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Trains Quotes

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Trains Quotes

“The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.”

“Suicide by train is also popular in many developed countries. Without ready access to firearms, suicidal people often turn to trains. —Der Spiegel, July 27, 2011 Once it happens you can’t remember how you started out: innocent, barreling into the tunnel, shooting out at each station like a dolphin out of a dim green pool. Pneumatic doors inhale open, puff shut, lock with a solid thump. Up and down the line, fifty times a day, it’s a long slow song. You feel the rumble as much as hear it. In your dim green trance the words retain wonder: Vorsicht, Türe werden geschloßen. Caution, the doors are closing. Then the first time: someone decides darkness will answer, hides out in the tunnel, steps out in front of the train like he knows where he’s going, steps out at you, dying at you, knowing you can’t stop in time. Now each time the doors close, they seal you in. You are a human bullet shot into the tunnels, hoping no one will block the light far ahead, each station one minute’s reprieve.”

“He had been in New York the whole year managing his father's winery and office in lower Manhattan, but now he'd come home by train for Christmas--and the world was wonderful. Three thousand miles was nothing, you got on a train, you had your own private little room, you changed at Chicago, you ate great meals in the diner, you read mystery stories and newspapers in the club car, and then all of a sudden there you were back in Fresno, and there everybody was, standing on the station platform waiting for you. Who could ask for anything more?”

“তখন আমি বেশ তরুণ ছিলুম আমি সবে ষোলো বছরের হবো হয়তো কিন্তু ছেলেবেলার স্মৃতি মুছে গিয়েছিল যেখানে জন্মেছিলুম সেখান থেকে ৪৮,০০০ মাইল দূরে আমি ছিলুম মসকোতে, তিনঘণ্টির হাজার মিনার আর সাতটা রেলস্টেশান আর ওই হাজার আর তিন মিনার আর সাতটা রেলস্টেশান আমার জন্যে যথেষ্ট ছিল না কারণ আমি ছিলুম গরমমেজাজ আর পাগল তরুণ আমার হৃদয় ইফিসিয়াসের মন্দির কিংবা মসকোর রেড স্কোয়ারের মতন ছিল তপ্ত সূর্যাস্তের সময়ে আর আমার দুই চোখ ওই পুরোনো রাস্তা-ধরে চলার সময়ে জ্বলজ্বল করতো আর আমি আগেই এমন খারাপ কবি ছিলুম যে আমি জানতুম না তা কেমন করে নিজের সঙ্গে বয়ে নিয়ে যাই”

“I lie down on many a station platform; I stand before many a soup kitchen; I squat on many a bench;--then at last the landscape becomes disturbing, mysterious, and familiar. It glides past the western windows with its villages, their thatched roofs like caps, pulled over the white-washed, half-timbered houses, its corn-fields, gleaming like mother-of-pearl in the slanting light, its orchards, its barns and old lime trees. The names of the stations begin to take on meaning and my heart trembles. The train stamps and stamps onward. I stand at the window and hold on to the frame. These names mark the boundaries of my youth.”

“So when I watch trains, it makes me think about how much movement there is in the world. How every train has dozens of cars and every car has hundreds of parts, and all those parts and cars work day after day. And then there are all these other motions. People are born and die. Seasons change. Rivers flow to the sea. Earth circles the sun and the moon circles Earth. Everything whirring and spinning toward something. And I get to be part of it for a little while, the way I get to watch a train for a minute or two, and then it's gone.”

“I find it difficult to remember all of the details of our journey after leaving Mannheim. At the time I was depressed and extremely tired. The children must have felt the same way since they were just there. The unflappable joy they always demonstrated and the sparkle in their eyes was missing. An unspeakable sadness had settled in. Being children they were being denied the right to be happy, to be able to celebrate their youth and look forward to a promising future. Now they hardly ever complained or cried. They sometimes said that they were hungry and asked if we had food, but accepted the fact that we were all hungry most of the time. My only vivid recollection is that we were headed towards the Bodensee, or what is called Lake Constance, near the Swiss border. The only reason we were going there was that it seemed rural, and more distant from the advancing front and active war zone. Perhaps I felt that neutral Switzerland was close by and if need be we could appeal to someone’s compassion and escape. Of course this was only a fleeting thought and could never happen…. It also never occurred to me that our train could become an inviting target for an Allied airplane.”

“Sometimes the smoke from the factories and riverboats and trains would obscure the night sky entirely. But the town's industrial breath was blowing somewhere else tonight, and so the Armstrong house was bathed in starlight. Nell studied the little white specks, like glittering dust on black velvet, and she asked, "You boys ever wonder what it'd be like to be somewhere else?”

