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Paris in April

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Allan Dare Pearce

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“We Lesbian Avengers have built this shrine. It stands for our fear. It stands for our grief. It stands for our rage. And it enshrines our intention to live fully and completely as who we are, wherever we are. We take the fire of action into our hearts. And we take it into our bodies. And we stand, here and now, to make it known that we are here, and here we will stay. Our fear does not consume us. Their fire will not consume us. We take that fire, and we make it our own.”

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“In the case of Tunisia, it was indeed this single act that sparked what had been long-standing active protest movements and moved them forward. But that's not so unusual. Let's look at our own history. Take the civil rights movement. There had been plenty of concern and activism about violent repression of blacks in the South, and it took a couple of students sitting in at a lunch counter to really set it off. Small acts can make a big difference when there is a background of concern, understanding, and preliminary activism.”

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“The academic and writer Sara Ahmed has written brilliantly about the idea of the feminist killjoy, and why it should be embraced – because feminism isn’t about making everyone around the table feel comfortable. It’s about being disruptive, challenging, and changing the terms of the debate, so that, over time, almost certainly with discomfort and backlash, everyone becomes freer.”

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“Why do you live out here? You're a great healer; you could get work in the inner city if you wanted to. Even in E-star, I bet." "Well, I just don't want to live anywhere else," She looked up, smiling so that the lines at the edges of her eyes crinkled. As she looked out into the expanse of endless desert that led up to the crater wall, she seemed as though her thoughts were far away. "This place is our home. It was my mother's home, and her mother's before that. This is what we know, and even though our lives aren't as long as those with the clean air... this is our land.”

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“So while I drove my little and planned his fantasy night of how I was going to give Otter the key to my soul (his words, not mine), I silently panicked and wrote lines of bad poetry. Normally, I am quite adept at writing poems and lyrics to songs I'l never sing, but this stuff was just atrocious. For example: I love you You love me Thank God for that I'm so happy And Ty's personal favorite (which he helped me on): Otter! Otter! Otter! Don't lead cows to slaughter I love you and I know I should've told you soon-a But you didn't buy the dolphin-safe tuna! TY asked me if I got the hidden message in his poem. I told him it was loud and clear.”

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“There is no one story that will replace the American dream, but stories like this one—and there are thousands—can inform the myth or myths we create for building and preserving the next culture. In order to do so, however, we must recognize that we cannot live without myth, for it is an essential part of our humanity. If we attempt to do so—given the fact that something in us needs myth—we will only create more myths that echo the American dream—with themes of heroism, greed, entitlement, narcissism, exploitation, exceptionalism, and myriad abuses of power. How we prepare for and navigate collapse will provide the raw materials for the myths we make and will live by in a postindustrial world.”

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“None of us really has any idea how many lives we touch or what impact we have on those lives. In most cases, we will never get to see what difference we made, but living out loud isn’t about noticing the results. It is about doing what we came here to do, for no reason other than that it is our life purpose.”

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