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Quote by Elizabeth Wein

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The Pearl Thief

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Author

Elizabeth Wein
Elizabeth Wein

Elizabeth Wein, born on October 2, 1964, is a British writer known for her historical fiction and young adult literature. Her works are celebrated for their deep historical insights and nuanced portrayals of female characters. Her notable works include 'The Time Traveler's Wife' and 'Beautiful Mind', which have become bestsellers and have had a significant impact on young adult literature. more

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“Your mommy gave me”—he wracked his brain for the pig’s name— “Porky.” She looked at him “Peppy the pig?” The faintest hint of a smile touched her adorable heart-shaped face. “Do you want your pig?” he asked, reaching in his pocket. She gave her head a quick shake, and Liam withdrew his hand from his pocket. He got it. The singed ear was a reminder of what she and her stuffed animal had been through.”

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“Hi,” she said with that smile still on her face. But it was her breathy voice that got to him now. “Hi,” he said, looking into her eyes. “I missed you.”… “I missed you too.” “Yeah?” “Yeah. I really could have used you and your toolbelt.” “I love it when you talk dirty. Feel free to use me anytime.”

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“Sophie couldn’t respond even if she wanted to. Liam was in front of her, singing to her while the crowd sang along and clapped, stomping their feet in time to the music. Liam was a born performer. He played to the crowd, his voice deep and raspy. He circled her, moving closer each time. Then, just as the song ended, he cupped the back of her head and kissed her long and hard…”

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“The news is supposed to be a mirror held up to the world, but the world is far too vast to fit in our mirror. The fundamental thing the media does all day, every day, is decide what to cover — decide, that is, what is newsworthy. Here’s the dilemma: to decide what to cover is to become the shaper of the news rather than a mirror held up to the news. It makes journalists actors rather than observers. It annihilates our fundamental conception of ourselves. And yet it’s the most important decision we make. If we decide to give more coverage to Hillary Clinton’s emails than to her policy proposals — which is what we did — then we make her emails more important to the public’s understanding of her character and potential presidency than her policy proposals. In doing so, we shape not just the news but the election, and thus the country. While I’m critical of the specific decision my industry made in that case, this problem is inescapable. The news media isn’t just an actor in politics. It’s arguably the most powerful actor in politics. It’s the primary intermediary between what politicians do and what the public knows. The way we try to get around this is by conceptually outsourcing the decisions about what we cover to the idea of newsworthiness. If we simply cover what’s newsworthy, then we’re not the ones making those decisions — it’s the neutral, external judgment of news worthiness that bears responsibility. The problem is that no one, anywhere, has a rigorous definition of newsworthiness, much less a definition that they actually follow.”

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