“On the train I had a lot of time to think. I thought how in the thirty years of my life I had seldom gotten on a train in America without being conscious of my color. In the South, there are Jim Crow cars and Negroes must ride separate from the whites, usually in a filthy antiquated coach next to the engine, getting all the smoke and bumps and dirt. In the South, we cannot buy sleeping car tickets. Such comforts are only for white folks. And in the North where segregated travel is not the law, colored people have, nevertheless, many difficulties. In auto buses they must take the seats in the rear, over the wheels. On the boats they must occupy the worst cabins. The ticket agents always say that all other accommodations are sold. On trains, if one sits down by a white person, the white person will sometimes get up, flinging back an insult at the Negro who has dared to take a seat beside him. Thus it is that in America, if you are yellow, brown, or black, you can never travel anywhere without being reminded of your color, and oft-times suffering great inconveniences. I sat in the comfortable sleeping car on my first day out of Moscow and remembered many things about trips I had taken in America. I remembered how, once as a youngster going alone to see my father who was working in Mexico, I went into the dining car of the train to eat. I sat down at a table with a white man. The man looked at me and said, "You're a nigger, ain't you?" and left the table. It was beneath his dignity to eat with a Negro child. At St. Louis I went onto the station platform to buy a glass of milk. The clerk behind the counter said, “We don't serve niggers," and refused to sell me anything. As I grew older I learned to expect this often when traveling. So when I went South to lecture on my poetry at Negro universities, I carried my own food because I knew I could not go into the dining cars. Once from Washington to New Orleans, I lived all the way on the train on cold food. I remembered this miserable trip as I sat eating a hot dinner on the diner of the Moscow-Tashkent express. Traveling South from New York, at Washington, the capital of our country, the official Jim Crow begins. There the conductor comes through the train and, if you are a Negro, touches you on the shoulder and says, "The last coach forward is the car for colored people." Then you must move your baggage and yourself up near the engine, because when the train crosses the Potomac River into Virginia, and the dome of the Capitol disappears, it is illegal any longer for white people and colored people to ride together. (Or to eat together, or sleep together, or in some places even to work together.) Now I am riding South from Moscow and am not Jim-Crowed, and none of the darker people on the train with me are Jim-Crowed, so I make a happy mental note in the back of my mind to write home to the Negro papers: "There is no Jim Crow on the trains of the Soviet Union.”

“I’m not saying I’ll turn down a good road trip, but it has been the trains, ferries, subways, and most frequently the buses that have most helped me travel the world. When I want to explore a place, to get a sense of its culture, people, and neighborhoods (even my own), I have found that there is no better way to travel than public transportation. Crowded or nearly empty, full of conversations or silence, scheduled or unscheduled, with live chickens or Styrofoam packets of eggs, on sleek coaches or beat-up minibuses, whether in my hometown or a new town in a foreign country: traveling on public transportation becomes a primary insight into a place and culture.”

“Vast rivers, the kind that flow through continents and look like seas at their widest points, hold a particular fascination for me, as do trains. The reason is simple: we don't have these things in Shetland, and I hope the childlike awe I feel on a riverbank, or watching an intercity train swoosh across a high bridge, will never fade. Best, of course, when the two are combined. About a hundred miles southwest of Kharkiv the train had slowed, and I watched from the window, totally transfixed, as we clunked across a bridge that seemed to stretch on and on over the dark river. Lights glimmered, reassuring, in the distance. There are many bridges which knit the city of Dnipro together, taking trains and traffic across both the Dnipro and Samara rivers. The city sprawls at their confluence.”

“You can start by wiping that fucking dumb-ass smile off your rosey, fucking, cheeks! Then you can give me a fucking automobile... a fucking Datsun, a fucking Toyota, a fucking Mustang, a fucking Buick! Four fucking wheels and a seat! And I really don't care for the way your company left me in the middle of fucking nowhere with fucking keys to a fucking car that isn't fucking there. And I really didn't care to fucking walk down a fucking highway and across a fucking runway to get back here to have you smile at my fucking face. I want a fucking car RIGHT FUCKING NOW!”

“For many country folk, the railway was Paris. Its gleaming tracks brought tales of success, prosperity and realised dreams to the provinces, qualities with which the capital was increasingly seen as synonymous. For a countrywoman like Madeleine, short on money and luck, overworked, and whose future appeared only to offer more of the same, those dazzling steel tracks represented a chance. All at once, resignation turned to hope. Suddenly, Madeleine could see clearly. If she stayed in Bessines, her future was mapped out – and it was bleak. But if she boarded the train to Paris, anything was possible – perhaps even happiness. Jeanne and Widow Guimbaud were horrified when, not five years after Marie-Clémentine’s birth, Madeleine announced that her mind was made up: she was going to start a new life in Paris.”

