, I don't write things into a diary. I imprint myself into the sky and when the sunlight shines brightly, I can stand under the sun's rays and everything I have imprinted of myself into the sky, I will begin to see again, feel again, remember. And when the wind begins to blow, it blows the details over my face, and I remember everything I left in the sky and see new things being born. I am unwritten.”

“Anyone who cannot come to terms with his life while he is alive needs one hand to ward off a little his despair over his fate –he has little success in this –but with his other hand he can note down what he sees among the ruins, for he sees different (and more) things than do the others; after all, dead as he is in his own lifetime, he is the real survivor. This assumes that he does not need both hands, or more hands than he has, in his struggle against despair.”

“I still remember our first meeting, when Albers brought him to my house. On the little carriage which carried him from the station, and which was hardly built with such loads in mind, sat a massive figure who appeared even more enormous by virtue of the thick overcoat he wore. Everything about him had the effect of extraordinary permanence and solidity: the deep bass voice; the tweed jacket, already, at that time, almost habitual; the appetite at dinner; and at night, the truly Cyclopean snoring, loud as a series of buzz saws, which frightened the other guests at my Chiemgau country house out of their peaceful slumbers.”

“В дневнике находишь доказательства того, что даже в состояниях, которые сегодня кажутся невыносимыми, ты жил, смотрел вокруг и записывал свои наблюдения, что, таким образом, вот эта правая рука двигалась, как сегодня, когда ты благодаря возможности обозреть тогдашнее состояние, правда, поумнел, но с тем большим основанием ты должен признать бесстрашие своего тогдашнего стремления, сохранившегося, несмотря на полное неведение.”

“Are you planning to give Anne a Bible for Hanukkah?" Margot asked, somewhat perturbed. "Yes...Well, maybe St. Nicholas Day would be a better occasion," Father replied. Jesus and Hanukkah don't exactly go together.”

“Still, I can't help but wonder why our love isn't enough to keep him in the village? Why am I not enough? Why doesn't my opinion or my feelings matter to the one person I want to give the rest of my life to? Deep down inside, I know that Chance hasn't found his definition of love, but I've found mine, and that's why I am with him. Am I broken?" - The Legacy of a Fool”

“If I closely examine what is my ultimate aim, it turns out that I am not really striving to be good and to fulfil the demands of a Supreme Judgement, but rather very much the contrary: I strive to know the whole human and animal community, to recognize their basic predilections, desires, moral ideals, to reduce these to simple rules and as quickly as possible trim my behaviour to these rules in order that I may find favour in the whole world’s eyes; and, indeed (this is the inconsistency), so much favour that in the end I could openly perpetrate the iniquities within me without alienating the universal love in which I am held –the only sinner who won’t be roasted. To sum up, then, my sole concern is the human tribunal, which I wish to deceive, moreover, though without practising any actual deception.”

“First: breakdown, impossible to sleep, impossible to stay awake, impossible to endure life, or, more exactly, the course of life. The clocks are not in unison; the inner one runs crazily on at a devilish or demoniac or in any case inhuman pace, the outer one limps along at its usual speed. What else can happen but that the two worlds split apart, and they do split apart, or at least clash in a fearful manner. There are doubtless several reasons for the wild tempo of the inner process; the most obvious one is introspection, which will suffer no idea to sink tranquilly to rest but must pursue each one into consciousness, only itself to become an idea, in turn to be pursued by renewed introspection. Secondly: this pursuit, originating in the midst of men, carries one in a direction away from them. The solitude that for the most part has been forced on me, in part voluntarily sought by me –but what was this if not compulsion too? –is now losing all its ambiguity and approaches its dénouement. Where is it leading? The strongest likelihood is, that it may lead to madness; there is nothing more to say, the pursuit goes right through me and rends me asunder. Or I can –can I? –manage to keep my feet somewhat and be carried along in the wild pursuit. Where, then, shall I be brought? ‘Pursuit,’ indeed, is only a metaphor. I can also say, ‘assault on the last earthly frontier’, an assault, moreover, launched from below, from mankind, and since this too is a metaphor, I can replace it by the metaphor of an assault from above, aimed at me from above.”

