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Artifice Quotes

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Artifice Quotes

“It was the general opinion of ancient nations, that the divinity alone was adequate to the important office of giving laws to men... and modern nations, in the consecrations of kings, and in several superstitious chimeras of divine rights in princes and nobles, are nearly unanimous in preserving remnants of it... Is the jealousy of power, and the envy of superiority, so strong in all men, that no considerations of public or private utility are sufficient to engage their submission to rules for their own happiness? Or is the disposition to imposture so prevalent in men of experience, that their private views of ambition and avarice can be accomplished only by artifice? — … There is nothing in which mankind have been more unanimous; yet nothing can be inferred from it more than this, that the multitude have always been credulous, and the few artful. The United States of America have exhibited, perhaps, the first example of governments erected on the simple principles of nature: and if men are now sufficiently enlightened to disabuse themselves of artifice, imposture, hypocrisy, and superstition, they will consider this event as an era in their history. Although the detail of the formation of the American governments is at present little known or regarded either in Europe or America, it may hereafter become an object of curiosity. It will never be pretended that any persons employed in that service had any interviews with the gods, or were in any degree under the inspiration of heaven, any more than those at work upon ships or houses, or labouring in merchandize or agriculture: it will for ever be acknowledged that these governments were contrived merely by the use of reason and the senses. As Copley painted Chatham, West, Wolf, and Trumbull, Warren and Montgomery; as Dwight, Barlow, Trumbull, and Humphries composed their verse, and Belknap and Ramzay history; as Godfrey invented his quadrant, and Rittenhouse his planetarium; as Boylston practised inoculation, and Franklin electricity; as Paine exposed the mistakes of Raynal, and Jefferson those of Buffon, so unphilosophically borrowed from the Recherches Philosophiques sur les Américains those despicable dreams of de Pauw — neither the people, nor their conventions, committees, or sub-committees, considered legislation in any other light than ordinary arts and sciences, only as of more importance. Called without expectation, and compelled without previous inclination, though undoubtedly at the best period of time both for England and America, to erect suddenly new systems of laws for their future government, they adopted the method of a wise architect, in erecting a new palace for the residence of his sovereign. They determined to consult Vitruvius, Palladio, and all other writers of reputation in the art; to examine the most celebrated buildings, whether they remain entire or in ruins; compare these with the principles of writers; and enquire how far both the theories and models were founded in nature, or created by fancy: and, when this should be done, as far as their circumstances would allow, to adopt the advantages, and reject the inconveniences, of all. Unembarrassed by attachments to noble families, hereditary lines and successions, or any considerations of royal blood, even the pious mystery of holy oil had no more influence than that other of holy water: the people universally were too enlightened to be imposed on by artifice; and their leaders, or more properly followers, were men of too much honour to attempt it. Thirteen governments thus founded on the natural authority of the people alone, without a pretence of miracle or mystery, which are destined to spread over the northern part of that whole quarter of the globe, are a great point gained in favour of the rights of mankind. [Preface to 'A Defence of the Constitutions of the United States of America', 1787]”

ReasonPhilosophyGovernmentHappinessSciencePoliticsRightsInfluenceMankindDiscoveryAdvantageConstitutionInventionDivinitySecularSuperstitionLawsExpectationArtificeDivine RightHoly WaterPaineThomas JeffersonJeffersonThomas PaineSecular Government
Book:A Defence of the Constitutions of Government of the United States of America: Akashic U.S. Presidents Series
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“The source of love, as I learned later, is a curiosity which, combined with the inclination which nature is obliged to give us in order to preserve itself. […] Hence women make no mistake in taking such pains over their person and their clothing, for it is only by these that they can arouse a curiosity to read them in those whom nature at their birth declared worthy of something better than blindness. […] As time goes on a man who has loved many women, all of them beautiful, reaches the point of feeling curious about ugly women if they are new to him. He sees a painted woman. The paint is obvious to him, but it does not put him off. His passion, which has become a vice, is ready with the fraudulent title page. ‘It is quite possible,’ he tells himself, ‘that the book is not as bad as all that; indeed, it may have no need of this absurd artifice.’ He decides to scan it, he tries to turn over the pages—but no! the living book objects; it insists on being read properly, and the ‘egnomaniac’ becomes a victim of coquetry, the monstrous persecutor of all men who ply the trade of love. You, Sir, who are a man of intelligence and have read these least twenty lines, which Apollo drew from my pen, permit me to tell you that if they fail to disillusion you, you are lost—that is, you will be the victim of the fair sex to the last moment of your life. If that prospect pleases you, I congratulate you”

DesireCuriosityTemptationArtificeCoquetryArtificialityCoquette
Book:History of My Life, Vols. I & II
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“In the end, this volume should be read a s a collection of love stories, Above all, they are tales of love, not the love with which so many stories end – the love of fidelity, kindness and fertility – but the other side of love, its cruelty, sterility and duplicity. In a way, the decadents did accept Nordau's idea of the artist as monster. But in nature, the glory and panacea of romanticism, they found nothing. Theirs is an aesthetic that disavows the natural and with it the body. The truly beautiful body is dead, because it is empty. Decadent work is always morbid, but its attraction to death is through art. What they refused was the condemnation of that monster. And yet despite the decadent celebration of artifice, these stories record art's failure in the struggle against natural horror. Nature fights back and wins, and decadent writing remains a remarkable account of that failure.”

