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Vegetation Quotes

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Vegetation Quotes

“John scrambled up and down the terraces and banks, hunting out the secret breaks in the thickets or crawling through hollows woven from sharp-spined stems. Blackberries lured him into sun-pricked chambers. Old byways closed and new ones opened, drifts of nettles surging forward then dying back. The sun beat down until the grass on the green parched. But on the high slopes the rank stems sprang up as lush as ever. Springs ran beneath the turf, his mother told him. Enough water to fill a river. Together they pulled peppery watercress from the edges of marshy puddles and grubbed up tiny sweet carrots, dark purple under the dusty earth. Clover petals yielded honey-beads and jellylike mallow seeds savored of nuts. Tiny strawberries sheltered under ragged leaves and sweet blackberries swelled behind palisades of finger-pricking thorns.”

“Gian Pero Frau, one of the most important characters in the supporting cast surrounding S'Apposentu, runs an experimental farm down the road from the restaurant. His vegetable garden looks like nature's version of a teenager's bedroom, a rebellious mess of branches and leaves and twisted barnyard wire. A low, droning buzz fills the air. "Sorry about the bugs," he says, a cartoonish cloud orbiting his head. But beneath the chaos a bloom of biodynamic order sprouts from the earth. He uses nothing but dirt and water and careful observation to sustain life here. Every leaf and branch has its place in this garden; nothing is random. Pockets of lettuce, cabbage, fennel, and flowers grow in dense clusters together; on the other end, summer squash, carrots, and eggplant do their leafy dance. "This garden is built on synergy. You plant four or five plants in a close space, and they support each other. It might take thirty or forty days instead of twenty to get it right, but the flavor is deeper." (There's a metaphor in here somewhere, about his new life Roberto is forging in the Sardinian countryside.) "He's my hero," says Roberto about Gian Piero. "He listens, quietly processes what I'm asking for, then brings it to life. Which doesn't happen in places like Siddi." Together, they're creating a new expression of Sardinian terreno, crossing genetic material, drying vegetables and legumes under a variety of conditions, and experimenting with harvesting times that give Roberto a whole new tool kit back in the kitchen. We stand in the center of the garden, crunching on celery and lettuce leaves, biting into zucchini and popping peas from their shells- an improvised salad, a biodynamic breakfast that tastes of some future slowly forming in the tangle of roots and leaves around us.”

“Yorkshire's autumn was as great a gift as Yorkshire's summer. I loved watching the rusting of the leaves while the dales mellowed to shades of ochre, and rose hips and blackberries grew deliciously fat on their branches. The morning mists were mystical and magical to me, and the rose-glow of the evening sun lent the sky a hypnotic light that matched any Cape Town sunset.”

“Roses climbed the shed, entwined with dark purple clematis, leaves as glossy as satin. There were no thorns. Patience's cupboard was overflowing with remedies, and the little barn was often crowded with seekers. The half acre of meadow was wild with cosmos and lupine, coreopsis, and sweet William. Basil, thyme, coriander, and broad leaf parsley grew in billowing clouds of green; the smell so fresh your mouth watered and you began to plan the next meal. Cucumbers spilled out of the raised beds, fighting for space with the peas and beans, lettuce, tomatoes, and bright yellow peppers. The cart was righted out by the road and was soon bowed under glass jars and tin pails of sunflowers, zinnias, dahlias, and salvia. Pears, apples, and out-of-season apricots sat in balsa wood baskets in the shade, and watermelons, some with pink flesh, some with yellow, all sweet and seedless, lined the willow fence.”

“The plants in the garden - the aloes, the almond tree, the rose tree and the iris - were afraid of her. The flowers withered under her breath and the touch of her hand was leprous for the leaves. The plants whose growth is belief, whose breathing is hope, whose immobility is confidence and whose calyx is prayer, the plants who kept watch into the night, hated this women with the secret force of stars.”

“The greenhouse was made entirely of glass. Its ceiling reached five stories high, tall enough to fit a variety of fruit-bearing trees and vines. Butterflies flitted between sparkling flowers. Honeybees collected pollen for their hive, which conveniently drip honey right into glass jars. And watermelons, root beer melons, and orangeade melons grew along trellises.”