“The law of 11 June 1842 establishing the French railroad system was passed in the same year as a train accident killed forty persons on the short line to Versailles. The controversial new legislation provided government guarantees to private investors, as well as state aid for the construction of a rail network radiating out from Paris. The law of 11 June also sparked a railway boom that attracted investors and was popular with the public. A second railway bill was passed in 1846, promising additional expansion. The father of the teenage artist Gustave Dore, for example, was a state- trained and -paid civil engineer assigned to survey the route of a future line between Lyon and Geneva. (...) ...during the 1840s writers such as George Sand began to predict that the commercial impact of the railroad would quickly destroy the local customs and traditions that still regulated the culture of most of rural France.”

“Vernet received his commission for this project in 1838, a year in which concessions for the construction of railroads were a subject of passionate debate, and many of the deputies were carried away by visions of the glorious future this new invention would usher in, typical of which was the speech of the director of bridges and railroads in which he proclaimed that, after the invention of the printing press, railroads represented the greatest advance in the history of civilization. In response to this enthusiasm Vernet broke traditional rules of decorum in his enormous mural, combining classical figures and traditional allegorical emblems with products of the industrial revolution. In one section of his mural composition, usually entitled Le Génie de la Science (The genius of Science), a nude allegorical figure is seated in the foreground, one hand on an air pump, the other on an anvil, while a modern steam locomotive is driven toward a railroad tunnel in the background (see Figure 2-2). If Vernet had been limited to one symbol to characterize the social and economic reality of the July Monarchy, it is doubtful that he could have found a better one.”

“It is perhaps not superfluous to point out here that throughout the 1830s and 1840s travel was still for the most part an activity for the rich or the adventurous. Most transportation on the European continent was by ship or mail coach, and it was time-consuming, expensive, and uncomfortable. Not until the emergence of the train did travel become an activity for the middle and lower middle class. Yet the railroads were still in their infancy under the July Monarchy. The first passenger railway was not built until 1837, and by 1840 only 433 kilometers of rail had been laid down. Then railroad building picked up speed; by 1848, 1,592 kilometers of rail lines were in use while 2,144 more were under construction. The railroads were to encourage yet a new kind of travel publication, the railroad guide or itinerary, which described and illustrated (in wood engravings or lithographs) the major sights along a particular line. However, this new type of publication, though it originated during the July Monarchy, did not become widespread until the Second Empire.”

“The very old lady in black looked up at a notice over the window: TO STOP THE TRAIN PULL DOWN THE CHAIN PENALTY FOR IMPROPER USE, FIVE POUNDS. She smiled the gentlest, sweetest smile. "All my life I have been afraid that one day the temptation would prove too much for me," she said. "Don't suppose there's anyone who doesn't feel like that, ma'am," said the soldier, grinning.”

“I read somewhere it is psychologically beneficial to stand near things greater and more powerful than you yourself, so as to dwarf yourself (and your piddlyass bothers) by comparison. To do so, the writer said, released the spirit from its everyday moorings, and accounted for why Montanans and Sherpas, who live near daunting mountains, aren't much at complaining or nettlesome introspection. He was writing about better "uses" to be made of skyscrapers, and if you ask me the guy was right on the money. All alone now beside the humming train cars, I actually do feel my moorings slacken, and I will say it again, perhaps for the last time: there is mystery everywhere, even in a vulgar, urine-scented, suburban depot such as this. You have only to let yourself in for it. You can never know what's coming next. Always there is the chance it will be--miraculous to say--something you want.”

“I love wide stretches of open land, but to the average Spaniard, who typically thrives in company and is most at home in a crowd, these fields of Extremadura (which literally means “extremely tough”) could even be intimidating, only partly because not far back in time there were bandits in the region. They were named as the ‘extreme’ end of the country. If it is at least not totally empty, there is certainly a sense of that great lonesome feeling created by the far-off, long, long line at which the earth's surface and the sky meet: a pleasant melancholy of an imagined solitary truck crawling across a plain, the ancestral memory of a caravan trail or a child’s drawing of a single emblematic tree on a small hill.”

“The last wendigo died in 1962, or so the story goes. Reputedly, he (it?) stood in front of the train to Churchill, Manitoba, believing that the train would stop for him, a supernatural being, and then he would be able to eat the passengers. The train ran him over. Sic transit gloria mundi.”