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Quote by Vladimir Nabokov

“The color of one's creed, neckties, eyes, thoughts, manners, speech, is sure to meet somewhere in time of space with a fatal objection from a mob that hates that particular tone. And the more brilliant, the more unusual the man, the nearer he is to the stake. Stranger always rhymes with danger. The meek prophet, the enchanter in his cave, the indignant artist, the nonconforming little schoolboy, all share in the same sacred danger. And this being so, let us bless them, let us bless the freak; for in the natural evolution of things, the ape would perhaps never have become man had not a freak appeared in the family.”

Quote by Vladimir Nabokov

Work

Lectures on Literature

This book delves into the study of literature, examining different literary works, themes, and critical approaches to the subject. more

Author

Vladimir Nabokov
Vladimir Nabokov

Russian-born American novelist, best known for his novel 'Lolita'. Nabokov is renowned for his unique literary style and profound use of language and symbolism. more

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“We have this advantage, that the norms expect us to be wise. Even a rats-ass dwarf jester got credit for terrible canniness disguised in his foolery. Freaks are like owls, mythed into blinking, bloodless objectivity. The norms figure our contact with their brand of life is shaky. They see us as cut off from temptation and pettiness. Even our hate is grand by their feeble lights. And the more deformed we are, the higher our supposed sanctity.”

“Freaks was a thing I photographed a lot. It was one of the first things I photographed and it had a terrific kind of excitement for me. I just used to adore them. I still do adore some of them. I don't quite mean they're my best friends but they made me feel a mixture of shame and awe. There's a quality of legend about freaks. Like a person in a fairy tale who stops you and demands that you riddle. Most people go through life dreading they'll have a traumatic experience. Freaks were born with their trauma. They've already passed their test in life. They're aristocrats.”

“Human Crew had been a group formed to defend the rights of normals against freaks. At least that was the Human Crew line. Most people now saw Human Crew as a straight-up hate group. Lance grabbed Turk’s shoulder and practically yanked him up off the stinking couch where he lay. “Turk, listen, man, listen to me: don’t you see what this means?” Turk did not see what it meant, or at least not whatever Lance thought he should see. Turk mostly disliked Lance. They were friends, kind of, but only because they’d both been with Zil and riding high. And now they were reduced to doing the worst work Albert could find for them: digging slit trenches for kids to go in, and then covering them up when they were full. Cesspool diggers. The Crap Crew, kids called them. And they had to kiss Albert’s butt because otherwise they didn’t eat. They’d been lucky they weren’t exiled. Turk had talked the council out of sending them off to live in the wild. He’d begged, that was the truth of it. He’d convinced them that it was better to find a place for him and the others from Human Crew. He’d put all the blame for the fire on anyone but themselves. Kept saying, “It’s not our fault, guys, not me and Lance and all, we were forced by Zil and Hank. Hank was scary, man, you know that. You know he was a creep and he would have shot us or messed us up.” Turk had whined like a baby. And wept. And in the end convinced that smug wetback Edilio, and especially Albert, that they wouldn’t make trouble anymore, ever again, lessons learned, their lives all turned around now. The Human Crew became the Crap Crew. And harsher names as well. A laughingstock.”