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Beauty In Nature Quotes

Browse 123 quotes about Beauty In Nature.

Beauty In Nature Quotes

“The philosophical study of beauty, art, and the splendor of nature nurtures a person’s fertile mind by exposing a person to the puzzling world of the beautiful, elegant, ugly, and grotesque. Human beings ability to experience sublime pleasure emanates from a variety of sensory experiences and a person’s ability to make discriminatory observations and judgment in taste and sentiment.”

“Say to yourself, I am perfect, the way I am. Say to yourself, I am beautiful the way I am. Say to yourself, those who do not accept me the way I am, do not deserve me in their life.”

“The female brain itself is a highly intuitive emotion-processing machine, which when put to practice in the progress of the society, would do much more than any man can with all his analytical perspectives.”

“A society where feminine beauty is defined not by the human self on genuine intellectual and sentimental grounds, but by a computer software on the grounds of economic interest, is more dead than alive. It is a society of human bodies, not human beings.”

“You only fix something, when it’s broken. And you - are far from broken.”

“O my Courageous Sister! You have to become the beacon of hope for all women around you and then for the whole society.”

“Listen my dear sister! You only fix something, when it’s broken. And you - are far from broken. Say to yourself, I am perfect, the way I am. Say to yourself, I am beautiful the way I am. Say to yourself, those who do not accept me the way I am, do not deserve me in their life.”

“Beauty is an illusion.”

“The tangible and factual components of reality along with the intangible strands of memory and imagination constitute the framework that houses our vital life force. A person is likewise composed of contradictory and complementary forces of pain and pleasure, darkness and lightness, and clashing and harmonizing bands of thoughts and feelings. The web and root of all persons consists of both the expressible and the unsayable. Who has not held imaginary conversations with gods, devils, and spirits? Persons whom enthusiastically cultivate an inner life, ardently experience the quick of nature, and willingly immerse themselves in all aspects of everyday living will experience renewal. Analogous to the heat source of fire, we need the spark of desire to fuel our hearts and the spirit of the breeze to spread our heart songs.”

“I sat up in the strange bed fearing it had been a dream, afraid I would never see her again. Not because I wanted anything from her, only her presence. The disappearance of the presence of beauty is the most despairing of events on this time-wheel of ours that rolls onward towards death.”

“Beauty, it seemed to Amineh, did not have to be extraordinary to be cherished. Maybe that was its secret, that it lived in the most common expressions of man and nature. The artisan had discovered it in a block of wood, which he had carved into a scene of a young woman sitting at a window. The locals had created it through the colorful geraniums they placed on small protrusions covering every square meter of their adobe walls. Even the animals were not immune. Who could doubt the starlings’ ecstatic flight around the minarets of the mosque was inspired by the symmetry of that aging structure.”

“In the first week of April the weather turned suddenly, unseasonably, insistently lovely. The sky was blue, the air warm and windless, and the sun beamed on the muddy ground with all the sweet impatience of June. Toward the fringe of the wood, the young trees were yellow with the first tinge of new leaves; woodpeckers laughed and drummed in the copses and, lying in bed with my window open, I could hear the rush and gurgle of the melted snow running in the gutters all night long. In the second week of April everyone waited anxiously to see if the weather would hold. It did, with serene assurance. Hyacinth and daffodil bloomed in the flower beds, violet and periwinkle in the meadows; damp, bedraggled white butterflies fluttered drunkenly in the hedgerows. I put away my winter coat and overshoes and walked around, nearly light-headed with joy, in my shirtsleeves.”

“At the time of Lewis and Clark, setting the prairies on fire was a well-known signal that meant, ‘Come down to the water.’ It was an extravagant gesture, but we can’t do less. If the landscape reveals one certainty, it is that the extravagant gesture is the very stuff of creation. After the extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look, I see fire: that which isn’t flint is tinder, and the whole world sparks and flames.”

“The best hedge against a sinful and wasteful life is to appreciate what is beautiful. When we observe a beautiful object, plant, animal, or child we are disposed to protect and preserve it. Whenever we see a stunning sunset, or smell the dark fragrance of fertility wafting in the air above a freshly tilled garden, we awaken from a stodgy slumber. Our heart quickens and a smile floods our lips whenever we hear a child excitedly squeal or a puppy yelp in delight. We warmly admire a willow tree gracefully draped over the mossy bank of the churning river. We stop scurrying about to silently observe a bird build a nest or to feed its fledglings. We startle to attention whenever we encounter an enchanting woman, a woman of obvious charm, intelligence, and poise. Whenever and however we encounter the magnificence of beauty it knocks us off balance, we are utterly decentered. Beauty is a primal and destabilizing force of nature. Helene’s frightful beauty, not love, incited the epic encounter between the Ancient Greeks and the Trojans.”

“Life is defined by time, appreciate the beauty of time; A time to plant, a time to harvest. A time to cry, a time to laugh. A time to be sad, a time to be happy. A time to be born, a time to die.”

“Some people will tell you that Toronto, in the summer, is the nothing more than a cesspool of pollution, garbage, and the smells of a hundred ethnicities competing for top spot in a race won historically by curry, garlic, and the occasional cauldron of boiled cabbage. Take a walk down College Street West, Gerrard Street East, or the Danforth, and you'll see; then, they add—these people, complaining—that the stench is so pervasive, so incorrigible, nor merely for lack of wind, but for the ninety-nine percent humidity, which, after a rainstorm, adds an eradicable bottom-note of sweaty Birkenstocks and the organic tang of decaying plant life. This much is true; there is, however, more to the story. Take a walk down the same streets and you'll find racks of the most stunning saris—red with navy brocade, silver, canary, vermillion and chocolate; marts with lahsun and adrak, pyaz and pudina; windows of gelato, zeppole, tiramisu; dusty smoke shops with patio-bistros; you'll find dove-white statuary of Olympian goddesses, mobs in blue jerseys, primed for the World Cup—and more, still, the compulsory banter of couples who even after forty years can turn foul words into the bawdiest, more unforgettable laughter (and those are just the details). Beyond them is the container, the big canvas brushed with parks and valleys and the interminable shore; a backdrop of ferries and islands, gulls and clouds—sparkles of a million wave-tips as the sun decides which colours to leave on its journey to new days. No, Toronto, in the summer, is the most paradisiacal place in the world.”

“But if a man be alone, let him look at the stars. The rays that come from those heavenly worlds, will separate between him and vulgar things. One might think the atmosphere was made transparent with this design, to give man, in the heavenly bodies, the perpetual presence of the sublime. Seen in the streets of cities, how great they are! If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.”

“She herself, as she had said, was oddly enjoying the snowy night. She had seldom had reason to be abroad in such weather at night, and she had forgotten, or never noticed, how clear the sky was or how brightly the stars twinkled down. They might have been the only ones alive in the whole world, for it was deadly still, the eerie light giving the night almost a magical quality. Everyday items were rendered mysterious and beautiful by their layer of white, and the only sounds were those they made, of creaking leather and the crisp squeak of snow underfoot.”

“Don't fret my dear. If art is translation of the ephemeral into observable form, then always remember that it is the translationn that is the craft. The craft is that which can always be improved. But the ephemeral is that which only you have been able to observe, and that which only you have chosen to translate, and so in a way, the ephemeral is you, and it is already beautiful.”