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Quote by Richelle Mead

Work

Spirit Bound

This book delves into the realm of the supernatural, intertwining the human spirit with extraordinary elements. It explores themes of destiny, sacrifice, and the supernatural, taking readers on a journey through a world where the boundaries between the living and the spirit world blur. more

Author

Richelle Mead
Richelle Mead

Richelle Mead is an American author renowned for her young adult fantasy novels. Her most famous work is the 'Vampire Diaries' series, which has gained a massive global readership. Mead's books often blend history, mythology, and modern elements, appealing to young readers. more

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“She’d rather make love to him then watch any movie. “We don’t have to. Did I do something wrong?” That made him turn to her. “Of course not.” “Oh. Then don’t you want to…” She trailed off, a blush rising. “Are you kidding me? More than anything.” His expression softened. “But, Maira, I don’t want to rush you, make you do something you aren’t ready for.” She stared at him. He was so pretty. Was he also stone-cold stupid? How could he think she wasn’t ready for it? She’d already thrown herself at him. Twice now, if he counted the kitchen disaster.”

“Hermes's eyes twinkled. "Martha, may I have the first package, please?" Martha opened her mouth ... and kept opening it until it was as wide as my arm. She belched out a stainless steel canister-an old-fashioned lunch box thermos with a black plastic top. The sides of the thermos were enameled with red and yellow Ancient Greek scenes-a hero killing a lion; a hero lifting up Cerberus, the three-headed dog. "That's Hercules," I said. "But how-" "Never question a gift," Hermes chided. "This is a collector's item from Hercules Busts Heads. The first season." "Hercules Busts Heads?" "Great show." Hermes sighed. "Back before Hephaestus-TV was all reality programming. Of course, the thermos would be worth much more if I had the whole lunch box-”

“[On Chopin's Preludes:] "His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky. ... The gift of Chopin is [the expression of] the deepest and fullest feelings and emotions that have ever existed. He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power.”