“The Sparrow Sisters' roses still bloomed on New Year's Day, their scent rich and warm even when snow weighted their petals closed. When customers came down the rutted road to the small eighteenth-century barn where the sisters worked, they marveled at the jasmine that twined through the split-rail fence, the perfume so intense they could feel it in their mouths. As they paid for their purchases, they wondered (vaguely, it must be said, for the people of Granite Point knew not to think too hard about the Sisters) how it was that clematis and honeysuckle climbed the barn in November and the morning glories bloomed all day. The fruit trees were so fecund that the peaches hung on the low branches, surrounded by more blossoms, apples and pears ripened in June and stayed sweet and fresh into December. Their Italian fig trees were heavy with purple teardrop fruit only weeks after they were planted. If you wanted a tomato so ripe the juice seemed to move beneath the skin, you needed only to pick up a punnet at the Nursery.”

“Scrubby evergreen bushes released a strong scent of resin and honey; forests of pine gave way to gentle south-facing vineyards disturbed only by the ululation of early summer cicadas. Sitting up tall on the seat, she craned around eagerly to see what plants thrived naturally. It was a wild and romantic place, Laurent de Fayols had written, the whole island once bought as a wedding gift to his wife by a man who had made his fortune in the silver mines of Mexico. One of three small specks in the Mediterranean known as the Golden Isles, after the oranges, lemons, and grapefruit that glowed like lamps in their citrus groves. There were few reference works in English that offered information beyond superficial facts about the island, and those she had managed to find were old. The best had been published in 1880, by a journalist called Adolphe Smith. Ellie had been struck by the loveliness of his "description of the most Southern Point of the French Riviera": 'The island is divided into seven ranges of small hills, and in the numerous valleys thus created are walks sheltered from every wind, where the umbrella pines throw their deep shade over the path and mingle their balsamic odor with the scent of the thyme, myrtle and the tamarisk.”

“The house was squashed like a mushroom by a thatched roof that hung far out over the walls. A pair of windows sparkled on either side of a rounded, heavy wooden door. There was nothing particularly creepy or witch-ish about it at all, except for maybe some leeks that grew on the roof around the higgledy-piggledy chimney (out of which wafted a lovely, homey-smelling smoke). Next to the cottage was a small fenced-in kitchen garden, and even in the low light Rapunzel could see it wasn't given over just to herbs and vegetables. Tall rockets of flowers and pretty, feathery foliage shot colorfully out of the corners. There was even a neat flagstone path that led up to the front door. "Witch?" Flynn asked, skeptical. "Or, like... crunchy earth mother type who drinks herbal teas and pretends the goddess speaks to her?”

“Organic life beneath the shoreless waves Was born and rais’d in Ocean’s pearly caves First forms minute, unseen by spheric glass, Move on the mud, or pierce the watery mass; These, as successive generations bloom, New powers acquire, and larger limbs assume; Whence countless groups of vegetation spring, And breathing realms of fin, and feet and wing.”

“(The processes are) doubly ruinous: they impoverish the earth by hastily removing, for the benefit of a few generations, the common resources which, once expended and dissipated, can never be restored; and second, in its technique, its habits, its processes, the paleotechnic period is equally inimical to the earth considered as a human habitat, by its destruction of the beauty of the landscape, its ruining of streams, its pollution of drinking water, its filling the air with a finely divided carboniferous deposit, which chokes both life and vegetation.”

“Mid-summer ... when the alchemy of Nature transmutes the sylvan landscape to one vivid and almost homogeneous mass of green; when the senses are well-nigh intoxicated with the surging seas of moist verdure and the subtly indefinable odours of the soil and the vegetation. In such surroundings the mind loses its perspective; time and space become trivial and unreal, and echoes of a forgotten prehistoric past beat insistently upon the enthralled consciousness.”

“"Motherboard," for me, has four different levels: the bottom part is the water, vegetation, and growth. The second part is the world with figures and animals; there's chaos and civilization. The third part is the digital zone - these red things are turning into really loud digital sounds. Then the fourth level is like ether and things turning into air. This idea of how we're becoming partly digitalized is really interesting to me.”

“There is something nobly simple and pure in a taste for the cultivation of forest trees. It argues, I think, a sweet and generous nature to have his strong relish for the beauties of vegetation, and this friendship for the hardy and glorious sons of the forest. He who plants a tree looks forward to future ages, and plants for posterity. Nothing could be less selfish than this.”

“Nature seems to delight in disappointing the assuduities of art, with which it would rear dulness to maturity, and to glory in the vigor and luxuriance of her chance productions. She scatters the seeds of genius to the winds, and though some may perish among the stony places of the world, and some may be choked by the thorns and brambles of early adversity, yet others will now and then strike root even in the clefts of the rock, struggle bravely up into sunshine, and spread over their sterile birthplace all the beauties of vegetation.”

