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Quote by Tim Burton

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Tim Burton's Corpse Bride: The Illustrated Story

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Tim Burton
Tim Burton

Tim Burton (born August 25, 1958) is an American film director, producer, writer, and artist known for his gothic, fantasy, and darkly humorous style. His works often blend supernatural elements with themes of loneliness and outsiderhood. Notable films include Edward Scissorhands, The Nightmare Before Christmas, Big Fish, Corpse Bride, and Alice in Wonderland. Burton's distinctive visual aesthetic—featuring pale characters, spiral patterns, and Gothic architecture—has made him a cult figure in cinema. He has received multiple award nominations and a Venice Film Festival lifetime achievement award. His films have grossed over $4 billion worldwide. more

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“The ability of ritual to evoke both positive and negative affect is, of course, not specific to religion. Secular dances, concerts, and -raves- induce feelings of happiness and joy, and military boot camp elicits pain, shock, and awe. Such secular experiences have strong emotional impacts on participants also, particularly during adolescence.”

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“The persistence of superannuated institutions in striving to perpetuate themselves is like the obstinacy of a rancid odour clinging to the hair; the pretension of spoiled fish that insists on being eaten, the tenacious folly of a child's garment trying to clothe a man, or the tenderness of a corpse returning to embrace the living. "Ingrates!" exclaims the garment. "I shielded you in weakness. Why do you reject me now?" "I come from the depths of the sea," says the fish; "I was once a rose," cries the odour; "I loved you," murmurs the corpse; "I civilized you," says the convent. To this there is but one reply; "In the past." To dream of the indefinite prolongation of things dead and the government of mankind by embalming; to restore dilapidated dogmas, regild the shrines, replaster the cloisters, reconsecrate the reliquaries, revamp old superstitions, replenish fading fanaticism, put new handles in worn-out sprinkling brushes, reconstitute monasticism; to believe in the salvation of society by the multiplication of parasites; to foist the past upon the present, all this seems strange. There are, however, advocates for such theories as these. These theorists, men of mind too, in other things, have a very simple process; they apply to the past a coating of what they term divine right, respect for our forefathers, time-honored authority, sacred tradition, legitimacy; and they go about, shouting, "Here! take this, good people!" This logic was familiar to the ancients; their soothsayers practised it. Rubbing over a black heifer with chalk, they would exclaim, "She is white" Bos cretatus. As for ourselves, we distribute our respect, here and there, and spare the past entirely, provided it will but consent to be dead. But, if it insists upon being alive, we attack it and endeavor to kill it. Superstitions, bigotries, hypocrisies, prejudices, these phantoms, phantoms though they are, are tenacious of life; they have teeth and nails in their shadowy substance, and we must grapple with them, body to body, and make war upon them and that, too, without cessation; for it is one of the fatalities of humanity to be condemned to eternal struggle with phantoms. A shadow is hard to seize by the throat and dash upon the ground.”

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