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“Anthropodermic books tell a complicated and uncomfortable take about the development of clinical medicine and the doctoring class, and the worst of what can come from the collision of acquisitiveness and clinical distancing.”

“Some historians, by prioritising accuracy of information and parading their attentiveness, diligence, and industry, emphasised only the objective of factual knowledge which might prove detrimental to their scholarly creativity, empathy, and synthetic power as well as their aesthetic judgement and broader understanding. R. E. Stansfield-Cudworth, ‘Archivists and Historians: Perspectives on the Place of Historical Research in Archival Practice’ (2015), p. 16.”

“The tide of nineteenth-century whig orthodoxy – with its unequal emphasis on constitutional history – subsided, in the mid-twentieth century, to reveal new approaches to History. In the Stubbsian realm of later-medieval political history, for instance, this tide’s retreat enabled the advance of waters which emphasised personalities and the importance of political connections and patronage networks. R. E. Stansfield-Cudworth, ‘Archivists and Historians: Perspectives on the Place of Historical Research in Archival Practice’ (2015), pp. 18–19.”

“The sphere of ‘historical research’ does not readily or exactly correspond with that of ‘archival practice’ but the notion that even if a single component of the latter is omitted from the former that that then validates the profession’s collective defenestration of all issues historical fails to appreciate the complexity of all arguments. R. E. Stansfield-Cudworth, ‘Archivists and Historians: Perspectives on the Place of Historical Research in Archival Practice’ (2015), p. 41.”

“A view of archivists as historians’ handmaidens accepts subservience, infers disciplinary subordination, and implies professional inferiority, which does not realise the scale and extent of archivists’ true accumulated expertise. Consequently, if we invert the proposition to pose not whether historians make better archivists but whether archivists make better historians, it is possible to consider not whether archivists should be scholars and engage in historical research but whether the realm of historical scholarship should incorporate archivists and archival activities. R. E. Stansfield-Cudworth, ‘Archivists and Historians: Perspectives on the Place of Historical Research in Archival Practice’ (2015), p. 46.”

“Let’s examine the history of Genesis I, II, and III. There are many schools of thought on this subject, but the most predominant one is that Moses was the originator. This seems not too far-fetched, since Moses was reared in the Egyptian tradition, in a royal household, and probably had access to many religious writings and teachings now lost with the passing of the archives of Egypt, in Alexandria, Heliopolis, and Sais. Certainly the Ten Commandments were a condensation of the forty-two questions of Osiris for entering heaven. If Moses did write part of the Old Testament, he then must have had Naga tablet writings, or Egyptian interpretations of them, handed down to the Egyptians for thousands of years; and the Egyptian priesthood had knowledge of a cataclysm 11,500 years ago. Priests of Egypt are supposed to have told Solon during his ten years in Egypt (about 600 B.C.) that 9,000 years before that time there was a cataclysm which buried Atlantis beneath the ocean. Note that 9,000 + 600 B.C. + 1950 A.D. equals 11,550 years ago [, when the Younger Dryas ended].”

“Though necessary to the work of uncovering the past, archives are nevertheless limited and misleading storehouses of information. While at times imposing and formal enough as to seem all-encompassing in their brick, glass, and steel structures, archives only include records that survived accident, were viewed as important in their time or in some subsequent period, and were deemed worthy of preservation. These records were originally created by fallible people like you and me, who could err in their jottings, hold vexed feelings they sometimes transmitted onto the page, or consciously or unconsciously misconstrue events they witnessed. Even in their most organized form, archived records are mere scraps of accounts of previous happenings, "rags of realities" that we painstakingly stick together in order to picture past societies.”

“Through our science we have created magnificent spacecrafts and telescopes to explore the night and the light and the half light. We have made visible things that are invisible to the unaided eye. We have brought the dreamy heavens down to Earth, held them in the mind's eye. Our explorations have produced a vast archive of remarkable astronomical images... The riches are too many for choices, the revelations beautiful and dreadful. Who can look at these images and not be transformed? The heavens declare God's glory.”

“Certainly, for a newspaper director, to have within arm's reach a Travaglio, about whom every starring actor, supporting cast and extra of Italian political life he is ready upon cold request to provide an inquiry brief refined in the most minute details is a nice comfort. But also a bit unsettling. The day I asked him if in that archive, into which no one is allowed to stick their nose, there were a brief with my name on it, Marco changed the subject.”

“... over two hundred women, apparently at their own request, were sealed as wives to Joseph Smith after his death in special temple ceremonies. Moreover, a great many distinguished women in history, including several Catholic saints, were also sealed to Joseph Smith in Utah. I saw these astonishing lists in the Latter-day Saint Genealogical Archives in Salt Lake City in 1944.”

“With our blogs and tweets, digital cameras, and unlimited-gigabyte e-mail archives, participation in the online culture now means creating a trail of always present, ever searchable, unforgetting external memories that only grows as one ages.”

“The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood. The clothes are on mannequins, also on hangers and in boxes with a photo of each piece, and there's a Web site where I can go to look through everything. It's too big - I could never sort through it myself! But these garments tell the stories of my life.”

“I went to the archives to see what Dumbo work there was, not for current film, but just for my love of animation. And I couldn't believe all the artwork the guys had done to find this universal empathy to Dumbo. There was one drawing where they used his ears as a sign: "Eat at Joes!" These guys were continually searching and digging to see what that is.”

“Whether it's your own material or somebody else's material, it's essential that you identify with it thoroughly. It's like you want to archive it; you want to freeze it in time in terms of your perspective on it, then move on, because folk music is that volatile and comments not only on overall human concerns but also on the specifics.”

“Photography mirrored the [nineteenth century] will towards rigor, towards defining details, the need for miniscule description, the long-distance optics, for technology at the service of truth, for concepts of credibility, of objectivity, the need to archive, for the consolidation of institutions like the museum, in short, towards a need to control memory.”