ArtDeathNatureIllusionEmptyDeadRomanticismDecadenceMorbidArtificeDecadent
Book:The Decadent Reader: Fiction, Fantasy, and Perversion from Fin-de-Siècle France
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“She knew only too well that the song was a beautiful lie. As soon as kitsch is recognized for the lie it is, it moves into the context of non-kitsch, thus losing its authoritarian power and becoming as touching as any other human weakness. For none among us is superman enough to escape kitsch completely. No matter how we scorn it, kitsch is an integral part of the human condition.”

BeautyPowerHumanWeaknessHuman ConditionLieArtificeKitschRevealAuthoritarian
Book:The Unbearable Lightness of Being
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“The modern age, with its growing world-alienation, has led to a situation where man, wherever he goes, encounters only himself. All the processes of the earth and the universe have revealed themselves either as man-made or as potentially man-made. These processes, after having devoured, as it were, the solid objectivity of the given, ended by rendering meaningless the one over-all process which originally was conceived in order to give meaning to them, and to act, so to speak, as the eternal time-space into which they could all flow and thus be rid of their mutual conflicts and exclusiveness. This is what happened to our concept of history, as it happened to our concept of nature. In the situation of the radical world-alienation, neither history nor nature is at all conceivable. This twofold loss of the world— the loss of nature and the loss of human artifice in the widest sense, which would include all history, has left behind it a society of men who, without a common world which would at once relate and separate them, either live in desperate lonely separation or are pressed together into a mass. For a mass-society is nothing more than that kind of organized living which automatically establishes itself among human beings who are still related to one another but have lost the world once common to all of them.”

NatureHistorySocietyLonelyManArtificeThe SelfConcept Of History
Book:Between Past and Future
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“Actually, no. I won't ever go digital. I work with thirty-five or large format. I like the hand-jobs, you know. And I still do most of my own printing. I've developed such a profound distaste for touch-up and modern artifice—comes from snapping too many derelicts and detritus, perhaps, but I love it. Photo bloody Shop can go stuff it. A picture should be honest, even if the subject is contrived on the ground, you know; not dolled-up for advertising punch or sex appeal.”

PhotographyArtificePhotoshopDetritusDerelicts
Author:Pansy Schneider-Horst
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“What does it mean to demonstrate in the streets, what is the significance of that collective activity so symptomatic of the twentieth century? In stupefaction Ulrich watches the demonstrators from the window; as they reach the foot of the palace, their faces turn up, turn furious, the men brandish their walking sticks, but “a few steps farther, at a bend where the demonstration seemed to scatter into the wings, most of them were already dropping their greasepaint: it would be absurd to keep up the menacing looks where there were no more spectators.” In the light of that metaphor, the demonstrators are not men in a rage; they are actors performing rage! As soon as the performance is over they are quick to drop their greasepaint! Later, in the 1960s, philosophers would talk about the modern world in which everything had turned into spectacle: demonstrations, wars, and even love; through this “quick and sagacious penetration” (Fielding), Musil had already long ago discerned the “society of spectacle.”

PoliticsActingActivismRageProtestDemonstrationModernismArtificeSpectacle
Book:The Curtain: An Essay in Seven Parts
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“By close inspection... you will discover the manner of handling the artifices of contrast, glazing, and other expedients, by which good colorists have raised the value of their tints, and by which nature has been so happily imitated.”

Has BeensValuesRaisedContrastImitationArtificeInspection
Book:The Life and Writings of Sir Joshua Reynolds: First President of the Royal Academy
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“How do men feel whose whole lives (and many men's lives are) are lies, schemes, and subterfuges? What sort of company do they keep when they are alone? Daily in life I watch men whose every smile is an artifice, and every wink is an hypocrisy. Doth such a fellow where a mask in his own privacy, and to his own conscience?”

MenFeelsWholeLyingCompanyWatchesConscienceFellowsWhole LifeHypocrisyPrivacyMaskSchemesArtificeWatch MeSubterfuge
Book:Delphi Complete Works of William Makepeace Thackeray (Illustrated)
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“Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.”

WarRealitySeemsAgePoetryFoundLostSpeakMemoriesSimpleDaughterTestsAccountsIntuitionFantasticRevoltUnrealActualityArtifice
Book:Delphi Complete Works of James Joyce (Illustrated)
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“There is no greater sign of a bad cause, than when the patrons of it are reduced to the necessity of making use of the most wicked artifices to support it.”