“The worse thing I have done in my life is Diary writing.... a wastage of time, wastage of papers filled with some imaginary feelings and bunch of silly activities done each day.... I cant feel any glimpse of appreciable work done by me, as whatever right I did, my Diary says " you were suppose to do it, so it was not a big deal....huhhh..." I passed my last few nights in reading most of its pages.... "I laughed on the lines telling about my saddest moments and nights when I cried….. but I felt woeful and downhearted on the lines telling about the moments when I shared my smile with someone, when I enjoyed the moments with my friends and near and dear ones, who r far and far now, and we can’t get those moments back in this busy selfish life" So now its better in busy life to live evry day and forget it in night.... enjoy life.... save papers.... no diary writing from today..... Sorry Diary, You will Miss Me....”

“Jos helvetti on olemassa, niin minun kohdallani se on alkanut jo maan päällä. Jos helvetti on olemassa, niin minun kohdallani se tulee olemaan tämmöistä, tuonpuoleisessa, haudantakaisessa maailmassa. Jos helvetti on olemassa ja sinne joudutaan synnin vuoksi, joudun minä olemaan siellä runkkaamisen vuoksi. Minä joudun runkkaamaan siellä ikuista runkkiaja hekuman huippu tapahtuu tuomiopäivänä. Perkeleen perkele!”

“I have rooted myself into this quiet place where I don’t need much to get by. I need my visions. I need my books. I need new thoughts and lessons, from older souls, bars, whisky, libraries; different ones in different towns. I need my music. I need my songs. I need the safety of somewhere to rest my head at night, when my eyes get heavy. And I need space. Lots of space. To run, and sing, and change around in any way I please—outer or inner—and I need to love. I need the space to love ideas and thoughts; creations and people—anywhere I can find—and I need the peace of mind to understand it.”

“Su un tram affollato a Roma all'ora di chiusura una sera d'inverno, qualcuno per sbaglio mi tocca la spalla. Non mi giro a guardare chi è e non saprò mai se è un uomo o una donna, una sgualdrina o un prete, ma quel tocco delicato scatena in me un tale desiderio di tenerezza e di cura che sospiro; mi sento cedere le ginocchia. Non è un sospiro profumato di violette né uno spasimo chopinesco: è qualcosa di rozzo e reale come i peli sulla mia pancia”

“Because zombies can’t go out into the sun, most of them tend to be afraid of anything that can go into the sun and live to tell the tale.”

“All night, after the exhausting games of canasta, we would look over the immense sea, full of white-flecked and green reflections, the two of us leaning side by side on the railing, each of us far away, flying in his own aircraft to the stratospheric regions of his own dreams. There we understood that our vocation, our true vocation, was to move for eternity along the roads and seas of the world. Always curious, looking into everything that came before our eyes, sniffing out each corner but only ever faintly--not setting down roots in any land or staying long enough to see the substratum of things the outer limits would suffice.”

“The smell of cigarette smoke in the air in a tavern that changes names often, a bar cursed because of a girl who died of a drug overdose in the basement, we put a few coins in the jukebox; chose “Angel Band” by Johnny Cash and sat down at the bar, ordered a soda, you wanted a whiskey on the rocks. We saw the coal miner who moved here from West Virginia knocking back liquor like I drink sweet tea. No one asked why he was so solemn today. It was warm. It was relatively quiet. To anyone else, this place could feel sinister. But to us, it was freedom. It was a hiding place. No one was ever here long enough to know us. And we liked it that way.”

“So many people and so many diaries. Some are full of trite details of daily routines, while others diligently guard what our past selves thought to be our dearest and most important memories. Some become deeply cherished heirlooms passed down from generation to generation, while others are consumed by the insatiable quicksand of history, the names of those who wrote them vanishing like the final gentle whisper of the early autumn wind. Yet every diary—no matter how boring or gripping it is—tells a story and creates meaning where there was none. If used wisely, that meaning helps us to better understand this ridiculously complicated world through the stories of ourselves and others.”

“We are all born as storytellers. Our inner voice tells the first story we ever hear.”

