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Quote by Lewis Baltz

“I assumed from the outset that photography was already art, and that I and other people working in photography were artists. I understand now that this was a minority point of view.”

Quote by Lewis Baltz

Author

Lewis Baltz (September 12, 1945 - November 22, 2014) was an American visual artist known for his photographs of modern architecture and landscapes. His work is characterized by a cool, objective perspective, exploring the relationship between humans, nature, and architecture. more

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“It might be more useful, if not necessarily more true, to think of photography as a narrow, deep area between the novel and film.”

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“I see the world as a temporary site-specific installation, structures, infrastructures, the foundation of our sense of belonging and our identity, seen from afar, as a great scale model: the city as an avatar of itself.”

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“I wanted to represent the world as a temporary art installation continuously changing. I wanted to consider it unreal and unfinished, judge and transform it, a possibility that only art gives us.”

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“I am no longer interested in seeing and knowing everything all at once in my work. Technically I select the area of focus and if it's possible I try to make an amalgamation of every shape and color in the picture so that it acquires a circular movement: from representation to abstraction, from life to death, and vice-versa.”

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“Can you see the deaths, divorces, job losses or changes, disappointments, surprises, and successes on people's faces? Have they been happy, sad, disillusioned, or gratified? I have been trying the single, vertically shot portrait with my 8 x 10 since 1985 and never felt I succeeded in finding what I was looking for.”

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“[My advice to a beginning photographer is] sit down with a pencil and paper and think about what your life is about. What you are about. Don't even take a camera into your hands before you figure that out.”

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“Does getting closer to the subject make the photograph more intimate? I'm sure it takes more than that. What comes next? The face, the nude? That's what I'd love to do. Who would even let me do that?”

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“My theory is, the more pictures you take, the better you get. It's like a sport. I never wait to get a particular shot because wonderful accidents can happen when you shoot a lot.”

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“I know now that before I take a picture I have to be sure about how I feel about the subjects. What I don't know is if I should explain to them what I'm doing while I'm photographing them.”

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“It's extremely damaging to a fair trial to have people reaching judgment about the case in the newspapers and on the radio before the facts are heard in a case.”

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