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Fanfiction Quotes

Browse 31 quotes about Fanfiction.

Fanfiction Quotes

“What’s the importance of family, my love?” Mother stroked my hair as I was curled up in her lap. It was late out, the fireplace keeping us warm as an unremarkable movie played in front of us. Dad had just left us a couple of months ago. I remember my eyes being glued to the television screen as we had the conversation, even though I wasn’t paying attention to it. Even before this was brought up, I wasn’t listening and instead paying attention to the sound of my mother’s heartbeat and the way her breathing moved in sync with it as well as her chest, moving up and down. “I don’t know, momma. So you grow up kind?” She chuckled, placing her finger on the tip of my nose, “So that you grow up loved.”

“Because zombies can’t go out into the sun, most of them tend to be afraid of anything that can go into the sun and live to tell the tale.”

“Eventually he would came to learn that there was a technique in music that felt a lot like this, called ‘tempo rubato’. It involved speeding or slowing the traditional tempo of a song to invoke new feeling, as beautiful representation of freedom that relied completely on the discretion of the musician. If done incorrectly the technique could effectively butcher a thing of beauty—but if done right, it could award complete and utter freedom over the most expressive art known to man. That rubato was the thing one heard when an orchestra conductor briefly slowed a key moment in a classical piece. It was that breath at the end of a love ballad where your very heart felt as though it was shattering. It was responsible for every moment of emotion felt by conscious beings capable of hearing a music note played aloud. Tempo rubato meant ‘robbed time’. That was the name humans gave to the concept. Like a word, time could not be captured, so people did the only thing they could, they attempted to defy it. They used surgeries to fix the physical flaws that came with age, and took photographs to help them remember a moment otherwise lost. People defied time by naming it. They called the past ‘memories’ and the future ‘what’s yet to pass’. They called hopelessness ‘rubato’, and in doing so, they granted themselves the illusion of controlling time. At least, that's how he'd described it whenever someone cared enough to ask. But still, it remained a comforting thought. If someone could speed up or slow down something as uncapturable as music—as pure emotion—then maybe time really was within their control. But everyone knew it wasn't possible. Not really. Whether as a conscious realisation or an inherent knowing, the answer was clear; time passed with or without people. With or without photographs or tempo. It always did, and it was easy to look back and desperately want to cling to it. Natural even, because what was behind was clear—it'd already been lived. It was the unknown ahead that scared people. At sixteen Remus couldn’t have told anyone what a ‘tempo rubato’ was, but he’d been unknowingly experiencing it all his life. Being at school felt like the traditional, fast-moving tempo of the piece, and those few precious moments in the flat were his rubato. There he couldn’t play or make music, he could only listen and live. Conversations were without any real goal, the days blurred into one another, and the nights felt endless but not hopeless. There was very little action or adventure and that was how he liked it. The flat was rubato, one he’d never find anywhere else. There would be others, yes, but none the same. If he’d known then maybe he would’ve taken more pictures and less drugs so he could better commit them to memory. But that’s the thing about memories—in the moment they’re not memories at all. They’re not even time. They’re just life.”

“I think I’ve found the worst feeling,” he mutters. “Helplessness,” says Spock promptly, like he’s thought about this before. “Being unable to do anything.” “Yeah, helplessness is pretty bad. But for me,” he says, looking at the picture they’ve put up of her, of Natalie and Sam posing together in front of the zoo, holding hands and smiling like the sun, “it’s knowing you could have done something. And you didn’t.”

“[Emma, a fanfiction writer] says she feels like she has more in common, now, with that twelve-year-old girl [that she was] than with the professor she has seemed to become. "It is just sheerly for fun," Emma says of fandom. "It is grace freely given. It is joy shared without consideration of compensation or payback." To her, it's the opposite of work; it's play. [...] Fandom is about reclaiming that play space for "productive selfishness," she says, and "the assignment of your time according to whatever the fuck you feel like, instead of what would be most efficient, or most advantageous to others. It's as important to me as eating healthy or getting exercise.”

“Of course I know what she means. To make art in fandom is to follow your passion at the risk of never being taken seriously. I've written dozens of fics-put them together and you'd have several novels-but who knows what a college admissions officer will think of that as a pastime. Where does 12,000 Tumbler followers rate in relation to a spot in the National Honor Society in their minds? Every week I get anonymous messages in my inbox telling me I should write a real book. Well, haven't I already? What makes what I do different from "real writing"? Is it that I don't use original characters? I guess that makes every Hardy Boys edition, every Star Wars book, every spinoff, sequel, fairy-tale re-telling, historical romance, comic book reboot, and the music Hamilton "not real writing". Or is it that a real book is something printed, that you can hold in your hand, not something you write on the internet? Or is "real writing" something you sell in a store, not give away for free? No, I know it's none of these things. It's merely this: "real writing" is done by serious people, whereas fanfiction is written by weirdos, teenagers, degenerates, and women.”

“Like most modern people, we no longer bothered to make the distinction between events in real life and the dramas of fictional worlds, and so the cliff-hanger that inevitably, reliably ended the hour held just as much or more importance to us as the newspaper that usually went from doorstep to garbage bin unread, and we speculated about the future lives of the characters that populated decayed mansions or desert isles as if they weren't inventions of other human minds.”

“You can think about Robin Hood as a classic poacher, who steals from the rich and gives to the poor. And, essentially, what I see taking place in fandom is that process, where we steal the cultural resources that belong to the networks and we remake them, to speak to what we as fans want them to be, be they concerns as women, or racial concerns, sexual politics questions or whatever. That‘s what I think happens most of the time, when people are engaged in fan writing, in one way or another.”

“El amor era un tesoro poco común para Taka, y se lo imploraba a aquellos que estaban dispuestos a ofrecérselo. Taka era capaz de manifestar una gran ternura, a su manera, cuando le satisfacía el hacerlo. Esta protección alarmaba a las demás leonas, quienes sabían que la fuerza de su amor tan sólo se igualaba con la fuerza de su odio. Aquellos que traicionaran su amor muy probablemente morirían.”

“You will have noticed that I didn’t give this story a pat conclusion, and that’s deliberate. Katherine (my wife and frequent coauthor, K. A. Applegate) and I were among the earliest authors to encounter fan fiction via the internet. We’ve embraced it from the start. And some part of me hopes that fanfic writers will carry this story forward. Don’t ask me what happens to these characters next, because I don’t know. Will Dekka find love, perhaps with Simone? Will Cruz and Armo? How will Sam and Astrid do in this terrifying extension of earlier trauma? Maybe you have some ideas. I built the sandbox; if you want to bring your pails and shovels and play in it, cool. It’s one of the best things about writing for young people: you are my collaborators in imagination. If I leave blanks it’s because I know you’ll fill them.”