“DEAR DI­ARY You are greater than the Bible And the Con­fer­ence of the Birds And the Up­an­ishads All put to­geth­er You are more se­vere Than the Scrip­tures And Ham­mura­bi’s Code More dan­ger­ous than Luther’s pa­per Nailed to the Cathe­dral door You are sweet­er Than the Song of Songs Might­ier by far Than the Epic of Gil­gamesh And braver Than the Sagas of Ice­land I bow my head in grat­itude To the ones who give their lives To keep the se­cret The dai­ly se­cret Un­der lock and key Dear Di­ary I mean no dis­re­spect But you are more sub­lime Than any Sa­cred Text Some­times just a list Of my events Is holi­er than the Bill of Rights And more in­tense”

“The life of society moves in a circle. Only those burdened with a common affliction understand each other. Thanks to their affliction they constitute a circle and provide each other mutual support. They glide along the inner borders of their circle, make way for or jostle one another gently in the crowd. Each encourages the other in the hope that it will react upon himself, or –and then it is done passionately –in the immediate enjoyment of this reaction. Each has only that experience which his affliction grants him; nevertheless one hears such comrades exchanging immensely varying experiences. ‘This is how you are,’ one says to the other; ‘instead of complaining, thank God that this is how you are, for if this were not how you are, you would have this or that misfortune, this or that shame.’ How does this man know that? After all, he belongs –his statement betrays it –to the same circle as does the one to whom he spoke; he stands in the same need of comfort.”

“For I have nothing to lean on, nowhere to call my home and there is nowhere I will go for Christmas to rest my head and touch familiar walls. I have no degree to show on paper or employment to take care of my health or the reassurance that I can pay my rent. And I have no right to complain because this is the road I choose and I built it myself, not really knowing where I wanted it to lead, but I have hope in all things ahead and behind and I am learning to let myself go. Forget my own ego and believe that what I am doing is grander than my very own self.”

“I was one of those unfortunates adopted by upper middle-class professionals and nurtured in an environment of learning, art and a socio-religious culture steeped in more than 2000 years of Talmudic tradition. Not everyone is lucky enough to have been raised in a whiskey tango trailer park by a bow-legged female whose sole qualification for motherhood is a womb that happened to catch a sperm of a passing truck driver.”

“She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.”

“Joshie has always told Post Human Services Staff to keep a diary, to remember who we were because every moment, our brains and synapses are being rebuilt and rewired with maddening disregard for our personalities, so that each year, each month, each day, we transfer into a different person, an utterly unfaithful iteration of our original selves, of the drooling kid in the sandbox. But not me. I am still a facsimile of my early childhood. I am still looking for a loving dad to lift me up and brush the sand off my ass and to hear English, calm and hurtless, fall off his lips.”

“p2 I'd seen a photo of the actual red and white checked notebook that was Anne [Frank]'s first diary. I longed to own a similar notebook. Stationery was pretty dire back in the late fifties and early sixties. There was no such thing as Paperchase. I walked round and round the stationery counter in Woolworths and spent most of my pocket money on notebooks, but they weren't strong on variety. You could have shiny red sixpenny notebooks, lined inside, with strange maths details about rods and poles and perches on the back. (I never found out what they were!) Then you could have shiny blue sixpenny notebooks. That was your lot. I was enchanted to read in Dodie Smith's novel I Capture The Castle that the heroine, Cassandra, was writing her diary in a similar sixpenny notebook. She eventually progressed to a shilling notebook. My Woolworths rarely stocked such expensive luxuries. Then, two thirds of the way through the book, Cassandra is given a two-guinea red leather manuscript book. I lusted after that fictional notebook for years. I told my mother, Biddy. She rolled her eyes. It could have cost two hundred guineas - both were way out of our league... My dad, Harry, was a civil servant. One of the few perks of his job was that he had an unlimited illegal supply of notepads watermarked SO - Stationery Office. I'd drawn on these pads for years, I'd scribbled stories, I'd written letters. They were serviceable but unexciting: thin cream paper unreliably bound with glue at the top. You couldn't write a journal with these notepads; it would fall apart in days... My spelling wasn't too hot. It still isn't. Thank goodness for the spellcheck on my computer!”