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John Cage

John Cage Quotes

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Famous John Cage Quotes

“I went to a concert upstairs in Town Hall. The composer whose works were being performed had provided program notes. One of these notes was to the effect that there is too much pain in the world. After the concert I was walking along with the composer and he was telling me how the performances had not been quite up to snuff. So I said, "Well, I enjoyed the music, but I didn't agree with that program note about there being too much pain in the world." He said, "What? Don't you think there's enough?" I said, "I think there's just the right amount.”

“Dad's oil dehydrator was a contained electrostatic field, one electrode down the center, the other the container's inner wall. Principal problem was finding a dielectric to separate the two. Refuse oil poured in came out as oil of the highest grade, dry chemicals, and drinking water. Petroleum Rectifying Company successfully prohibited its use.”

“Put 'em who threaten possessions and power together with 'em who offend our tastes in sex and dope. Those who're touched, put 'em in asylums. Pack off old ones to 'senior communities,' nursing homes. Our children? Keep'em prisoner, baby-sitter as warden. School? Good for fifteen to twenty years. Army afterward. Liberated, we live in prison. No this, no that. Kill us before we die!”

“I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.”

“A sound does not view itself as thought, as ought, as needing another sound for its elucidation, as etc.; it has not time for any consideration--it is occupied with the performance of its characteristics: before it has died away it must have made perfectly exact its frequency, its loudness, its length, its overtone structure, the precise morphology of these and of itself.”

“Discord occasions a momentary distress to the ear, which remains unsatisfied, and even uneasy, until it hears something better. I am convinced...that provided the ear be at length made amends, there are few dissonances too strong for it. Disharmony, to paraphrase Bergson's statement about disorder, is simply a harmony to which many are unaccustomed.”