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Authors Note Quotes

Browse 9 quotes about Authors Note.

Authors Note Quotes

“For students, speaking out against any injustice, especially when adults are involved, can be a formidable task. But it's crucial, life-changing, and perhaps even life saving. Here is what I hope you, dear reader, know: in darkness, be the light. Let yours be the one that illuminates the world, guided by an unwavering moral compass, courage, compassion, and love. Make your home, your school, your community a place where humanKIND is welcome.”

“An important note about Roxannah's background. In my conversation with Dr. Jessica Sanderson (please see Author Acknowledgements), what became obvious to me was that childhood wounds cause us to break down differently. The same wound can cause one person to break toward control, while another breaks toward fragility. We break toward hyper-vigilance, catastrophic thinking, workaholism, or worthlessness. Our deepest wounds can wear a thousand faces. But The Queen's Cook is a not a book about childhood trauma. It is the story of a woman who through hardship finds friendship, love, and a life-changing relationship with God.”

“In Scappi's cookbook we see the first Italian recipes ever published that rely heavily on dairy, particularly butter and cheeses. There are also numerous recipes for pasta. Turkey makes its first appearance in an Italian cookbook. And many of us today are familiar with a recipe first found in L'Opera: zabaglione. The flavors that are prevalent in the cookbook are a little cloying to modern audiences, relying heavily on rosewater, sugar, pepper, ginger, nutmeg, and cinnamon. These flavors make sense in the variety of flaky pastries that are described in the book, but can be a little more off-putting when incorporated into a savory pasta dish.”

“While Apicius is full of ancient delicacies such as roasted peacock, boiled sow vulva, testicles, and other foods we would not commonly eat today, there are many others that are still popular, including tapenade, absinthe, flatbreads, and meatballs. There is even a recipe for Roman milk and egg bread that is identical to what we call French toast. And, contrary to popular belief, foie gras was not originally a French delicacy. The dish dates back twenty-five hundred years, and Pliny credits Apicius with developing a version using pigs instead of geese by feeding hogs dried figs and giving them an overdose of mulsum (honey wine) before slaughtering them.”

“The term “Romani,” as used in this story, is in some sense an anachronism—in the nineteenth century, Romanies would have been known primarily as “Gypsies” (Cigányok in Hungary). Due to the negative stereotypes attached to the term “Gypsy” and the fact that it stems from a mistaken idea of their origins (it’s a corruption of “Egyptian”), “Roma” or “Romani” has been widely adopted as the preferred form of address. I chose to use “Romani” to acknowledge this preference and to reflect the difference between the way Gábor views his family and friends (and the way Anna comes to) and outsider perspectives. Where “Gypsy” is used, it refers strictly to outsiders’ perspectives of Romani life.”

“To wit: mercury is deadly poisonous. Hatters really were said to have gone mad in the nineteenth century because of exposure to mercury in their hat-making processes: in effect, they suffered long-term mercury poisoning. You cannot eat the fish from many rivers and lakes of America even today because of the deadly mercury that lies on their muddy bottoms eternally, the result of toxic industrial pollution. In this book the Hatter drinks mercury. You, dear reader, cannot. It will kill you. L. Braswell”

“You will have noticed that I didn’t give this story a pat conclusion, and that’s deliberate. Katherine (my wife and frequent coauthor, K. A. Applegate) and I were among the earliest authors to encounter fan fiction via the internet. We’ve embraced it from the start. And some part of me hopes that fanfic writers will carry this story forward. Don’t ask me what happens to these characters next, because I don’t know. Will Dekka find love, perhaps with Simone? Will Cruz and Armo? How will Sam and Astrid do in this terrifying extension of earlier trauma? Maybe you have some ideas. I built the sandbox; if you want to bring your pails and shovels and play in it, cool. It’s one of the best things about writing for young people: you are my collaborators in imagination. If I leave blanks it’s because I know you’ll fill them.”