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Quote by William Gibson

“[When] Johnny Mnemonic was coming out and I realized that all the kids that worked in 7-11 knew more - or thought they knew more - about feature film production than I did. And that was from reading Premiere, that was from this change that came from magazines that treat their readers as players. Magazines that purport to sell you the inside experience.”

Quote by William Gibson

Author

William Gibson, born on March 17, 1948, is a renowned science fiction novelist from Canada. His works are known for their unique futurist style and profound insights into technological development, making him a representative figure in the cyberpunk literary genre. more

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“I realized that everyone in Western society, in some weird way, believes that they've had the experience of producing feature films.”

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“You can get in a cab in Vancouver and the 20-year-old driver speaks more knowingly of Michael Ovitz than anyone in the industry. They just know! And it's perhaps not unhealthy.”

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“I've gone to big stadium rock concerts at some artist's invitation, and there's this invariable, fascinating and rather sad situation of concentric circles of availability. There are Green Rooms within Green Rooms literally within Green Rooms. There are seven or eight degrees of exclusivity, and within each circle of exclusivity, everyone is so happy to be there, and they don't know that the next level exists.”

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“[I've gone to big stadium rock concerts at some artist's invitation], and eventually you find yourself in the room with the Radiant Being around whom all this is revolving. It's very bizarre, and it's quasi-religious, or possibly genuinely religious. Spooky. It's a spooky and interesting thing.”

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“I worry about what we'll do in the future, [about the instantaneous co-opting of pop culture]. Where is our new stuff going to come from?”

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“What we're doing pop culturally is like burning the rain forest. The biodiversity of pop culture is really, really in danger.”

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“I watch a sort of primitive form of the recommodification machine around my friends and myself in sixties, and it took about two years for this clumsy mechanism to get and try to sell us The Monkees. In 1977, it took about eight months for a slightly faster more refined mechanism to put punk in the window of Holt Renfrew. It's gotten faster ever since. The scene in Seattle that Nirvana came from: as soon as it had a label, it was on the runways of Paris.There's no grace period, so that's a way in which I see us losing the interstitial.”

“I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.”

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“I like living in Vancouver .It's more a matter of being a Vancouver loyalist. Harking back to what I said about growing up with the inherent violence in the southern U.S., I'm deeply enamoured of, and entirely used to living in a society with gun laws akin to those of a Scandinavian social democracy .It's a good thing.”

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“To the very limited extent that I have a political consciousness, to some extent I'm a lazy, apolitical sort of guy that just flits around.”

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