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Quote by Robert Adams

“Why is Form beautiful? Because, I think, it helps us confront our worst fear: the suspicion that life may be chaos and that therefore our suffering is without meaning.”

Quote by Robert Adams

Author

Robert Adams, born on May 8, 1937, is an American photographer known for his profound depiction of the urban and rural landscapes of the American Midwest. His work focuses on the impact of human activity on the natural environment. more

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“Whatever power there is in the urban pictures is bound to the closeness with which they skirt banality. For a shot to be good — suggestive of more than just what it is — it has to come perilously near being bad, just a view of stuff.”

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“Art depends on there being affection in its creator's life and an artist must find ways, like everyone else, to nourish it. A photographer down on his or her knees picturing a dog has found pleasure enough to make many things possible.”

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Book:Why People Photograph: Selected Essays and Reviews

Source: Why People Photograph: Selected Essays and Reviews

“The photographer hopes, in brief, to discover a tension so exact that it is peace.”

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“I want to let you in on a little secret. There are no problems. There are no problems. There never were any problems, there are no problems today, and there will never be any problems. Problems just mean that the world isn't turning the way you want it to. But in truth, there are no problems. Everything is unfolding as it should. Everything is right. You have to forget about yourself and expand your consciousness until you become the whole universe. The Reality in back of the universe is Pure Awareness. It has no problems. And you are That.”

“We could teach photography as a way to make a living, and best of all, somehow to get students to experience for themselves photography as a way of life.”

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“When you approach something to photograph it, first be still with yourself until the object of your attention affirms your presence. Then don't leave until you have captured its essence.”

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“All photographs are self-portraits.”

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“It is curious that I always want to group things, a series of sonnets, a series of photographs; whatever rationalizations appear, they originate in urges that are rarely satisfied with single images.”

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“To engage a sequence, we keep in mind the photographs on either side of the one in our eye.”

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“Before he has seen the whole, how unusually perceptive and imaginative the person must be to evolve the entire sequence by meditating on its single, pair or triplet of essential images.”

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