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Camera Quotes

Browse 62 quotes about Camera.

Camera Quotes

“A selfie has more face and fewer feelings.”

“Most of the movies are working like, 'Information, cut, information, cut, information, cut' and for them the information is just the story. For me, a lot of things [are] information - I try to involve, to the movie, the time, the space, and a lot of other things - which is a part of our life but not connecting directly to the story-telling. And I'm working on the same way - 'information, cut, information, cut,' but for me the information is not only the story.”

“You only have to start saying of something : 'Ah, how beautiful ! We must photograph it !' and you are already close to the view of the person who thinks that everything that is not photographed is lost, as if it never existed, and therefore in order to really live you must photograph as much as you can, and to photograph as much as you can you must either live in the most photographable way possible, or else consider photographable every moment of your life.”

“People that have a police car behind them pulling them over should put on their hazard lights and continue slowly driving to the nearest densely populated public place, such as a supermarket or shopping center. Pull over outside the busy entrance and start your video camera. Inform the police officer that you are video recording and very slowly give the requested documentation. Exercise your legal right to silence while the many independent witnesses video record the unexpected stop that rudely interrupts your day. If you are given a ticket, choose to go to court. It will give you time to obtain independent legal advice about the allegation.”

“I can see better when i close my eyes; don't make much ado, that's my latest style of view.”

“When I worked at the W. M. Keck Observatory on the 13,796 feet very high altitude summit of Mauna Kea, we would routinely be engulfed in cold clouds of helium and nitrogen gas as we discharged it into the video camera systems daily. The management team never warned us that we were in a hazardous oxygen deprived environment during this activity that was known for its ability to adversely affect physical and mental health, and possibly bring on death by asphyxiation.”

“Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.”

“Ironically, the only way to see clearly is to stand at a distance. You might be focused, but that doesn't mean you are seeing correctly. Sometimes, you have you to grab the camera from the idiot taking all the shots in your life because they don't realize the lens is dirty.”

“As a photographer you have a deep love for light, life and yourself. You know that the eyes of love aren’t blind, they are wide open. Only when your eye, heart and soul shine brighter than the sun, you realize how ordinary it is to love the beautiful, and how beautiful it is to love the ordinary.”

“The camera was a hand-held auxiliary of wanting-to-know. It had more than information and accuracy to teach me. I learned in the doing how ready I had to be. Life doesn't hold still. A good snapshot stopped a moment from running away. Photography taught me that to be able to capture transience, by being ready to click the shutter at the crucial moment, was the greatest need I had. Making pictures of people in all sorts of situations, I learned that every feeling waits upon its gesture, and I had to be prepared to recognize this moment when I saw it. These were things a writer needed to know. And I felt the need to hold transient life in words - there's so much more of life that only words can convey - strongly enough to last me as long as I lived. The direction my mind took was a writer's direction from the start, not a photographer's or a recorder's.”

“Some technologies have made it possible for one to travel to the other side of the world in order to see something, whereas some technologies have made that unnecessary: if it were not for things such as the camera and the internet, some African boys would have never seen a Chinese woman’s vagina.”

“Echo continued to tap her finger to her chin and created more dots on her face while she stared at the canvas. The intensity of her stare shocked me. The art teacher stacked the bowls and walked toward the door. “She’s in the zone. Good luck getting her attention. Do me a favor. If she ends up painting her whole face, grab my camera from my desk and take a picture. I’ll add it to my collection.” She gazed at Echo and smiled. “I’ll title that one Smurf. Nice tats, by the way.””

“I replace my cell phone annually for the latest model because it gives me a number of things: 1. The newer the cell phone, the less radiation it tends to emit. 2. It comes with a one year warranty. 3. The protection for the eyes and skin from the artificial light it emits gets better every year. 4. Battery life is longer. 5. The phone is faster. 6. It has more memory. 7. It runs the latest apps. 8. It has a better camera. 9. It enables me to run electromagnetic field (EMF) tests on the latest generation of phone. 10. I never pay more than $50 for my cell phone, as I know there will be a better smart phone available a year later.”

“He reached the ground floor and flung the door open, fleeing into the street. He glanced back and saw that she wasn't following, so he slowed to a halt. His pulse raced. The entranceway was dark, the door swinging slowly closed. Movement to his left caught his attention: the camera on the corner of the building that covered the resident's parking. It swivelled to point directly at him, and he stared at it for a moment, suddenly doubtful it was a closed-circuit system after all. He ran for his car, and the camera followed.”

“Police Officer Angry Aggression Theory (POAAT) is why you need to video record the police before they shoot you. Always start the video camera at the first contact, as it can go sour at any time and without warning.”

“Robert Louis Stevenson wa Uskochi aliponukuu nahau ya ‘kamera haiwezi kudanganya’ katika kitabu chake cha ‘South Seas’ mwaka 1896, miaka 57 baada ya sanaa ya upigaji wa picha kugunduliwa, hakumaanisha tuwe asili. Hakumaanisha tusizirekebishe picha zetu baada ya kuzipiga na kuzisafisha! Alimaanisha tuwe nadhifu tuonekanapo mbele za watu au mbele ya vyombo vya habari; ambapo picha itapigwa, itasafishwa, itachapishwa na itauzwa kama ilivyo bila kurekebishwa.”

“The photographer had a camera strapped around one leg, attached to a cable that ran up his trouser leg and into a pocket. He could squeeze a bulb in his pocket to take one picture which would be unnoticed in the glare of sparks and the horror generated by the chair.”

“The less gear you use, the more you grow as a photographer. Although there are fewer options available, you'll find more creative ways to capture what you feel! In a way, all your technical options before turn into creative solutions that improve your photography even more.”

“Kamera ina athari kubwa sana katika maisha yetu. Inaweza kuharibu taswira ya mtu mbele ya jamii, na inaweza kuharibu maisha ya mtu hali kadhalika. Wasanii wakubwa duniani hawatoki ndani bila ya kuwa nadhifu au bila ya kujipodoa. Kwa nini? Kwa sababu ya wasanii wao wa vipodozi. Wasanii wao wa vipodozi hawataki waajiri wao wawe na taswira mbaya mbele ya wateja wao ambayo ni jamii. Kuwa na taswira mbaya mbele ya jamii kunaweza kusababisha wao (wasanii wa vipodozi) pamoja na waajiri wao, wasiishi vizuri hapa duniani kama wanavyotaka. Kioo ni kitu au mtu. Kama huna uwezo wa kumiliki vipodozi, miliki kioo. Kama huna uwezo wa kumiliki kioo, miliki rafiki. Kioo (hasa kitu) hakina unafiki. Usitoke ndani bila kuridhika na taswira yako.”

“...the land is moody, waiting. Den turns around and looks at his father who leans into the bike, leans into a long drag on his cigarette, leans into a thought not ready for words. The man is so familiar. They should be at home by now. They should be sitting at the dinner table. This familiarity is deeper than the desert, longer than the miles they’ve traveled. It confuses Dennis. What is the source of this sadness? It’s time to go home. Den holds the camera steady.”