“I come from down south, where vegetation does not know its place. Honeysuckle can work through cracks in your walls and strangle you while you sleep. Kudzu can completely shroud a house and a car parked in the yard in one growing season. Wisteria can lift a building off its foundation, and certain terrifying mints spread so rapidly that just the thought of them on a summer night can make your hair stand on end.”

“The chaste severity of the fathers in whatever related to the commerce of the two sexes flowed from the same principle -- their abhorrence of every enjoyment which might gratify the sensual and degrade the spiritual nature of man. It was their favourite opinion, that if Adam had preserved his obedience to the Creator, he would have lived for ever in a state of virgin purity, and that some harmless mode of vegetation might have peopled paradise with a race of innocent and immortal beings.”

“The Revelations is an amazing, rich material that is full of stories about angels and angels being sent down to Earth to wipe out a third of the population. There are angels that come down and wipe out a third of the population and then another angel will come down and wipe out a third of all the animals living in the sea and another angel will come down and wipe out all the vegetation on the land. They are some vengeful individules, in Revelations, the angels. There is a lot of destructive capacity in an angel's being.”

“If there is anything so romantic as that castle-palace-fortress of Monaco I have not seen it. If there is anything more deliciousthan the lovely terraces and villas of Monte Carlo I do not wish to see them. There is nothing beyond the semi-tropical vegetation, the projecting promontories into the Mediterranean, the all-embracing sweep of the ocean, the olive groves, and the enchanting climate! One gets tired of the word beautiful.”

“There is a growing threat to the environment, to the vegetation, animals, water and air. Sacred Scripture hands us the image of Cain who rejects his responsibility: 'Am I my brother's keeper?' The Bible shows the human person as his brother's keeper and the guardian of creation which has been entrusted to him.”

“By helping to raise man above the level of bestial vegetation, faith contributes in reality to the securing and safeguarding of his existence. Take away from present-day mankind its education-based, religious-dogmatic principles- or, practically speaking, ethical-moral principles- by abolishing this religious education, but without replacing it by an equivalent, and the result will be a grave shock to the foundations of their existence.”

“Her mighty lakes, like oceans of liquid silver; her mountains with their right aerial tints; her valleys, teeming with wild fertility; her tremendous cataracts, thundering in their solitudes; her boundless plains, waving with spontaneous verdure; her brought deep rivers, rolling in solemn silence to the ocean; her trackless forests, where vegetation puts forth all its magnificence; her skies, kindling waves in the magic of the summer clouds and glorious sunshine;-no, never need an American look beyond his own country for the sublime and beautiful of natural scenery.”

“After Hurricane Katrina, many people said that the levees were not as effective as the natural vegetation that had been removed at the coast. So that means as we develop these seaside land masses, we need to have enough knowledge to not regret in the future. We know that the US government is literally buying these lands back to allow them to be rehabilitated.”

“(Baudelaire) had descended to the bottom of the inexhaustible mine, had picked his way along abandoned or unexplored galleries, and had finally reached those districts of the soul where the monstrous vegetations of the sick mind flourish. There, near the breeding ground of intellectuals aberrations and disease of the mind - the mysterious tetanus, the burning fever of lust, the thyphoids and yellow fevers of crime – he had found, hatching in the dismal forcing-house of ennui, the frightening climacteric of thoughts and emotions.”

“She loved the sea for its storms alone, cared for vegetation only when it grew here and there among ruins. She had to extract a kind of personal advantage from things and she rejected as useless everything that promised no immediate gratification — for her temperament was more sentimental than artistic, and what she was looking for was emotions, not scenery.”

“To his eyes all seemed beautiful, but to me a tinge of melancholy lay upon the countryside, which bore so clearly the mark of the waning year, Yellow leaves carpeted the lanes and fluttered down upon us as we passed, The rattle of our wheels died away as we drove through drifts of rotting vegetation--sad gifts, as it seemed to me, for Nature to throw before the carriage of the returning heir of the Baskervilles.”

“Saturday morning was come, and all the summer world was bright and fresh, and brimming with life. There was a song in every heart; and if the heart was young, the music issued at the lips. There was cheer in every face and a spring in every step. The locust-trees were in bloom, and the fragrance of the blossoms filled the air. Cardiff Hill, beyond the village and above, it was green with vegetation, and it lay just far enough away to seem a Delectable Land, dreamy, reposeful, and inviting.”

“The moon had spread over everything a thin layer of silver - over the rank grass, over the mud, upon the wall of matted vegetation standing higher than the wall of a temple, over the great river I could see through a sombre gap glittering, glittering, as it flowed broadly by without a murmur. All this was great, expectant, mute, while the man jabbered about himself.”