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Quote by Gregory David Roberts

Work

Shantaram

This novel is a richly detailed narrative that delves into the complexities of human existence, following the protagonist's journey from a life of crime to a quest for self-discovery and peace. The story is set against the backdrop of a vibrant and chaotic Mumbai, offering a vivid portrayal of the city's diverse cultures and communities. The protagonist's transformation is central to the narrative, as he navigates the challenges of addiction, the allure of the criminal underworld, and the search for a meaningful life. more

Author

Gregory David Roberts
Gregory David Roberts

Gregory David Roberts is an Australian author best known for his autobiographical novel 'The Shawshank Redemption.' This novel was later adapted into a successful film, becoming a classic. Born on June 1, 1952, Roberts' life has been marked by adventure and challenge. more

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“So I still like to see you, my friend. I still like to sit in La Côte Basque and sip wine and eat fine food and indulge in our memories—the good ones, the ones we want to remember. So let’s do that. That’s the story we can tell ourselves, at night when we can’t sleep. We can tell ourselves that there is one other person in the world who sees it in the same way, who remembers. Who remembers her. Babe. And Gloria. And even Truman, I guess, as he was, back then. Our fun, gossipy friend. Our entrée into a different world, for a time. An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty.”

“Understanding knowledge as an essential element of love is vital because we are bombarded daily with messages that tell us love is about mystery, about that which cannot be known. We see movies in which people are represented as being in love who never talk with one another, who fall into bed without ever discussing their bodies, their sexual needs, their likes and dislikes. Indeed, the message is received from the mass media is that knowledge makes love less compelling; that it is ignorance that gives love its erotic and transgressive edge. These messages are brought to us by profiteering producers who have no clue about the art of loving, who substitute their mystified visions because they do not really know how to genuinely portray loving interaction.”