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Quote by Michael Sheen

“When you're working on something where there's usually one sex scene in the film, it all gets a little bit of a gray area and people get a bit uncomfortable and awkward. You just get through it. But, it became very clear on this that that can't happen. There can't be any gray areas on this because there are actors and actresses coming in for a day or a couple of days, as well as people who are there regularly.”

Quote by Michael Sheen

Author

Michael Sheen
Michael Sheen

Michael Sheen is a British actor born on February 5, 1969, in Wales. He is renowned for his exceptional performances in films and television, particularly in 'Lock, Stock and Two Smoking Barrels', 'Dallas Buyers Club', and 'The Mist'. Sheen's acting has been widely praised by audiences and critics, earning him numerous award nominations. more

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“Nothing can be left until the last minute, so that everyone knows exactly where they are. Everyone is comfortable and everyone feels safe because we want people to be able to keep coming into this show and taking those risks. There are a lot of risks in this show, not just nudity, but emotional risks. We want the best actors to feel comfortable about coming in and exploring this subject matter with us.”

“My experience of working on this show, even though there is so much about sex and sexuality, and we find out a lot of facts and statistics that are very interesting, in their own right, I found that I started talking about relationships more, and the emotions, the difficulties and the challenges. So, I became far more open about that, which I think is probably an indication with the show itself.”

“I mean, they clearly have a process of how they go about making their movies, and John Lasseter has been instrumental in implementing that process for all three studios with the Brain Trust and the way we work and the way we break stories and how it's all creative led. There are no executives in the room. So I think all of that is embraced unilaterally. But that's the first time I've heard of that.”

“When that word came down that the company had decided that we were going to go theatrical, we hooped and hollered and wahooed and all of that stuff, but the good thing is we didn't have to change anything. It's not like all of a sudden we had to reset, like "Oh my gosh, we're going to theater. We've got to make this better. We've got to make this bigger. We've got to add..." It was all done.”

“So actually what that was able to do was twofold. For me, it helps illustrate what DTS is capable of doing right from the beginning. And secondly, technically, it actually gave us a little bit more time so we could just finesse some effects and things like that, because when you release theatrical, you actually get a bigger window than if you're DVD when you have to have it done sooner so they can press the DVDs and all that kind of stuff.”