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The Theseus Paradox

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David Videcette

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“Florence, listen to me carefully. He squeezed her hand. Take whatever that agent offers you. Give him what he wants, and don’t ask too many questions. Get yourself an exit visa as soon as you can. Then leave! Disappear. Forget this wretched place”

“Other books depended less on personal contacts than on certain abiding concerns. Early in his career, Dreiser had become interested in a crime that he saw as a dark version of the American success motif: the murder of a woman who stood in the way of her lover’s dreams of social and material advancement through a more advantageous marriage. For An American Tragedy (1925) he investigated numerous case histories, many of them sensational murders involving well-known figures such as Roland Molineux and Harry Thaw. He finally settled on the 1906 Chester Gillette trial for the murder of Grace Brown that occurred in the lake district of upstate New York. The novel benefited from the popular interest in criminal biography, a form to which Dreiser’s masterpiece gave new life as the progenitor of documentary novels of crime such as Richard Wright’s Native Son, Truman Capote’s In Cold Blood, and Norman Mailer’s The Executioner’s Song. The Cambridge Companion to Theodore Dreiser”

“Our communists aren’t like your communists. In New York they’re always on the street demonstrating, but their demands are absurd. Slash rents! Free groceries and electricity for the poor! They demand that landlords open up their vacant apartments to house the unemployed. They even demand that the Communist Party distribute unemployment relief instead of the Labor Department. They might as well demand cake and champagne!”

“Moscow appeared to her as an Asiatic sprawl of twisting streets, wooden shanties, and horse cabs. But already another Moscow was rising up through the chaos of the first. Streets built to accommodate donkey tracks have been torn open and replaced with boulevards broader than two or three Park Avenues. On the sidewalks, pedestrians were being detoured onto planks around enormous construction pits. A smell of sawdust and metal filings hung in the air”

“The Bolshevik leaders perched atop the Mausoleum were no easier to tell apart than chess pawns. But Florence too was certain that she could recognise the twinkling eyes of Joseph Stalin, which looked down at her each workday from the oil painting above Timofeyev’s desk”

“Sunset was just then settling over Red Square. There seemed some hidden vision to be gleaned. A message about man’s chaotic spirit and his sombre dignity. His dignity and his power. His power and his purpose. She was sure that there was some thread there, but the burden of decoding it made her feel too tired”