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Selling Out Quotes

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Selling Out Quotes

“It's probably for the best that Van Gogh isn't around to see his work selling for squillions of dollars, as he'd probably start painting for that market. He may have lost an ear, but he'd still have that magic eye and a new nose for a deal. We're denied access to this poor man's genius by having the richest people on earth hanging his life's work in their mansions.”

“As far as visual art goes, it has to reveal something about reality that you can't really put into words. Any artist who can explain his work with words is not exactly on the right track. It's tough. You're always probing down in the dark and you reveal things to yourself as you do your art. People who use formulas or use their skill mainly just to make money -- I don't know how they can stand it. It must become very boring, I would think.”

“To make a deliberate falsification for personal gain is the last, worst depth to which either scholar or artist can descend in work or life. (Letter to Muriel St. Clare Byrne, 8 September 1935)”

“Losers" Losers are closer to my heart, because they were right... Because integrity doesn’t win the way it does in shallow Hollywood scripts. Integrity always loses— too many fear it, too many sell out, and too many find its demands too heavy to carry. I love losers because they were right. I, too, once placed my bet on humanity— and I lost.”

“You know, Aerosmith will be the thing that kills off your music. Not them directly, mind you. What they represent. Bands are going to sell out. Whatever you think is rebellious now will be used to sell you laxatives in a decade. You'll all get old and conservative. Your Saint Cobain put it well: 'Teenage angst has paid off well. Now I'm bored and old.' It's all about money. You'll get that. You think you are edgy now, but I've seen people like you start to lose their hair and then lose their minds.”

“You know, there used to be a difference between authentic music and sellout music. I'm talking about when I was young, in the sixties? Back then we knew there was a soullessness to the sellouts, and we wanted to be on the side of the artists. But now? Being a sellout is the authentic thing. When Molly Miller says 'I'm just being real,' what she means is that everyone wants money and fame and any artist who claims otherwise is lying. the only fundamental truth is greed, and the only question is who is up front about this. That's the new authenticity. Molly Miler can never be accused of selling out because selling out was her goal all along.”

“I'm not going with you,' I spat at Tamlin. 'And even if I did... You spineless, stupid fool for selling us out to him! Do you know what he wants to do with that Cauldron?' 'Oh, I'm going to do many, many things with it,' the king said. And the Cauldron appeared again between us. 'Starting now.”

“I learned this from Robert McKee. A hack, he says, is a writer who second-guesses his audience. When the hack sits down to work, he doesn't ask himself what's in his own heart. He asks what the market is looking for. The hack condescends to his audience. He thinks he's superior to them. The truth is, he's scared to death of them or, more accurately, scared of being authentic in front of them, scared of writing what he really feels or believes, what he himself thinks is interesting. He's afraid it won't sell. So he tries to anticipate what the market (a telling word) wants, then gives it to them. In other words, the hack writes hierarchically. He writes what he imagines will play well in the eyes of others. He does not ask himself, What do I myself want to write? What do I think is important? Instead he asks, What's hot, what can I make a deal for? The hack is like the politician who consults the polls before he takes a position. He's a demagogue. He panders.”

“The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written. (Letter to Muriel St. Clare Byrne, 8 September 1935)”

“I would love to win an Oscar one day. That would be a very wonderful thing. But in the meantime, I really hope that I make films I'm proud of. A lot of people aren't going to like the movies I make, I'm sure. But as long as I'm proud of the movie and I'm not selling out, and I'm doing things that make me happy and make me grow as an actress, I'll be good.”

“The inside operation of Congress - the deals, the compromises, the selling out, the co-opting, the unprincipled manipulating, the self-serving career-building - is a story of such monumental decadence that I believe if people find out about it they will demand an end to it.”

“We're not going to give tax breaks to billionaires and then cut back on the needs of our elderly or poor or kids or education. We're not going to privatize Social Security - in fact, we're going to strengthen it. We're going to provide quality education for every kid in America, from preschool through college. We have to take on these corporate leaders who are selling out the American people, whose allegiance is now much more to China than it is to the United States. If we have the courage to take these people on, I think we can overwhelm George W. Bush and his friends.”

“Images are no longer what they used to be. They can't be trusted any more. We all know that. You know that. When we grew up, images were telling stories and showing them. Now they're all into selling. They've changed under our very eyes. They don't even know how to do it anymore. They've plain forgotten. Images are selling out the world. And at a big discount.”

“So when these people sell out, even though they get fabulously rich, they're gypping themselves out of one of the potentially most rewarding experiences of their unfolding lives. Without it, they may never know their values or how to keep their newfound wealth in perspective.”

“I'm interested in the way the whole cultural landscape can shift over time. Okay, this will seem like a silly example, but look at the whole discourse around "selling out," a concept people say is irrelevant because there's no more distinction between mainstream and underground, inside and outside (which I don't really believe, but that's another issue).”

“One of the things we find when we talk to people that attend these congregations, they all have social cost to it. People want to know why they're doing that. Sometimes they're questions about selling out on their race or "Are we not good enough that you have to go to this kind of congregation and not ours?" So there are costs to it, and I think they're a little bit higher in the South because of its history.”

“The reality is that the Republicans twice had Mitt Romney as a potential nominee. They chose him in 2008 - 2012. In 2008 and 2012, he had been the most get tough on illegal immigrants, on undocumented immigrants, illegals, as he called them, accused John McCain of wanting to give them Social Security checks, accused Mike Huckabee selling out to them with the DREAM Act in Arkansas, was really the most strident.”