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Quote by John Cage

Work

Silence: Lectures and Writings

This book presents a series of lectures and written works from John Cage, the pioneering American experimental composer renowned for his innovative approach to music and sound. The collection offers insights into Cage's artistic philosophy, his experimental methods, and his unconventional perspectives on the creative process. Through various essays and lectures, Cage discusses concepts related to silence, chance, and the boundaries of musical artistry. As one of the influential figures in twentieth-century avant-garde music, Cage challenged traditional musical conventions and explored the relationship between sound, environment, and performer. The writings reflect his engagement with Eastern philosophical ideas and his collaborative work with artists including Merce Cunningham. The book provides readers with an opportunity to understand the intellectual foundation behind Cage's groundbreaking musical compositions and his lasting impact on contemporary music and art. more

Author

John Cage
John Cage

John Cage (September 5, 1912 - August 12, 1992) was an American composer, music theorist, writer, and experimental musician. Known for his unique approach to music composition and exploration of sound, Cage's works often broke the boundaries of traditional music, profoundly influencing modern music. more

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“How can the mind take hold of such a country? Generations of invaders have tried, but they remain in exile. The important towns they build are only retreats, their quarrels the malaise of men who cannot find their way home. India knows of their trouble. She knows of the whole world's trouble, to its uttermost depth. She calls "Come" through her hundred mouths, through objects ridiculous and august. But come to what? She has never defined. She is not a promise, only an appeal.”

“We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father's shed were sighing. The sheets were rising and falling around me with Anna's breathing. I thought about waking her. but it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you... It's always necessary. I love you.”

“Old art offers just as good a criticism of new art as new art offers of old.”