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Quote by Tahereh Mafi

“Kenji snorts.“That’s because you’re not fragile,” Kenji says. “If anything, everyone needs to protect themselves from you. You’re like a freaking beast,” he says. Then adds, “I mean, you know—like, a cute beast. A little beast that tears shit up and breaks the earth and sucks the life out of people.”

Quote by Tahereh Mafi

Work

Ignite Me

This book is set in a dystopian world where love and passion are forbidden. The protagonist navigates through a complex web of relationships and societal norms, exploring the power of love in a restrictive environment. more

Author

Tahereh Mafi
Tahereh Mafi

Tahereh Mafi is an Iranian-American author born in 1988. Her works are acclaimed for their unique narrative style and profound insight into the psychology of teenagers. Mafi's debut novel, 'The Revenant,' is a coming-of-age story that delves into themes of family, identity, and self-discovery. more

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“The abundance of windows meant that the great room was cheered by a constant diffused light, even on a winter afternoon. The panes were not colored like church windows, and the lead-framed squares of clear glass allowed the light to enter in the purest possible fashion, not modulated by human art, and thus to serve its purpose, which was to illuminate the work of reading and writing. I have seen at other times and in other places many scriptoria, but none where there shone so luminously, in the outpouring, of physical light which made the room glow, the spiritual principle that light incarnates, radiance, source of all beauty and learning, inseparable attribute of that proportion the room embodied. For three things concur in creating beauty: first of all integrity or perfection, and for this reason we consider ugly all incomplete things; then proper proportion or consonance; and finally clarity and light, and in fact we call beautiful those things of definite color. And since the sight of the beautiful implies peace, and since our appetite is calmed similarly by peacefulness, by the good, and by the beautiful, I felt myself filled with a great consolation and I thought how pleasant it must be to work in that place.”

“Why does the night have to be so beautiful? As I walked through the night, I remember what Mitsutsuka said to me. "Because at night, only half the world remains." I count the lights. All the lights of the night. The red light at the intersection, trembling as if wet, even though it isn't raining. Streetlight after streetlight. Taillights trailing off into the distance. The soft glow of the windows. Phones in the hands of people just arriving home, and people just about to go somewhere. Why is the night so beautiful? Why does it shine the way it does? Why is the night made up entirely of light? The music flows from the earphones filling my ears, filling me it becomes everything. A lullaby. A gorgeous piano lullaby. What a wonderful piece of music. It really is. It's my favorite piece by Chopin. Did you like it too, Fuyuko? Yeah. It's like the night is breathing. Like the sound of melted light. (The light at night is special because the overwhelming light of day has left us, and the remaining half draws on everything it has to keep the world around us bright.) You're right, Mitsutsuka. It isn't anything, but it's so beautiful that I could cry.”