UseCausesSupportGreaterWickedPatronArtifice
Book:The Works of the Right Honourable Joseph Addison: The Spectator. The Guardian. The Lover. The present state of the war, and the necessity of augmentation, considered. The late trial and conviction of Count Tariff. The Whig-examiner. The Freeholder
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“The most offensive egotist is he that fears to say "I" and "me." "It will probably rain" - that is dogmatic. "I think it will rain" - that is natural and modest. Montaigne is the most delightful of essayists because so great is his humility that he does not think it important that we see not Montaigne. He so forgets himself that he employs no artifice to make us forget him.”

ThinkingDoeImportantNaturalForgetHumilityRainOffensiveModestDelightfulDogmaticArtificeEssayistsForget Him
Book:Delphi Complete Works of Ambrose Bierce (Illustrated)
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“For it is not the bare Words, but the Scope of the writer that giveth true light, by which any writing is to bee interpreted; and they that insist upon single Texts, without considering the main Designe, can derive no thing from them clearly; but rather by casting atomes of Scripture, as dust before mens eyes, make everything more obscure than it is; an ordinary artifice of those who seek not the truth, but their own advantage.”

WritingLightEyeOrdinaryAdvantageScriptureDustBeesConsideringObscureCastingScopeArtifice
Author:Thomas Hobbes
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“But since the Modernists (as they are commonly and rightly called) employ a very clever artifice, namely, to present their doctrines without order and systematic arrangement into one whole, scattered and disjointed one from another, so as to appear to be in doubt and uncertainty, while they are in reality firm and steadfast, it will be of advantage, Venerable Brethren, to bring their teachings together here into one group, and to point out the connexion between them, and thus to pass to an examination of the sources of the errors, and to prescribe remedies for averting the evil.”

WholeRealityTogetherOrderEvilDoubtGroupsTeachingSourceAdvantageErrorsCleverDoctrineUncertaintyFirmRemedyArrangementsExaminationSystematicBrethrenSteadfastArtificeVery CleverConnexion
Author:Pope Pius X
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“When I came to faith, I thought I would have to stop being an actor, because it's all about artifice and manipulation. But we're living in a world where God doesn't really have an influence, unless it's fundamentalists, so I'll always be an outsider because of my faith. And when you think about it, faith and acting are all about stories, so the two are not mutually exclusive.”

ThinkingWorldTwoStoriesActorsActingInfluenceManipulationOutsidersExclusiveArtifice
Author:Tamsin Greig
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“Among the numerous requisites that must concur to complete an author, few are of more importance than an early entrance into the living world. The seed of knowledge may be planted in solitude, but must be cultivated in public. Argumentation may be taught in colleges, and theories formed in retirement; but the artifice of embellishment and the powers of attraction can be gained only by a general converse.”

WorldWritingMayTaughtCollegeTheorySolitudeImportanceSeedsAttractionRetirementEntrancesConversesArtificePower Of AttractionArgumentationEmbellishmentConcur
Book:Selected poetry and prose
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“Always run to the short way; and the short way is the natural: accordingly say and do everything in conformity with the soundest reason. For such a purpose frees a man from trouble, and warfare, and all artifice and ostentatious display.”

MenWayReasonRunningPurposeNaturalTroubleAtheismConformityDisplayWarfareArtificeOstentatious
Book:Stoic Six Pack: Meditations of Marcus Aurelius The Golden Sayings Fragments and Discourses of Epictetus Letters from a Stoic and The Enchiridion
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“It was the maxim, I think, of Alphonsus of Aragon, that dead counsellors are safest. The grave puts an end to flattery and artifice, and the information we receive from books is pure from interest, fear, and ambition. Dead counsellors are likewise most instructive, because they are heard with patience and with reverence.”

ThinkingBookEndsInterestHeardAdviceInformationPureAmbitionGravesReverenceFlatteryMaximsArtificeCounsellors
Book:The Rambler
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“Madonna has a far profounder vision of sex than do the feminists. She sees both the animality and the artifice. Changing her costume style and hair color virtually every month, Madonna embodies the eternal values of beauty and pleasure. Feminism says, 'No more masks.' Madonna says we are nothing but masks. Through her enormous impact on young women around the world, Madonna is the future of feminism.”

WorldYoungValuesSexPleasureVisionFeminismStyleColorHairMonthsEternalImpactFeministEnormousAround The WorldMaskYoung WomenCostumesArtifice
Author:Camille Paglia
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“Nature is mighty. Art is mighty. Artifice is weak. For nature is the work of a mightier power than man. Art is the work of man under the guidance and inspiration of a mightier power. Artifice is the work of mere man, in the imbecility of his mimic understanding.”

MenArtInspirationUnderstandingArt IsWeakMereGuidanceArtificeImbecility
Book:Guesses at Truth, by Two Brothers. Third edition. First Series
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